Wednesdays, 8:30 – 11:20 a.m.
Instructor: John Horn
Fifteen-Week Open Academy (BFA) Course (45 Hours)*
Credit: Non-Credit or 1.5 Undergraduate Credits (See Below) 

PAFA’s Open Academy provides the opportunity for Continuing Education (CE) and non-matriculated students to enroll in select BFA courses for credit or non-credit.  Open Academy students enrolled in PAFA’s renowned studio arts courses learn technical skills, creative expression, and critical thinking from master artist-teachers while working amongst dedicated full-time students in PAFA's classrooms.

The purpose of this course is to promote an individual way of seeing and working from the human figure and develop personal vision. This includes approaching the figure either as an end in itself or as a point of departure, and exploring an individual use of materials and techniques. Instruction for this course will be directed to the individual along with some group criticism and group discussion.

Optional: This course is available for 1.5 undergraduate credits for $1,400. Select credit option with price adjustment during registration.

*Note: No class on March 5 (Spring Break).

Image: John Horn

Register by: January 2
Materials List
Open Academy Policy Guide, including withdrawal/refund policies
Please note: A minimum 10% fee applies to cancellations any time after registration, including same day, to cover third-party processing charges -- please check your schedule before registering!

Thursdays, 8:30 - 11:20 a.m. (includes option to add afternoons, 1 - 3:50 p.m., for full-day attendance -- see description)
Instructor: Al Gury
Fifteen-Week Open Academy (BFA) Course (45 – 90 Hours)
*Credit: Non-Credit or 1.5/3.0 Undergraduate Credits (See Below) 

PAFA’s Open Academy provides the opportunity for Continuing Education (CE) and non-matriculated students to enroll in select BFA courses for credit or non-credit.  Open Academy students enrolled in PAFA’s renowned studio arts courses learn technical skills, creative expression, and critical thinking from master artist-teachers while working amongst dedicated full-time students in PAFA's classrooms.

Students will have availability of models for painting and drawing in the classroom, using a variety of setups, lighting, etc., where the instructor will guide and critique projects. Strategies for referencing the visual material in the settings for the development of work with a personal point of view will be discussed. Included will be historical and contemporary perspectives on painting and drawing with the figure. To address the needs of the advanced student emphasis will be placed on independently directed work. Therefore, this class can serve as a bridge to figurative work being developed in the private studio as well as in the open studio classroom. Students may work in their studios, where the instructor may be invited to offer criticism regarding work in progress. The goal of this course is to support, strengthen and prepare the students for independent work as a studio artist.

Optional: This course is available for half-day for 1.5 undergraduate credits for $1,400. For the option of full-day (morning, 8:30 - 11:20 a.m. and afternoon, 1 - 3:50 p.m.), this course is available for $2,300 non-credit or $2,800 for 3.0 undergraduate credits. Select length and credit choice with tuition adjustment during checkout.

* Note: No class meeting on March 6 (Spring Break).

Image: Al Gury

Register by: January 2
Materials List
Open Academy Policy Guide, including withdrawal/refund policies
Please note: A minimum 10% fee applies to cancellations any time after registration, including same day, to cover third-party processing charges -- please check your schedule before registering!

Fridays, 8:30 a.m. – 3:50 p.m.
Instructor: Peter Van Dyck
Fifteen-Week Open Academy (BFA) Course (90 Hours)* 
Credit: Non-Credit or 3.0 Undergraduate Credits (See Below)

PAFA’s Open Academy provides the opportunity for Continuing Education (CE) and non-matriculated students to enroll in select BFA courses for credit or non-credit.  Open Academy students enrolled in PAFA’s renowned studio arts courses learn technical skills, creative expression, and critical thinking from master artist-teachers while working amongst dedicated full-time students in PAFA's classrooms.

This class is an opportunity for the student to develop three complex works of escalating ambition. As has often been said, “all art comes from other art” in the sense that art-making is a culture in continuous negotiation with present needs and precedent. Students will develop a small group of imaginative peers from the labyrinth of painting history to consult and debate in the development of their pieces. The resulting pictures may include the production of studies, copies, collages, and any other kind of visual fodder to develop ambitious compositions that will explore the overlapping terrains of abstraction and figuration. What is meant here is that Piero, de Stael, Gorky, Ingres, Cassatt, and Kerry James Marshall are fraternal and in solidarity about the demands of painting.

