Tuesdays, 10 a.m. - 2 p.m. 
Instructor: Roger Chavez 
Five-Week Short Course (20 Hours) 
Rain Date: June 23 

The oil sketch is a traditional way for painters to execute preparatory ideas and quickly capture initial impressions – perfect for plein air painting! Learn useful techniques for rapidly encapsulating color and form while working directly from observation. Locations with shade and restrooms include Bartram’s Garden and other sites along the Schuylkill River. Note: Students are responsible for their own transportation to painting locations.

Image: Roger Chavez

Register by: May 12 
Materials List 
Please review CE's Summer 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Tuesdays, 6 - 9 p.m.  
Instructor: Shushana Rucker 
Ten-Week Course (30 Hours) 
No class on July 7 

This extended course explores landscape drawing and painting in the studio using reference photos and sketches. Students will learn how to create effective reference materials through photography, sketching, and observation, and how to translate these references into compelling compositions. Instruction will focus on principles of design, including balance, value structure, and spatial organization, alongside an in-depth exploration of color relationships, atmosphere, and light. Through a series of projects and critiques, students will develop technical skills and a personal approach to interpreting the landscape.

Image: Shushana Rucker, The Schuylkill, oil on panel, 10 x 20 in.

Register by: May 19 
Materials List
Please review CE's Summer 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Saturday, 9 a.m. - 5 p.m.  
Instructor: Frederic Kaplan 
Weekend Workshop (One-Day, 7 Hours)
Rain Date: June 6* 

Capture the active life of the city and its rich architecture. This is an excellent workshop for anyone who wants to learn to sketch on the bus or train, in cafés and public parks, or while traveling abroad. Topics include perspective, gauging proportions by eye, gesture figure drawing, and methods for simplifying form. All levels welcome.

*Please reserve the rain date in your schedule when registering – no refunds for withdrawals less than one week prior to the original workshop date, including for students unable to attend the postponed date. See policy guide, below. 

Register by: May 22 
Materials List
Please review CE's Summer 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Sundays, 3 - 4 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings) 
Instructor: Al Gury 
Six-Week Condensed Course (30-Hour Equivalent) 

In this visually rich and interactive class, students will be guided through the development of the color and styles of contemporary landscape painting from its beginnings in the 16th century to the modern era, with a focus on historical Dutch landscape painting, the English and French plein air painters, the Impressionist landscape, and early modern forms of personal expression in the genre. Each class will include a visual history of the topic, color palettes, the materials and techniques of each approach, and a video demonstration by the instructor. Working from master copies and photos, as well as observational painting, will be addressed. Weekly project assignments will be critiqued by the instructor. Students will gain a comprehensive understanding of the development of landscape painting while developing individualized painting approaches and personal style.

Register by: July 6 
Materials List  
Please review CE's Summer 2026 Policy Guide, including withdrawal/refund policies, prior to registering. 
Information for PAFA CE Online Courses

Saturday and Sunday, 9 a.m. - 5 p.m. 
Instructor: James Toogood 
Weekend Workshop (14 Hours) 

This workshop explores the evocative world of nocturne painting through the delicate and expressive medium of watercolor. Focusing on landscape scenes at the edge of day—sunset, twilight, and night—students will learn to capture the silvery light and subtle atmospheric effects that define these transitional hours. Learn how to work with restrained hues and layered washes to create a sense of depth and unity, to suggest rather than describe subject matter. Instruction will emphasize tonalist concerns of working with muted color palettes, gentle value shifts, and harmonious compositions. Through individualized guidance, participants will hone their sensitivity to tonal relationships and the expressive potential of nocturne painting.

Image: James Toogood

Register by: July 17 
Materials List 
Please review CE's Summer 2026 Policy Guide, including withdrawal/refund policies, prior to registering.