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Painting over the Line (In-Person)
with Kassem Amoudi
Wednesdays, 1 - 4 p.m.*
Instructor: Kassem Amoudi
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Note: This previously online class is currently being offered in-person.
Learn to explore new possibilities and paint more intuitively under the guidance of artist/critic/mentor Kassem Amoudi! Work from personal subject matter (objects, images, emotions, or ideas) to find your own visual language, informed by examples from contemporary and modern art. Examine how to use concepts of color, harmony, focal point, space, and mark-making as powerful tools of personal expression. Open painting is heavily supported by critiques and advice from the instructor as he works one-on-one with each student to guide them in their personal style and goals. This course is excellent for students pursuing abstract or nonobjective imagery, seeking knowledgeable feedback and a focused community painting environment. Painting experience recommended.
Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering.
*Note: No class on June 19 for Juneteenth holiday.
Image: Kassem Amoudi, On the Way Home 7, Acrylic on canvas, 40 x 30 in.
Register by: May 24
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Lithography (In-Person)
with Ron Wyffels
Wednesdays, 6 - 9 p.m.*
Instructor: Ron Wyffels
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Lithography is a versatile printmaking process that allows for a complete range of drawing effects: contour line, hatching/cross-hatching, painterly wash applications, expressive mark-making, and reductive techniques. Learn all aspects of the lithographic process through step-by-step demonstrations and hands-on practice: preparing a traditional stone or lightweight aluminum plate; creating your own drawing from observation, imagination or photographic transfer using a range of drawing materials; selecting paper; printing in black-and-white and color; and editioning your prints. Note: Tuition includes a $20 lab fee.
Learning Objectives
- Students will gain a basic understanding of the lithography printing process.
- Students will acquire technical experience in preparing stones, plates, & ink.
- Students will learn basic stone & plate drawing, etching and processing techniques.
- Students will acquire technical expertise by way of proofing and printing their stones & plates, including learned skills in roller use & litho press operation.
- Students will learn printmaking professionalism including printing editions on clean registered printmaking paper, signing and numbering editions appropriately.
- Students will learn the importance of image development through individual reviews and by exploring various possibilities with the process.
- Students will develop critical visual and verbal skills by way of individual discussions with the instructor and with their peers.
- Students will advance their individual art concepts and expand their artistic territory through new techniques & material uses.
Optional: This course is available for 1.0 undergraduate credit for $615 (including lab fee). Select credit option with price adjustment when registering.
*Note: No class on June 19 for Juneteenth holiday.
Image: Ron Wyffels.
Register by: May 24
Materials List
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Screenprinting and Beyond (In-Person)
with Tony Rosati
Thursdays, 9 a.m. - 12 p.m.*
Instructor: Tony Rosati
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will cover all aspects of the process including screen preparation, image development, and printing techniques. Printmakers with experience may propose independent projects. Note: Tuition includes $20 lab fee.
Learning Objectives:
- Students will gain a basic understanding of the screenprinting process.
- Students will acquire technical experience with screens, squeegees, ink, tools, and equipment.
- Students will learn basic screenprinting techniques including image development, coating and processing screens, mixing ink, and printing.
- Students will acquire technical expertise by way of printing various stencils from fine detail images to flat broad areas.
- Students will learn printmaking professionalism including printing editions on clean registered printmaking paper, signing and numbering editions appropriately.
- Students will learn the importance of image development through individual reviews and by exploring various possibilities with the process.
- Students will develop critical visual and verbal skills by way of individual discussions with the instructor and with their peers.
Optional: This course is available for 1.0 undergraduate credit for $615 (including lab fee). Select credit option with price adjustment when registering.
*Note: No class on July 4 for Independence Day.
Image: April Flory, Afternoon Center City, 2023, Screenprint, 15 x 22 in. Courtesy of Student.
Register by: May 24
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Stone Carving (In-Person)
with Steve Nocella
Saturdays, 9 a.m. - 12 p.m.*
Instructor: Steve Nocella
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Explore the possibilities of stone carving by using traditional and nontraditional methods. All processes from rough carving to polishing will be covered, and various tools and techniques will be demonstrated. Open to all levels. Note: Tuition includes $20 lab fee.
Learning Objectives
- Develop proficiency in basic tool use including manual carving, pneumatic carving, sawing, grinding, and sanding.
- Learn the methods of stone carving beginning with "roughing out" a form and finishing with sanding and polishing.
- Develop a perceptual ability for spatial relationships of the elements that constitute a sculpture or a three-dimensional image.
- Learn to use creative and critical thinking in the process of carving sculpture.
- Gain an appreciation for the influence and informing effect that medium and process have on image making.
- Acquire an introductory understanding of the history of stone carving as well as the capacity to conceptualize context for the student's own sculpture.
Optional: This course is available for 1.0 undergraduate credit for $615 (including lab fee). Select credit option with price adjustment when registering.
*Note: No class on July 6 for Independence Day weekend.
Register by: May 24
Materials List
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Plein Air Painting in Gouache (Outdoor)
with Michelle Oosterbaan
Saturdays, 10 a.m. - 2 p.m.
Instructor: Michelle Oosterbaan
Five-Week Short Course (20 Hours)
Credit: Non-Credit Only
Gouache (opaque watercolor paint) is the perfect medium for landscape painting in the open air! Painters of all levels will fall in love with it as a portable, fast-drying, and easy-to-clean-up alternative to oils. Explore gouache’s subtle but vibrant color and versatile application methods as you portray the beauty of Philadelphia’s parks in your own personal style. Learn techniques for choosing a composition, mixing color, and working efficiently outdoors as you complete a series of rapid sketches and at least one sustained painting. Open to all levels. Painting locations featuring shade, restrooms, and other amenities may include Wissahickon Park in Mt. Airy, Washington Square Park near Independence Hall, and Bartram's Garden in Southwest Philadelphia. Note: Students are responsible for their own transportation to painting locations.
Image: Michelle Oosterbann.
Register by: May 24
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Metal Sculpture (In-Person)
with Steve Nocella
Saturdays, 1 - 4 p.m.*
Instructor: Steve Nocella
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
This six-week course teaches the basic skills needed for making metal sculpture. Learn fundamental methods of cutting, bending and welding metal such as sawing, heating, and MIG welding. Students will be encouraged to explore the medium with directness and spontaneity to gain a knowledge and understanding of its complexion. Note: Tuition includes a $25 lab fee.
*Note: No class on July 6 for Independence Day weekend.
Images: Steve Nocella, Bust with Helmet and Facemask No. 6, 2023. Mixed media.
Register by: May 24
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Figure as a Point of Departure Workshop (Online)
with Kassem Amoudi
Friday – Sunday, 10 a.m. - 1 p.m. (Live Zoom Only)
Instructor: Kassem Amoudi
Weekend Workshop
Credit: Non-Credit Only
If you are tired of getting lost in the details and traditional modes of representational painting and want to take a risk by exploring new ways of expressing the human form, this class is for you. Learn to paint and draw the human figure in a looser, more expressionistic contemporary manner. Expert instruction and advice from the instructor will push students to work more intuitively, allowing unplanned marks and passages to become artistic breakthroughs. PowerPoint presentations and examples of contemporary ways of using the figure will be provided to enhance your understanding of the abstract qualities of space, line and color. Sessions will include live painting time in the style of a traditional classroom environment, with critiques and advice from the instructor as he works one-on-one with each student. Open to all levels of figure drawing/painting experience, but students should have experience with using their materials of choice. Note: Due to the emphasis on live instructor feedback and in-class painting, this Zoom class is not recorded.
Image: Kassem Amoudi, Shadow 3 (detail), acrylic on canvas.
Register by: May 31
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Painless Perspective Workshop (In-Person)
with Frederic Kaplan
Saturday and Sunday, 9 a.m. – 4 p.m.
Instructor: Frederic Kaplan
Weekend Workshop
Credit: Non-Credit Only
Perspective is at the heart of good drawing. It allows us to transform the 3D world into a believable 2D image, and it need not be difficult to understand. With still life and interiors as subject matter, learn basic principles and simple methods presented in clear language and without the need for special tools or complex geometry. This workshop serves as a good foundation for further study in drawing. A modest amount of previous drawing experience is recommended.
Image: Fred Kaplan.
Register by: June 14
Materials List
Summer 2024 CE Policy Guide, including withdrawal/refund policies