Tuesdays, 6 – 8:30 p.m. (Zoom with posted Canvas content)
Instructor: Susan Sullivan
Ten-Week Course (30-Hour Equivalent)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Abstraction in art can look like a variety of different things, from the painterly glow of a Turner seascape to the flattened patterns of a Matisse interior to Pollock’s nonobjective drip technique. But how does one get from painting realistically what one can see in the real world to translating it into invented color and shape or to abandoning form altogether? Learn from master artists throughout modern art history by trying on their techniques to find your own personal style! Explore different paint application methods, color interactions, and compositional tactics as you take on a variety of subjects, including still life, interiors, landscape, and the figure or self-portrait…using the examples of Helen Frankenthaler, David Hockney, Mickalene Thomas, and other master artists to guide you. Each session will include lecture and artist examples, in-class painting time, and one-on-one feedback from the instructor. Whether you are seeking to drive your current work to a new direction or simply experiment with different ways of generating imagery, this is a great steppingstone to making abstraction – in whatever form it may take – personal, expressive, and satisfying. Open to all media and levels but drawing experience recommended.

Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering.

Image: Susan Sullivan, B-52 (detail), oil on canvas.

Register by: May 22
Materials List

Summer 2024 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses

Wednesdays, 1 - 4 p.m.*
Instructor: Kassem Amoudi
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Note: This previously online class is currently being offered in-person.

Learn to explore new possibilities and paint more intuitively under the guidance of artist/critic/mentor Kassem Amoudi! Work from personal subject matter (objects, images, emotions, or ideas) to find your own visual language, informed by examples from contemporary and modern art. Examine how to use concepts of color, harmony, focal point, space, and mark-making as powerful tools of personal expression. Open painting is heavily supported by critiques and advice from the instructor as he works one-on-one with each student to guide them in their personal style and goals. This course is excellent for students pursuing abstract or nonobjective imagery, seeking knowledgeable feedback and a focused community painting environment. Painting experience recommended. 

Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering.

*Note: No class on June 19 for Juneteenth holiday.

Image: Kassem Amoudi.

Register by: May 24

Materials List

Summer 2024 CE Policy Guide, including withdrawal/refund policies

Wednesdays, 6 - 9 p.m.*
Instructor: Ron Wyffels
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Note: This course has been delayed by one week, now scheduled to start on June 5.  Options for an extension to August 14, or an alternate make up date, for the missed session will be discussed during the first class.  The course remains OPEN for registration.

Lithography is a versatile printmaking process that allows for a complete range of drawing effects: contour line, hatching/cross-hatching, painterly wash applications, expressive mark-making, and reductive techniques. Learn all aspects of the lithographic process through step-by-step demonstrations and hands-on practice: preparing a traditional stone or lightweight aluminum plate; creating your own drawing from observation, imagination or photographic transfer using a range of drawing materials; selecting paper; printing in black-and-white and color; and editioning your prints. Note: Tuition includes a $20 lab fee.

Learning Objectives

• Students will gain a basic understanding of the lithography printing process.
• Students will acquire technical experience in preparing stones, plates, & ink.
• Students will learn basic stone & plate drawing, etching and processing techniques.
• Students will acquire technical expertise by way of proofing and printing their stones & plates, including learned skills in roller use & litho press operation.
• Students will learn printmaking professionalism including printing editions on clean registered printmaking paper, signing and numbering editions appropriately.
• Students will learn the importance of image development through individual reviews and by exploring various possibilities with the process.
• Students will develop critical visual and verbal skills by way of individual discussions with the instructor and with their peers.
• Students will advance their individual art concepts and expand their artistic territory through new techniques & material uses.

Optional: This course is available for 1.0 undergraduate credit for $615 (including lab fee). Select credit option with price adjustment when registering.

*Note: No class on June 19 for Juneteenth holiday.

Image: Ron Wyffels.

Register by: May 24

Materials List

Summer 2024 CE Policy Guide, including withdrawal/refund policies

Tuesdays, 9 a.m. - 4 p.m. 
Instructor: John Horn
Six-Week Condensed Course (36 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Develop your ability to render the human form through the time-honored combination of anatomical study and life drawing.  Learn the methods and technical skills traditionally associated with beautiful figure drawing, such as measuring, tonal rendering, anatomical structuring, and establishing the effects of light on the figure, using graphite on white paper, charcoal and chalk on toned paper, and reduction techniques. Through the instructor’s in-depth anatomical drawing demonstrations and work from the life model, learn the structural aspects of the human form: basic landmarks, essential volumes, and proportional relationships. Progress to the main muscle groups to identify their surface effects and aesthetic characteristics, and how they influence mass and movement. Learn to incorporate your knowledge of figure anatomy to capture the elegance, dynamism, and subtleties of the human form through drawing from the model in short and extended poses. This course is ideal for anyone interested in strengthening their figure drawing, painting, or sculpture skills, as well as for those interested in future medical illustration.  Note: Tuition includes a $50 models fee. 

Optional: This course is available for 1.0 undergraduate credit for $745 (including models fee). Select credit option with price adjustment when registering. 

Image: John Horn.

Register by: June 24
Materials List
Summer 2024 CE Policy Guide, including withdrawal/refund policies 

Thursdays, 9 a.m. - 4 p.m. 
Instructor: Morgan Dummitt 
Six-Week Condensed Course (36 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

This course will cover all aspects of the foundry process. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. All levels welcome.  Note: Tuition includes a $65 lab fee.  

Optional: This course is available for 1.0 undergraduate credit for $760 (including lab fee). Select credit option with price adjustment when registering. 

Image: Morgan Dummitt, Hygieia (detail), 2023, Bronze, 27 x 11 x 8 in.

Register by: July 5
Materials List  
Summer 2024 CE Policy Guide, including withdrawal/refund policies 

Thursdays, 9 a.m. - 4 p.m. 
Instructor: Al Gury 
Six-Week Condensed Course (36 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Paint portraits from a variety of models using the direct painting method. Examine the proportions and volumes of the head, as well as the placement, structure, and characteristics of the facial features, through preliminary drawings and demonstrations. Develop color using a limited palette to understand how to use chroma, temperature, value, tint, and tone. Instruction will address materials, composition, paint handling, and color mixing, blending, and theory. Homework assignments working from photos, Masterworks, or oneself/others will encourage students to learn to make personal aesthetic and technical choices and to practice concepts addressed in class. Open to all levels, this course is excellent for beginners as well as experienced students who want to review fundamental techniques or who simply enjoy painting portraits from life. Note: Course tuition includes a $50 model fee. 

Optional: This course is available for 1.0 undergraduate credit for $745 (including models fee). Select credit option with price adjustment when registering. 

Image: Al Gury

Register by: July 3
Materials List
Summer 2024 CE Policy Guide, including withdrawal/refund policies 

Sundays, 3 – 4 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings) 
Instructor: Al Gury
Six-Week Condensed Course (30-hour Equivalent) 
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Al Gury, Professor of Painting and Drawing at PAFA and noted author of Alla Prima, Color for Painters, and Foundations of Drawing, presents this in-depth approach to the skills, materials, colors, history, and techniques of alla prima portrait painting and drawing. Working from photographs, masterworks, or available models, learn concepts that will not only improve your portrait painting and drawing, but also grow your confidence in your artistic practice. Video demonstrations, images, and written instructions on the online learning platform Canvas will be supplemented by critiques and weekly discussions. Oil painting will be the primary focus, but all media are welcome as well as all levels of experience. Class meetings will be held on Zoom, and Canvas will be used for assignments and class content.   

Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering. 

Image: Al Gury, Beatrice, Oil on panel, 8 x 10 in.

Register by: July 8
Materials List
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses

Sundays, 4:30 – 5:30 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings) 
Instructor: Al Gury
Six-Week Condensed Course (30-hour Equivalent)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

An in-depth approach to understanding and using composition by Al Gury, Professor of Painting and Drawing at PAFA, and noted author of Alla Prima, Color for Painters, and Foundations of Drawing. This class presents practical skills and strategies for making strong compositions. Composition, the arrangement of images, shapes, forms, colors, values to form visual balance and strength within the pictorial frame of an artwork, will be explored through projects using still life, interiors, portraits, and landscapes. Each class will contain explanations of the visual compositional strategies in both historic and contemporary art, and extensive tactics for problem-solving and solutions, as well as a weekly assignment and critique of personal work. Class meetings will be held on Zoom, and Canvas will be used for assignments and class content. All media and levels of experience are welcome.  

Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering. 

Image: Al Gury, Still Life with Crazy Quilt, 2022, 20 x 16 in.

Register by: July 8
Materials List
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses