Open Studio Access (12-Week Rental): Mondays - Fridays, 7 a.m. - 10 p.m.; Saturdays, 8 a.m. - 8 p.m.; Sundays, 10 a.m. - 6 p.m. (No access during Thanksgiving Break, Thursday - Sunday, November 27 - 30.)

Class Meetings/Trips/Critiques:  Thursdays, September 25 - December 11, 10 a.m. - 1 p.m. or variable for critiques/trips. (No class on November 27.)

Instructor/Lead Critic: Roger Chavez

Taking the leap to start or cultivate an art-making practice in a private studio space can be both exciting and daunting. Learn how to create work and stay motivated on your own terms in this unique combination studio-rental and instruction/critique course! Tuition for this twelve-week program will confer an individual private studio space in PAFA’s Samuel M.V. Hamilton Building, as well as weekly meetings for critiques, exploratory trips to museums/galleries, archives visits, drawing sessions, and other professional practices-focused information led by artist-instructor/critic Roger Chavez, accompanied by visiting critics for select weeks.

Studios for this program are approximately 9 x 16 feet (144 sq. ft.), white-walled, with easel and stool provided (students are responsible for additional furniture or equipment needs). Studios are individual, interior-building spaces (not located along PAFA’s windowed exterior walls) on classroom floors, with private, lockable doors.

This program is perfect for artists wanting to jumpstart or advance their personal practice, for students considering application to a studio-centered certificate or degree program, or for anyone lacking a home studio and seeking a space to pursue their work -- with the motivation and encouragement that come from being part of an artistic community! Participants will benefit from prior art-making experience and the ability to work independently.

Notes:

• Registration requires an additional $200 studio deposit that is refundable upon satisfactory return of the studio to its original condition at the end of the program. Students must agree to and sign PAFA’s studio agreement form.
  
  
• No scholarships or membership/promotional discounts are available for this program. Membership discounts apply to regular CE courses only; special programs are not eligible for tuition deductions. 
  
  
• Students may work in their media of choice within PAFA's safety/clean-air guidelines (see materials list).  Access to print and sculpture shop facilities is not included in tuition:  Students must be enrolled in in-person CE printmaking or sculpture classes, or registered/approved for a PAFA Shop Membership, for access to the pertinent shop facilities and abide by shop rules and access hours.

Image: Instructor Roger Chavez in studio.

Registration Deadline: Rolling, on a space-available basis. Space is limited. Late registration available.

Materials List (PAFA-Approved Materials) 

Fall 2025 CE Policy Guide, including withdrawal/refund policies.  *Please note: A minimum 10% fee ($180) applies to cancellations any time after registration, including same day, to cover third-party processing charges.  Please check your schedule before registering.

By enrolling in the CE Taking the Leap Studio Rental Program, you agree to abide by PAFA's Procedures and Policies.

Wednesdays, 9 a.m. - 12 p.m. 
Instructor: Frederic Kaplan 
Ten-Week Course (30-Hours) 

Execute richly-hued paintings compelling in their realism using the unique arrangements in PAFA’s dedicated still-life studio as subject. Learn the fundamental vocabulary and techniques of representational oil painting: create a tonal underpainting, model form with opaque paint applications, generate depth and luminosity with transparent glazes and velaturas, and suggest texture with semi-drybrush scumbling. Content will address materials, color, effects of light, illusionistic space, and painterly treatments. This course is appropriate forbeginners, and is excellent for experienced painters seeking to develop pictures with a more believable sense of realism. Drawing experience strongly recommended. 

Image: Fred Kaplan

Late registration available through October 21
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies 

Wednesdays, 12:30 – 3:30 p.m.
Instructor: Kassem Amoudi 
Ten-Week Course (30 Hours) 

Learn to explore new possibilities and paint more intuitively under the guidance of artist/critic/mentor KassemAmoudi. Work from personal subject matter (objects, images, emotions, or ideas) to find your own visual language, informed by examples from contemporary and modern art. Examine how to use concepts of color, harmony, focal point, space, and mark-making as powerful tools of personal expression. Instruction is geared toward open painting time supported by critiques and advice from the instructor as he works one-on-one with students to guide them in their personal style and goals. This course is excellent for students pursuing abstract or nonobjective imagery, seeking knowledgeable feedback and a focused community painting environment. Painting experience recommended.

Image: Kassem Amoudi

Late registration available through October 21 
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies 

Sundays, 4:30 – 5:30 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Al Gury
Six-Week Condensed Course (30-Hour Equivalent) 

Explore how to use color as an organizing force in your drawings and paintings with Al Gury, Professor of Painting and Drawing at PAFA, and noted author of Alla Prima, Color for Painters, and Foundations of Drawing. This class presents practical skills and strategies for making strong compositions using color in the selection of hues, arrangement of marks/shapes, range values, and use of temperature to establish visual balance, space, and visual focus within the pictorial frame of an artwork. Projects will utilizelandscape, portrait, still life, and abstraction to examine color’s impact on design. Classes will contain explanations of the visual compositional strategies in both historic and contemporary art, instructor demonstrations, and tactics for problem-solving, as well as weekly assignments and critiques of personal work.Content will address techniques in oil, acrylic, watercolor, and pastel, with a focus on color applications. Class meetings will be held on Zoom, and assignments and asynchronous class content will be posted on Canvas, PAFA’s online learning platform.Beginning and advanced studentswelcome.

Image: Al Gury

Register by: September 26 
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies 
Information for PAFA CE Online Courses

Tuesdays, 12:30 – 3:30 p.m.
Instructor: Phyllis Laver 
Ten-Week Course (30 Hours) 

Develop your ability to render the portrait through the time-honored methods of drawing from both the cast and life. Learn techniques of observational drawing such as measuring, recognizing proportions and anatomical landmarks, and establishing the effects of light and shadowwhile working in a variety of dry drawing media. Part of the portrait study will be devoted to working from selections from PAFA’s historic cast collection of Antique and Renaissance sculpture to master sighting techniques and tonal gradations. The rest of the class will focus on drawing from the model, both clothed and unclothed, to capture the subtleties and vitality of the head and figure, for both traditional and extended portrait representations.Throughout the semester, the work of varied artists will be introduced and discussed.  Note: This portrait course includes the use of nude models. Course tuition includes a $50 model fee.

Image: Phyllis Laver

Late registration available through October 20 
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies 

Tuesdays, 1 – 2 p.m. (Zoom) with Asynchronous Canvas Content 
Instructor: Kate Samworth
Six-Week Course (18-Hour Equivalent) 

Understanding the principles of one- and two-point perspective is essential to drawing and painting convincing forms in space. Master the fundamentals of this geometric system that was developed during the Renaissance and is used to this day. Instruction will break down sometimes-intimidating principles into basic concepts to provide practical methods for creating interior spaces, landscapes, and cityscapes, including elements of repeated patterns, arches, stairways, and more. Great for illustrators and artists of any media requiring a strong drawing framework. 

Image: Kate Samworth

Late registration available through October 20 (recorded content available)

Materials List

Fall 2025 CE Policy Guide, including withdrawal/refund policies  
Information for PAFA CE Online Courses

Wednesdays, 5:30 – 8:30 p.m. 
Instructor: John Greig
Six-Week Short Course (18 Hours) 
Note: No class on November 26

This class will explore wood as a primary art-making medium, looking at its many types, techniques and uses. Students will develop a well-rounded foundation of wood-working skills including cutting, milling, laminating, joinery and safe use of wood-working tools. Contemporary, traditional and ancient art works made of wood will be presented for historical and contextual understanding. Students will be encouraged to find their own unique voice within the material while building skills. Tuition includes $30 materials fee.

Image: John Greig

Register by: October 22 
Materials List - Coming Soon! 
Fall 2025 CE Policy Guide, including withdrawal/refund policies 

Fridays, 9 a.m. - 12 p.m. 
Instructor: Steve Nocella 
Six-Week Short Course (18 Hours)  
Note: No class on November 28

Explore new ways of working from the human form that are alternatives to simulating volume in space with linear perspective and light and shadow. Draw and sculpt from the model with unconventional media and implements, such as acrylic applied with plastic knives, sticks, and sponges, and assemblages of wood, branches, and other natural or found objects. Experience how purposely cumbersome tools and fast poses combine to impede traditional rendering and thus generate a variety of shapes, patterns, textures, and lines that are rooted in, but independent of, the model. This immersive and playful process is an excellent introduction to working with abstract elements and learning how to form them into unified, compelling images. Open to all levels; an excellent alternative to, or expansion of, traditional 2- and 3-D figurative work. Note: Tuition includes a $35 models fee.

Image: Mary Frank, Untitled #9, 1975, Inks (watercolor) on ivory wove paper, 20 5/8 x 26 3/16 in. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia, Gift of Jalane and Richard Daivdson, 1986.25

Register by: October 24 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies