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Human Figure/Anatomy
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Life Drawing: Medium-/Long-Pose (In-Person)
with John Horn

Thursdays, 12:30 – 3:30 p.m.
Instructor: John Horn
Twelve-Week Course (36 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
This course will be dedicated to full- and multi-session poses focusing on the structural and aesthetic characteristics of drawing from the model. Classes will begin with brief lectures covering spatial organization, volume, proportional relationships, and anatomy. The rest of each session will focus on drawingthe life model in a variety of standing, seated, and reclining poses, with attention to measuring techniques and rendering the figure through light and shade. Examples of drawings from the Old Masters,and discussions about their approaches, will supplement instruction.Students of all levels are welcome; those with less experience can make several studies during a long pose while experienced students can develop a single drawing. Note: Tuition includes a $75 models fee.
Optional: This course is available for 1.0 undergraduate credit for $770, including models fee. Select credit option with price adjustment when registering.
Image: John Horn
Register by: September 4
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Figure Painting (In-Person)
with Roberto Osti

Mondays, 12:30 – 3:30 p.m.
Instructor: Roberto Osti
Twelve-Week Course (36 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Note: No class on October 13
Figure paintingis a foundational part of fine arts training and one of the disciplines for which PAFA is most renowned. Practice direct painting technique from the nude model in varied poses toexplore color mixing and color theory, glazing, blending, and both limited and extended palette approaches.Instruction will address gesture, proportion, anatomical landmarks, volume, and color chroma, value, and temperature. Students will examine masterworks to appreciate different styles and work toward developing their personal expression.Instruction is geared toward oil, but students may draw-only if they wish. Open to all levels.Note: Course tuition includes a $75 model fee.
Optional: This course is available for 1.0 undergraduate credit for $770, including lab fee. Select credit option with price adjustment when registering.
Image: Roberto Osti
Register by: September 4
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Figure Painting: Alla Prima and the Limited Palette (In-Person)
with David Wilson

Saturdays, 10 a.m. - 1 p.m.
Instructor: David Wilson
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
Painting the human form from observation is one of the cornerstones of PAFA's long tradition of rigorous instruction. Working from the nude model in poses of varying lengths, investigate color mixing, proportion, and composition using oil paint as a medium. Focusing on alla prima painting techniques and a limited flesh-tone palette, learn to model the human form through gesture, shape, volume, and temperature – excellent for painted sketches and preparatory studies, foundations for extended work, or an introduction/refresher to figure painting. Intended for all skill levels, this course also offers the valuable opportunity for more advanced students to continue to hone their skills to deepen their understanding of the language of painting. Instruction will be geared toward oil, but students may draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee.
Image: David Wilson
Register by: September 12
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Portrait Drawing: Cast and Life (In-Person)
with Phyllis Laver

Tuesdays, 12:30 – 3:30 p.m.
Instructor: Phyllis Laver
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Develop your ability to render the portrait through the time-honored methods of drawing from both the cast and life. Learn techniques of observational drawing such as measuring, recognizing proportions and anatomical landmarks, and establishing the effects of light and shadowwhile working in a variety of dry drawing media. Part of the portrait study will be devoted to working from selections from PAFA’s historic cast collection of Antique and Renaissance sculpture to master sighting techniques and tonal gradations. The rest of the class will focus on drawing from the model, both clothed and unclothed, to capture the subtleties and vitality of the head and figure, for both traditional and extended portrait representations.Throughout the semester, the work of varied artists will be introduced and discussed. Note: This portrait course includes the use of nude models. Course tuition includes a $50 model fee.
Optional: This course is available for 1.0 undergraduate credit for $645, including lab fee. Select credit option with price adjustment when registering.
Image: Phyllis Laver
Register by: September 30
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Alternatives In Figure Drawing and Sculpture (In-Person)
with Steve Nocella

Fridays, 9 a.m. - 12 p.m.
Instructor: Steve Nocella
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
Note: No class on November 28
Explore new ways of working from the human form that are alternatives to simulating volume in space with linear perspective and light and shadow. Draw and sculpt from the model with unconventional media and implements, such as acrylic applied with plastic knives, sticks, and sponges, and assemblages of wood, branches, and other natural or found objects. Experience how purposely cumbersome tools and fast poses combine to impede traditional rendering and thus generate a variety of shapes, patterns, textures, and lines that are rooted in, but independent of, the model. This immersive and playful process is an excellent introduction to working with abstract elements and learning how to form them into unified, compelling images. Open to all levels; an excellent alternative to, or expansion of, traditional 2- and 3-D figurative work. Note: Tuition includes a $35 models fee.
Image: Mary Frank, Untitled #9, 1975, Inks (watercolor) on ivory wove paper, 20 5/8 x 26 3/16 in. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia, Gift of Jalane and Richard Daivdson, 1986.25
Register by: October 24
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Figure Painting: Developing Form and Finish (In-Person)
with David Wilson

Saturdays, 10 a.m. - 1 p.m.
Instructor: David Wilson
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
Note: No class on November 29
Paint from a life model in long, multi-class poses to develop and refine your figure painting compositions. Extended poses will allow students to adjust and resolve issues of surface, color, and composition. Instruction will cover a variety of topics including glazing, broken color, surface texture, composition and design, the relationship of the figure to the environment, the creation of atmosphere and color harmony, disrupted realism, and open- versus closed-form painting. All levels welcome. Instruction will be geared toward oil, but students are welcome to draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee.
Image: David Wilson
Register by: October 24
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
The Figure in Clay Workshop (In-Person)
with Colleen O'Donnell

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: Colleen O'Donnell
Weekend Workshop
Credit: Non-Credit Only
Learn the techniques and tools of figure sculpture through demonstration and hands-on sculpting from the model. Explore anatomy, proportion, gesture, and design through the versatility of clay. Personal expression will be emphasized though representational and abstract approaches. Open to all levels and perfect for beginners. Tuition includes a $35 models fee.
Image: Colleen O’Donnell
Register by: October 31
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies