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Still Life
in CE Courses by Subject
In-Depth Watercolor, Summer 1 (In-Person)
with James Toogood
Fridays, 9 a.m. - 5 p.m.
Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques from your choice of landscape, still life, portrait, and figure subjects. Open to watercolorists of all levels and to acrylic/oil painters looking to broaden their skills.
Learning Objectives
- Students will learn about color theory as applied to watercolor.
- Students will receive a comprehensive explanation of watercolor materials and tools, with particular focus will be paid to the properties of paint and pigments as they interact with the paintbrushes and paper.
- Through both discussions and demonstrations, first time participants and beginners will learn a variety of techniques that are fundamental to watercolor, presented in a systematic step by step method. Participants can expect to have regular individual instruction, given at their current skill level.
- Focus also will be paid on acquiring the skills needed to achieve a richness of color and a feeling of light.
- Participants will work from direct observations from the still life and model, as well as from one’s own source materials.
- Those not taking the class for credit will have the option to work on landscape, still life, portrait and figure or abstraction, as they wish.
- Participants will be exposed to a variety of watercolor styles and encouraged to discover one’s own personal aesthetic.
- The course is ultimately designed to equip participants with the knowledge and skills necessary to make accomplished, personally rewarding watercolor paintings.
Optional: This course is available for 1.5 undergraduate credits for $995. Select credit option when registering.
Image: James Toogood, Bermuda.
Register by: May 12
Confident Acrylics (Online)
with Charles Muldowney
Tuesdays, 10 a.m. - 1 p.m.
Discover and explore the characteristics of acrylics so that you can paint with confidence! Acrylic paint can imitate oil paint and watercolor paint, yet it has its own exceptional assets and characteristics not available with these other media. Its vibrant color, versatility, and layering capabilities make it the preferred medium of artists like David Hockney, Robert Motherwell, Mark Rothko, Bridget Riley, Helen Frankenthaler and Murray Dessner. Work from still life, self-portrait, window-view, and photographic subjects to practice a variety of application techniques, use of materials, and color mixing principles. Presentations, demonstrations, exercises, and projects will promote familiarity and experimentation with this accessible medium. Learn:
- Acrylic painting with traditional application methods, such as direct and indirect painting, wet-on-wet, grisaille, camaieu, glazing, velatura, dry brush, and stipple approaches
- Impasto techniques of working with thick paint using a pallet knife and other tools
- How to use oil over acrylic paint
- Use of the historic Zorn and Apelles palettes
- Essential color and design principles
- Experimental practices, including alcohol resist, wax resist, rollers, spreaders, scrapers, mixed media, and spattering
Image: Charles Muldowney.
Register by: Registration Still Open! Recordings are available for online courses.
Intuitive Drawing (In-Person)
with Tony Rosati
Saturdays, 10 a.m. - 1 p.m.
Ideal for people with little or no formal training, this course presents foundational techniques and an overview of subject matter through concise and straightforward instruction. Working chiefly in pencil from simple objects and portrait models, learn concepts and methods to use line, shape, light and shadow, and value to draw what you see effectively, accurately, and expressively. This is a great starter course for further course study or personal practice.
Image: G. Daniel Massad, Study for "From Toshiko's Garden", 1987, Graphite on paper, 23 x 26 9/16 in. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia, Gift of the artist in honor of Toshiko Takaezu, 2008.18
Register by: May 26
Oil Painting: Painting the Real (In-Person)
with Frederic Kaplan
Wednesdays, 9 a.m. - 12 p.m.
Create paintings that are compelling in their realism. Learn to use layering methods to render objects that look convincingly solid in believable spaces with vibrant lights and rich shadows. Lessons and demonstrations will cover techniques such as glazes and scumbles, while also addressing compositional issues and color, as students work from interesting still life arrangements. The first class will include an in-depth discussion of materials. Drawing experience required.
Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option when registering.
Image: Fred Kaplan, Watchful Eye.
Register by: June 2
Cut-Paper Still Life Painting Workshop (In-Person)
with Meghan Cox
Saturday and Sunday, 9 a.m. - 4 p.m.
Abstraction meets representation in this creative take on still life painting.Students will assemble their own still-life set-ups from folded and cut colored paper and then translate these arrangements through observational oil painting on paper.Working from colored planar structures allows the opportunity to explore all the essential aspects of representational still life painting – form, space, value, color relationships, and composition – while experiencing the inherent abstraction of simple shapes and planes of color.Printed papers may additionally allow the introduction of compositional concepts of harmony, pattern, and repetition.Discover the unexpectedly beautiful results of working from the most unassuming of subjects.This class serves both as an engaging exercise in color and abstraction to inspire one’s painting practice and as an excellent introduction to painting concepts through humble, easy-to-draw subject matter.
Image: Meghan Cox, that early evening and orange (detail), oil on paper over birch panel, 14 x 12 in.
Register by: June 16
In-Depth Watercolor, Summer 2 (In-Person)
with James Toogood
Wednesdays, 9 a.m. - 5 p.m.
Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques from your choice of landscape, still life, portrait, and figure subjects. Open to watercolorists of all levels and to acrylic/oil painters looking to broaden their skills.
Learning Objectives
- Students will learn about color theory as applied to watercolor.
- Students will receive a comprehensive explanation of watercolor materials and tools, with particular focus will be paid to the properties of paint and pigments as they interact with the paintbrushes and paper.
- Through both discussions and demonstrations, first time participants and beginners will learn a variety of techniques that are fundamental to watercolor, presented in a systematic step by step method. Participants can expect to have regular individual instruction, given at their current skill level.
- Focus also will be paid on acquiring the skills needed to achieve a richness of color and a feeling of light.
- Participants will work from direct observations from the still life and model, as well as from one’s own source materials.
- Those not taking the class for credit will have the option to work on landscape, still life, portrait and figure or abstraction, as they wish.
- Participants will be exposed to a variety of watercolor styles and encouraged to discover one’s own personal aesthetic.
- The course is ultimately designed to equip participants with the knowledge and skills necessary to make accomplished, personally rewarding watercolor paintings.
Optional: This course is available for 1.5 undergraduate credits for $995. Select credit option when registering.
Image: James Toogood, Venice.
Register by: June 23
Comprehending Color for Oil Painters (In-Person)
with Roger Chavez
Thursdays, 9 a.m. - 12 p.m.
Without question, every oil painter benefits from color mixing instruction: Understanding how to accurately see, mix, and adjust color not only allows you to achieve the results you want in your work but also enables you to avoid the pitfalls of wasting paint though inaccurate and poorly understood pigment mixing. Explore key methods and principles for effective color mixing, using a limited palette to create prismatic hues and earth tone colors. Instruction will address the role of light in the visual perception of color, as well as subtractive and additive color systems. Work from varied still life arrangements to put your color comprehension into practice, and advance your painting skills for all subject matter.
Image: Roger Chavez.
Register by: June 23
Essential Drawing Techniques (In-Person)
with Roger Chavez
Thursdays, 1 - 4 p.m.
Draw what you see competently and with confidence. Drawing is not only the basis for other creative endeavors like painting and sculpting, but also a powerful means of describing the world around you and expressing yourself. Instruction will address fundamental concepts including line, shape, perspective, value, and composition. Draw from still life objects, the life model, and more while learning the proper use of drawing materials, sight-measuring methods to accurately gauge proportions and space, shading techniques to develop three-dimensional form and contrast, and means of developing personal expression. Ideal for beginners and those in need of a refresher. Tuition includes a $10 models fee.
Image: Roger Chavez.
Register by: June 23