Optional: This course is available for 3.0 undergraduate credits for $2,800. Select credit option with price adjustment during registration.

*Note: No class meetings on March 7 (Spring Break).

Image: Peter Van Dyck

Register by: January 2
Materials List  
Open Academy Policy Guide, including withdrawal/refund policies
Please note: A minimum 10% fee applies to cancellations any time after registration, including same day, to cover third-party processing charges -- please check your schedule before registering!

Open studio access: 8 a.m. - 10 p.m. daily, 15 weeks + Spring Break, January 13 - May 2. (No access during Martin Luther King, Jr. Day, January 20.) 

Critiques:  Four individual critiques, by sign-up, with selected critic.  Dates TBA (one per month, January - April). See available days/times attached to each critic.  Bonus group critique and/or group events with the adjacent/instructed Taking the Leap studio program subject to scheduling availability.   

Critics (students select ONE):  

• Jill A. Rupinski (Tuesdays, critique slots starting at 1 p.m.) 
• Peter Van Dyck (Thursdays, critique slots starting at 9 a.m.) 

Credit: Non-credit  

Maintain your studio practice and push your work to new levels amidst a thriving arts environment of classes and working degree students on PAFA’s campus – with the benefit of the expert advice of PAFA’s leading critics! Students participating in this program will pursue their own independent work under the focused guidance of one critic, PAFA appointed faculty Jill A. Rupinski or Peter Van Dyck (selected during registration), for one-on-one critique and discussion four times per semester (once monthly). Possible additional group critique or other opporunities may be available, pending scheduling.

Tuition for this fifteen-week/full-semester program will confer an individual studio space in PAFA’s Samuel M.V. Hamilton Building for self-guided studio time with monthly critiques from the selected faculty-critic. Studios for this program are approximately 9 x 16 feet (144 sq. ft.), white-walled, with an easel and stool provided (students are responsible for additional furniture or equipment needs). Students have two studio options (select preference during registration):  

• Studios within a group space are located side-by-side within a private, key-secured corridor for an engaging community atmosphere. Each space is curtained (no individually locked doors), opening out to the corridor’s large east-facing windows for the benefit of abundant natural light. 
  
  
• Interior studios spaces (not located along PAFA’s windowed exterior walls) offer increased privacy with individual lockable doors, without natural light. FULL -- Option not available at this time.
  

This studio-rental program is designed for experienced visual artists and alumni who can work independently and will benefit from constructive feedback on their artwork. For students needing more guidance in their individual studio practice or anyone preferring a format of weekly interaction, artistic prompts, and increased community support, PAFA’s alternative CE studio rental program, Taking the Leap to Start and Advance Your Studio Practice (with Instruction), is a great option with benefits designed to launch your studio practice!  

Note: Registration requires an additional $200 studio deposit that is refundable upon satisfactory return of the studio to its original condition at the end of the program. Students must agree to and sign PAFA’s studio agreement form. Membership and early registration discounts cannot be applied to course tuition. 

Image: Peter Van Dyck

Registration Deadline: Rolling, on a space-available basis. Late registration (after program start date) available. 

Materials List (PAFA-Approved Materials) 

Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies.  *Please note: A minimum 10% fee applies to cancellations any time after registration, including same day, to cover third-party processing charges -- please check your schedule before registering!

Open studio access: 8 a.m. - 10 p.m. daily, 15 weeks, January 13 - May 2 + Spring Break access, with weekly instruction on Thursdays. (No access during on Martin Luther King, Jr. Day, January 20.)

Weekly Meetings/Studio-Visits:  Thursdays, January 23 - April 24, 10 a.m. - 1 p.m. (No class on March 6.)

Instructor/Lead Critic: Roger Chavez

Credit: Non-credit or 1.0 undergraduate credits (see description)

Taking the leap to start or cultivate an art-making practice in a private studio space can be both exciting and daunting. Learn how to create work and stay motivated on your own terms in this new and unique combination studio-rental and classroom course! Tuition for this fifteen-week/full-semester program will confer an individual studio space in PAFA’s Samuel M.V. Hamilton Building, as well as weekly meetings for critique and instruction on a variety of artist’s concerns led by artist-instructor/critic Roger Chavez. Studios for this program are approximately 9 x 16 feet (144 sq. ft.), white-walled, with easel and stool provided (students are responsible for additional furniture or equipment needs). Students have two studio options (select preference during registration): 

• Studios within a group space are located side-by-side within a private, key-secured corridor for an engaging community atmosphere. Each space is curtained (no individually locked doors), opening out to the corridor’s large east-facing windows for the benefit of abundant natural light.
  
  
• Interior studios spaces (not located along PAFA’s windowed exterior walls) offer increased privacy with individual lockable doors, without natural light. FULL -- Option not available at this time.

Weekly meetings will feature both one-on-one in-studio critiques/discussions as well as group instruction on art topics designed to motivate and assist you in your work, including drawing sessions from models, assignment prompts, materials and techniques demonstrations, museum visits, and critiques from guest critics. This class is perfect for artists of varying levels of experience wanting to jumpstart or advance their personal practice, for students considering application to a studio-centered certificate or degree program, or for anyone lacking a home studio and seeking a space to pursue their work -- with the motivation and encouragement that come from being part of an artistic community! Participants will benefit from some prior art-making experience and the ability to work independently.

Note: Registration requires an additional $200 studio deposit that is refundable upon satisfactory return of the studio to its original condition at the end of the program. Students must agree to and sign PAFA’s studio agreement form. Membership and early registration discounts cannot be applied to course tuition.

Optional: This course is available for 1.0 undergraduate credit for $2,450. Select credit option with price adjustment when registering.

Image: Instructor Roger Chavez in studio.

See Also:  Experienced studio artists intersted in a studio program with feedback but without the benefit of weekly guidance may be interested in CE Studio Rental: Advanced Studio with Critique, which offers self-guided studio time with monthly critiques with one of PAFA's esteemed faculty critics for periodic feedback and expert advice.

Registration Deadline: Rolling, on a space-available basis. Late registration (after first weekly meeting) available.

Materials List (PAFA-Approved Materials) 

Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies.  *Please note: A minimum 10% fee applies to cancellations any time after registration, including same day, to cover third-party processing charges -- please check your schedule before registering!

Tuesdays, 9 a.m. - 12 p.m.
Instructor: Douglas Martenson
Twelve-Week Course (36 Hours)*
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)  

Join PAFA’s celebrated figurative tradition, combining Eakins-influenced historical techniques with contemporary approaches.  Master the drawing elements of gesture, proportion, volume, anatomy, tone, and composition in charcoal and colored chalk on toned paper.   Progress to oil painting materials and techniques, expanding from limited colors to a full palette.  Ideal for all levels, with options to draw- or paint-only based on experience.  Note: Tuition includes $75 models fee.   

*Note: No Class on March 4. 

Optional: This course is available for 1.0 undergraduate credit for $770 (including models fee). Select credit option with price adjustment when registering. 

Register by: January 10
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Tuesdays, 1 – 4 p.m.
Instructor: Douglas Martenson
Twelve-Week Course (36 Hours)*
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)  

Explore the power and nuance of one of art’s most engaging subjects: the portrait. Investigate the structure, proportions, form, and anatomy of the human head through drawings and painted studies.  Progress to finished paintings and address issues of likeness, composition, space, texture, and aspects of the clothed figure. Learn to better see and understand color to mix it more successfully, a useful skill for painting all subject matter.  Designed students at all levels learning or pursuing work in oil, acrylic, or other media; students may draw-only if they wish. Note: Tuition includes $75 models fee.   

*Note: No Class on March 4. 

Optional: This course is available for 1.0 undergraduate credit for $770 (including models fee). Select credit option with price adjustment when registering. 

Register by: January 10
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Tuesdays, 6 – 9 p.m.
Instructor: Jill A. Rupinski
Ten-Week Course (30 Hours)*
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Expand the boundaries of traditional watercolor painting! Explore the wonderful range of effects that may be achieved by incorporating compatible water-soluble materials such as ink, watercolor pencils, and opaque pigments, as well as toned surfaces. Demonstrations and examples of masterworks will illustrate traditional and contemporary techniques, with a wealth of practical and technical advice provided. Observational study in PAFA’s still life studio may be supplemented by options to work from personal sketches, photo sources, recognized artworks, and memory or imagination. Students will be encouraged to experiment, explore, and develop their personal expression with water-media.  

*Note: No class on March 4. 

Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering. 

Register by: January 10
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies