Thursdays, 6 – 9 p.m.
Instructor: Phyllis Laver
Ten-Week Course (30 Hours)*
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Drawing from the portrait and life model is one of the most time-honored methods of art training at PAFA. Improve your observation-based drawing skills as you work in charcoal and graphite directly from life models in short and long poses, exploring gesture, proportions, anatomy and expression. All levels welcome. Note: Tuition includes a $65 models fee. 

Learning Objectives 

• Students will stretch the traditional definitions of portrait and life drawing to merge the two into personal statements. 

• Students will work with clothed and unclothed/life models who are diverse individuals. 

• Students will acquire a working knowledge of varied drawing materials, including charcoal, graphite and ink. 

• Students will acquire a working knowledge of form and structure in the body. 

• Students will develop the ability to better see the model rather than rely on schema. 

• Students will acquire knowledge of diverse artists and their ways of working. 

*Note: No class on March 6.

Optional: This course is available for 1.0 undergraduate credit for $660, including models fee. Select credit option when registering.

Image: Phyllis Laver.

Register by: January 30
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Mondays, 12:30 – 3:30 p.m.
Instructor: Richard Estell
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

Explore the painting techniques of the masters who pioneered the 19th and 20th century American watercolor movement, including Winslow Homer, John Singer Sargent, Edward Hopper, and Charles Demuth. Characterized by bright color and bold handling that includes accents of opaque watercolor and loose washes, work in this tradition captures subject matter with dazzling light-filled effects. Practice these classic methods and learn to incorporate them into your own artwork to achieve a greater freedom of expression as well as adaptability and control in the way that you paint. Demonstrations and art historical discussions will be combined with short and more extensive still life and self-portrait exercises. This course is appropriate for beginning and intermediate levels.

Register by: March 3
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Wednesdays, 6 - 9 p.m.
Instructor: Frederic Kaplan
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

If you’ve never painted before, or your skills are a little rusty, this class is for you. Exploit the resources of PAFA’s dedicated still-life studio and its many thoughtfully composed arrangements. You will acquire grounding in the basics so you can paint what you see with confidence. Materials and painting methods will be discussed and demonstrated, including color mixing and theory. Examples of Master paintings, coupled with individual and group critiques, will help direct and inform your efforts.

Register by: March 5
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Thursdays, 12:30 - 3:30 p.m.
Instructor: Phyllis Laver
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

For students seeking to expand their beginning drawing skills or those new to working from the figure, this class will focus on applying drawing’s basic elements to the human form. Starting from Antique and Classical sculpture from PAFA’s cast collection and progressing to work from the life model in short and long poses, work in charcoal and graphite to explore figure-based concepts of gesture, proportions, anatomy, and expression. Instruction will cover sight-drawing and measuring techniques, use of materials, gauging value, and ways of defining form and space. This course is excellent as a foundation for future study in any discipline or for more advanced figure-based work. Note: This part 2 course includes the use of nude models. Tuition includes a $35 models fee.

Note: Optional Part 1 Drawing Fundamentals: Line and Form is not required as a prerequisite to Cast and Figure.

Register by: March 6
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Saturdays, 10 a.m. - 1 p.m.*
Instructor: David Wilson
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
*No class on April 5.

Paint from a life model in a multi-week-pose format to develop and refine your figure painting compositions. Extended poses will allow students to adjust and resolve issues of surface, color, and composition. Instruction will cover a variety of topics including glazing, broken color, surface texture, composition and design, the relationship of the figure to the environment, the creation of atmosphere and color harmony, disrupted realism, and open- versus closed-form painting. All levels welcome. Instruction will be geared toward oil, but students are welcome to draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee.

Register by: March 7
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: RA Friedman
Weekend Workshop
Credit: Non-Credit Only

This intensive workshop is designed for those looking to push their portrait drawing abilities toward the professional level. Demonstrations and in-class exercises will open up how you see, think, and approach the creation of a likeness, avoiding common pitfalls. Explore subtleties of form and the relationships of lines, planes and tones, capturing the character and energy of the subject. Additionally, instruction will cover facial expressions and deep anatomy of the face, neck, and upper body. Drawing will be primarily in graphite pencil and stick. Introductory portrait drawing or equivalent recommended.Note: Tuition includes a $10 models fee.

For more introductory instruction or optional preparation for this course, see The Portrait in Pencil Workshop.

Register by: March 21
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Wednesdays, 10 a.m. - 2 p.m.
Instructor: Roger Chavez
Six-Week Short Course (24 Hours)*
Credit: Non-Credit Only

The oil sketch is a traditional way for painters to execute preparatory ideas and quickly capture initial impressions – perfect for plein air painting! Learn useful techniques for rapidly encapsulating color and form while working directly from observation. Locations with shade and restrooms include Bartram’s Garden along the Schuylkill River and the John Heinz National Wildlife Refuge at Tinicum, near Philadelphia International Airport. Note: Students are responsible for their own transportation to painting locations.

*Please reserve a rain date of May 14, should any session be postponed due to inclement weather.

Image: Roger Chavez, Sketches of Baile an Chasil #10.

Register by: March 28
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

THIS COURSES DATES HAVE CHANGED. REGISTRATION IS STILL AVAILABLE!

Thursdays, 6 - 8 p.m. (Zoom with posted Canvas content) 
Instructor: Michelle Oosterbaan 
Six-Week Short Course (18-Hour Equivalent)
Credit: Non-Credit Only

Dogs, cats, and other animals at home or in nature have been depicted in master drawings and paintings throughout the centuries — as portrait subjects themselves or as a part of landscapes, domestic scenes, still lifes, and other genres. Find inspiration in the creatures of the great outdoors or those curled up on your own couch to make animals a meaningful part of your painting practice.  Utilize sketches and photo references to explore ways of realistically and expressively depicting domestic or wild animals, to capture facial features, posture/gesture, and textural effects of fur, feathers and whiskers while learning sound visual principles and techniques in water-media. Content will include examples from historical and contemporary art, engaging homework assignments, and discussions about the role of animals in art and tactics for making them a special focus in your own work. Instruction will focus on drawing and watercolor or gouache painting, but students are welcome to work in other media.

Image: Honoré Desmond Sharrer, Study for "Two Dogs in a Still Life" (detail), mid 20th century, casein or gouache on paper, 11 x 14 in. Collection of PAFA, gift of Adam Zagorin and the late Perez Zagorin. Copyright © artist or artist’s estate.

Register by: Registration Still Open!
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses