Wednesdays, 5:30 – 8:30 p.m. 
Instructor: John Greig
Six-Week Short Course (18 Hours) 
Note: No class on November 26

This class will explore wood as a primary art-making medium, looking at its many types, techniques and uses. Students will develop a well-rounded foundation of wood-working skills including cutting, milling, laminating, joinery and safe use of wood-working tools. Contemporary, traditional and ancient art works made of wood will be presented for historical and contextual understanding. Students will be encouraged to find their own unique voice within the material while building skills. Tuition includes $30 materials fee.

Image: John Greig

Register by: October 22 
Materials List - Coming Soon! 
Fall 2025 CE Policy Guide, including withdrawal/refund policies 

Saturdays, 10 a.m. - 1 p.m.
Instructor: David Wilson 
Six-Week Short Course (18 Hours) 
Note: No class on November 29

Paint from a life model in long, multi-class poses to develop and refine your figure painting compositions. Extended poses will allow students to adjust and resolve issues of surface, color, and composition. Instruction will cover a variety of topics including glazing, broken color, surface texture, composition and design, the relationship of the figure to the environment, the creation of atmosphere and color harmony, disrupted realism, and open- versus closed-form painting. All levels welcome. Instruction will be geared toward oil, but students are welcome to draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee. 

Image: David Wilson

Register by: October 24 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Mondays, 12:30 – 3:30 p.m.
Instructor: Justine Ditto
Six-WeekShort Course (18 Hours) 

Painting and printmaking go hand-in-hand, not only as adjacent mediums but in combination. This freeing and instructive course presents printmaking techniques as jumping off points to making mixed media work in spirit of experimentation and personal expression. Learn how to make monotypes, drypoints, and screenprints as a foundation for incorporating your choice of graphite, colored pencil, acrylic, watercolor, oil paint, and/or collage. Content includes technical advice from an artist-instructor ideally skilled in a variety of media as well as critiques to expand your creative boundaries. This class is perfect for painters/draftspeopleseeking to expand their processes, printmakers seeking to employ painterly and mixed media techniques, and anyone with love of color and experimentation. Open to all levels – no prior printmaking or painting experience required. Tuition includes a $20 materials fee.

Image: Justine Ditto

Registration still open! 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Mondays, 6 – 9 p.m. 
Instructor: Frederic Kaplan 
Six-Week ShortCourse (18 Hours)  

If you haven’t drawn in a while, this course will help to rebuild your skills in translating the 3D world to the 2D surface of your paper. Hone your ability to interpret and define proportions, shapes, and value structure while working from observation from city views, interiors, and still-life objects. Content will address shading techniques, principles of perspective, and line quality in charcoal or pencil. Students will learn to:

• Reduce complex forms to simpler elements

• Gauge proportions and shapes using sighting techniques and other methods

• Use light and shadow to model form three-dimensionally

• Employ shading techniques

• Practice fundamental perspective principles and methods

Image: Fred Kaplan

Register by: October 27 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Tuesdays, 9 a.m. - 12 p.m.
Instructor: Roger Chavez 
Six-Week Short Course (18 Hours) 

Cultivate fluid mark-making and bold approaches to subject matter through rapid and loose painting studies. Tight and precise painting, especially in the early stages of an artwork, can sometimes lead to work that appears stiff and over-labored, or to locked-in compositions that are difficult to change or correct. Working from the still life, cityscapes, and the life model, utilize short, small painting exercises to learn new ways of starting paintings, keeping compositions open to adjustment, and both initiating and retaining a sense of freshness in your forms and brushstrokes. Instruction will address color mixing, painting materials and methodologies, and the importance of cultivating viablemethods for growth in your painting practice. Discover the beauty and freedom of loosening up your painting! Note: Tuition includes a $15 models fee.

Image: Roger Chavez

Register by: October 28 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Wednesdays, 12:30 – 3:30 p.m.
Instructor: Kandice Fields Portalatin
Six-Week Short Course (18 Hours) 

Explore lithography through non-toxic, easy-to-learn paper plate and polyester plate processes in this excellent entry-point printmaking class. Students will work with toner-based drawings tolearn the fundamental principles of using grease and water resistance to produce prints.Instruction will cover drawing methods using toner or Sharpie, plate processing, hand-printing, and layering techniques. Students will come away with: 

• The demystification of lithography through simple, approachable methods 

• Experience using sustainable alternatives to traditional stone and metal plates

• Strengthened drawing/mark-making skills in a new medium

• A small edition of alternative litho prints

Tuition includes a $20 lab fee.

Image: Kandice Fields Portalatin, I pick up my life and take it with me (Quilted) (detail), lithograph, 11 x 14 in.

Register by: October 29 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Saturday and Sunday, 9 a.m. - 5 p.m.
Instructor: James Toogood 
Weekend Workshop

Water:  It’s all around us -- streams, rivers, lakes, oceans, atmospheric effects, and more. It's a key ingredient in watercolor painting, regardless of the subject matter. But how does the artist create the illusion of water in a painting, regardless of the medium? This two-day workshop will present key tactics an artist can employ when painting bodies of water. Examine the nature of reflections, water movement, how water appears under various weather and lighting conditions, and more. Instruction includes demonstrations of how to incorporate various water effects in your own work and a review of the ways master artists historically have portrayed water in their paintings over the years. Open to all levels. Demonstrations will be conducted in watercolor, but instruction presents valuable information for painters of all media.

Image: James Toogood.

Register by: November 7 
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: RA Friedman
Weekend Workshop 

This intensive workshop is designed for those looking to push their portrait drawing abilities toward the professional level. Demonstrations and in-class exercises will open up how you see, think, and approach the creation of a likeness, avoiding common pitfalls. Explore subtleties of form and the relationships of lines, planes and tones, capturing the character and energy of the subject. Additionally, instruction will cover facial expressions and deep anatomy of the face, neck, and upper body. Drawing will be primarily in graphite pencil and stick. Introductory portrait drawing or equivalent recommended. Note: Tuition includes a $10 models fee.

Image: RA Friedman

Register by: December 1
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies