Mondays, 1 - 4 p.m. 
Instructor: Tony Rosati 
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

This course presents basic intaglio and monotype printing techniques including monoprint, drypoint, etching, aquatint, collograph and polymer plate methods. Image embellishments will include embossing, chine collé, collage, paper plates and mixed media techniques. All levels welcome; experienced students may continue independent work. Tuition includes a $20 lab fee.  

Image: Tony Rosati, Pine Barrens, Monotype, 8 x 6 in.

Register by: June 24 

Materials List  

Summer 2024 CE Policy Guide, including withdrawal/refund policies 

Thursdays, 6 – 9 p.m. (Zoom with posted Canvas content)
Instructor: Susan Sullivan 
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

Are you intimidated by the idea of oil painting? This course will help the beginning painter gain confidence in a variety of techniques including direct and indirect painting; color mixing; using mediums, solvents and additives; and painting with a brush and palette knife. Subject matter will include still life, portrait, interior spaces, landscape, and a master copy. Zoom class times will be comprised of group lectures and demonstrations, as well as studio painting time where the instructor will work one-on-one to guide students toward successful compositions. Drawing experience required. 

Image: Susan Sullivan, Malibu, Oil on panel, 16 x 16 in.

Register by: June 24 

Materials List  

Summer 2024 CE Policy Guide, including withdrawal/refund policies 

Information for PAFA CE Online Courses 

Tuesdays, 9 a.m. - 4 p.m. 
Instructor: Roberto Osti 
Six-Week Condensed Course (36 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Develop your ability to render the human form through the time-honored combination of anatomical study and life drawing with noted artist and author Roberto Osti.  Learn the methods and technical skills traditionally associated with beautiful figure drawing, such as measuring, tonal rendering, anatomical structuring, and establishing the effects of light on the figure, using graphite on white paper, charcoal and chalk on toned paper, reduction techniques, and the trois crayons technique. Through the instructor’s in-depth anatomical drawing demonstrations and work from the life model, learn the structural aspects of the human form: basic landmarks, essential volumes, and proportional relationships. Progress to the main muscle groups to identify their surface effects and aesthetic characteristics, and how they influence mass and movement. Learn to incorporate your knowledge of figure anatomy to capture the elegance, dynamism, and subtleties of the human form through drawing from the model in short and extended poses. This course is ideal for anyone interested in strengthening their figure drawing, painting, or sculpture skills, as well as for those interested in future medical illustration.  Note: Tuition includes a $50 models fee. 

Optional: This course is available for 1.0 undergraduate credit for $745 (including models fee). Select credit option with price adjustment when registering. 

Image: Roberto Osti, Rebecca. 

Register by: June 24
Materials List  
Summer 2024 CE Policy Guide, including withdrawal/refund policies 

Tuesdays, 10 a.m. – 1 p.m. (Zoom with posted Canvas content)
Instructor: Charles Muldowney 
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

Impasto is a technique in which paint is applied in very thick layers, often with visible brush or painting-knife strokes, to impart texture, expression, or even sculptural effects.  Impasto techniques have been an essential part of painting history, from the underlying vigorous brushwork of Renaissance artists to the distinctive mark-making of past and contemporary masters such as Rembrandt, Van Gogh, de Kooning, Soutine, Lucian Freud, and Auerbach. Learn techniques to build a thick, textured surface to find your own unique impasto style in this course. 

Learning Objectives 

• Students will learn the history of the impasto painting technique. 
• Students will gain confidence in applying thick spontaneous layers of paint. 
• Students will loosen up and discover how to create a unique mark making signature. 
• Students will learn how to paint with a pallet knife and other tools. · Students will discover the difference between direct and indirect painting. 
• Students will learn the important techniques of glazing, velatura, scumbling and dry brush. 

Image: Charles Muldowney. 

Register by: June 24
Materials List  
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses 

Tuesdays, 1 - 4 p.m. 
Instructor: Keith Leitner 
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

Artist, philosopher, and influential 20th-century composer John Cage, along with artist and educator Sister Corita Kent, developed a set of 10 Rules for Students and Teachers to encourage artistic production. Learn to apply these valuable guidelines to your own creative processes to find useful and meaningful ways of generating ideas, moving past ruts or stumbling blocks, and maintaining a steady and productive studio practice.  This hands-on drawing/mixed-media class will utilize engaging exercises to challenge you to go beyond your comfort zone and find inspiration in chance, impediments, and simply your coffee cup. Work on paper in your choice of media from imagination or prompts to explore means of building abstract imagery through personal means of mark-making and layering.  Instruction will be supplemented by discussions of the artists who encouraged Cage and those who were influenced by him.  This class is geared toward students with some prior art-making experience but is perfect for those who are launching their artistic career/studies, artists returning to the studio after an absence, and anyone seeking inspiration and stimulation for their art-making practice.  

Image: Keith Leitner.

Register by: June 24
Materials List  
Summer 2024 CE Policy Guide, including withdrawal/refund policies

Tuesdays, 6 – 8 p.m. (Zoom with posted Canvas content)
Instructor: Alicia Mino 
Six-Week Short Course (18-Hour Equivalent)
Credit: Non-Credit Only

Learn strategies to translate your photographs into drawings that both retain the photo’s realism and promote your personal expression. Using colored pencil (which combines the possibilities of color with the ease of dry media), explore tactics for accurately translating your imagery to your drawing surface; identifying, mixing, and layering color to achieve vibrant effects; creating realism through the study of texture, light, and contrast; and employing addition and subtraction techniques to expand your range of mark-making. Work from your choice of photographic subject matter – a great option for students seeking to make art from personal experiences, capture family and friends who cannot pose for portraiture, or expand their interests and skills in landscapes, animals, or other subject matter not easily accessible.  This course is excellent for beginners or those interested in colored pencil or photorealistic drawing techniques. 

Image: Alicia Mino.

Register by: June 24
Materials List  
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses

Wednesdays, 9 a.m - 12 p.m*
Instructor: Roger Chavez 
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

Without question, every oil painter benefits from color mixing instruction:  Understanding how to accurately see, mix, and adjust color not only allows you to achieve the results you want in your work but also enables you to avoid the pitfalls of wasting paint though inaccurate and poorly understood pigment mixing.  Explore key methods and principles for effective color mixing, using a limited palette to create prismatic hues and earth tone colors. Instruction will address the role of light in the visual perception of color, as well as subtractive and additive color systems. Work from varied still life arrangements to put your color comprehension into practice, and advance your painting skills for all subject matter.  

*Note: No class on August 7. 

Image: Roger Chavez

Register by: June 24 
Materials List
Summer 2024 CE Policy Guide, including withdrawal/refund policies 

Wednesdays, 10 a.m. – 2 p.m.
Instructor: Charles Muldowney
Five-Week Short Course (20 Hours)
Credit: Non-Credit Only

Enjoy open-air painting in beautiful Valley Forge National Historical Park, the encampment site of George Washington’s Continental Army in 1777-1778 and now home to a painter’s delight of lush scenery and historic architecture!  Located in Montgomery County, 35 minutes northwest of Center City Philadelphia, the park features great views of the Schuylkill River, Valley Creek, the Valley Forge Farm, Mt. Joy, Mt. Misery, and many valleys, cabins, and colonial houses, with ample parking and access to restrooms.  Working from diverse landscape subject matter, students will learn the essential materials, tools, techniques, and strategies for painting on site.  Instruction will cover a variety of plein air approaches, including painting with a knife and brush, painting from an imprimatura,  Macchiaioli painting, and working from sketches to block in local color.  Note: Students are responsible for their own transportation.

Image: Charles Muldowney, Valley Forge Sunset, Watercolor. 

Register by: June 24
Materials List 
Summer 2024 CE Policy Guide, including withdrawal/refund policies