Fridays, 9 a.m. - 5 p.m.
Instructor: James Toogood
Six-Week Condensed Course (42 Hours)
Credit: Non-Credit or 1.5 Undergraduate Credits (See Below)

Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques from your choice of landscape, still life, portrait, and figure subjects. The course is designed to equip each participant with the knowledge and skills necessary to make accomplished, personally rewarding watercolor paintings. Open to watercolorists of all levels and to acrylic/oil painters looking to broaden their skills.

Learning Objectives

• Students will learn about color theory as applied to watercolor.

• Students will receive a comprehensive explanation of watercolor materials and tools, with particular focus will be paid to the properties of paint and pigments as they interact with the paintbrushes and paper.

• Through both discussions and demonstrations, first time participants and beginners will learn a variety of techniques that are fundamental to watercolor, presented in a systematic step by step method. Participants can expect to have regular individual instruction, given at their current skill level.

• Focus also will be paid on acquiring the skills needed to achieve a richness of color and a feeling of light.

• Participants will work from direct observations from the still life and model, or from their own source material. Those not taking the class for credit will have the option to work on landscape, still life, portrait and figure or abstraction, as they wish.

• Participants will be exposed to a variety of watercolor styles and encouraged to discover one’s own personal aesthetic.

Optional: This course is available for 1.5 undergraduate credits for $995. Select credit option with price adjustment when registering.

Register by: July 3
Materials List
Summer 2025 CE Policy Guide, including withdrawal/refund policies

Saturdays, 10 a.m. - 1 p.m. 
Instructor: David Wilson 
Six-Week Short Course (18 Hours) 
Credit: Non-Credit Only

Paint from a life model in a multi-week-pose format to develop and refine your figure painting compositions.  Extended poses will allow students to adjust and resolve issues of surface, color, and composition. Instruction will cover a variety of topics including glazing, broken color, surface texture, composition and design, the relationship of the figure to the environment, the creation of atmosphere and color harmony, disrupted realism, and open- versus closed-form painting. All levels welcome. Instruction will be geared toward oil, but students are welcome to draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee.

For preparatory or alternative study, see also Figure Painting: Alla Prima and the Limited Palette with the same instructor.  Students enrolling in one class need not enroll in the other, and Alla Prima and the Limited Palette is not required for The Extended Pose.

Register by: July 3
Materials List
Summer 2025 CE Policy Guide, including withdrawal/refund policies

Sundays, 3 – 4 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Al Gury
Six-Week Condensed Course (30-Hour Equivalent)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Al Gury, noted author ofAlla Prima: A Contemporary Guide to Traditional Direct Paintingand Color for Painters: A Guide to Traditions and Practice amongst other works, presents this in-depth approach to the skills, materials, colors, history, and techniques of direct landscape painting. Working from photographs, master works, or available on-site images, learn concepts that will not only improve your landscape painting but also grow your in confidence in your artistic practice. Video demonstrations, images, and written instructions on Canvas will be supplemented by critiques and weekly Zoom discussions. Oil painting will be the primary focus, but all media are welcome.

Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering. 

Register by: July 7
Materials List
Summer 2025 CE Policy Guide, including withdrawal/refund policies 
Information for PAFA CE Online Courses

Sundays, 4:30 – 5:30 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Al Gury
Six-Week Condensed Course (30-Hour Equivalent)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Explore the creative and expressive possibilities that can enhance your traditional and observational artwork. Each week the class on Zoom will begin with a traditional subject: still lifes, landscapes, portraits, interiors and figures and master works with a goal of exploring and bringing greater expression and creativity to the subject. Content will include Q&A about materials and processes that students might struggle with, the visual history of the creative diversity and variety of the subject in art history, color, style and compositional possibilities, richly informative materials posted in Canvas and video demos by the instructor. A weekly project will be assigned with a goal of incorporating creative possibilities in each subject with critiques on Canvas by the Instructor. Each class will be recorded for review and sent to students weekly. The class learning goal for students is an enriched toolbox of creative ideas, and possibilities for the artistic process. Open to all media.

Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering. 

Register by: July 7
Materials List
Summer 2025 CE Policy Guide, including withdrawal/refund policies 
Information for PAFA CE Online Courses

Monday - Friday, 9 a.m. – 4 p.m.
Instructor: Rebecca Gilbert
One-Week Intensive Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Wood engraving is a relief printmaking process that involves carving into end grain hardwood, making it possible for an artist to create highly detailed images and tonally rich compositions.  Used as the primary means for printing illustrations alongside of moveable type from the late eighteenth century through most of the nineteenth century, wood engraving is still a great way to incorporate imagery into letterpress cards, book plates, printed ephemera, artist books, broadsides, and of course to develop graphic stand-alone images, especially when there is a need to work small. Students will be guided through the entire process from transferring an image, to engraving, to printing small editions. Participants will learn about types of wood used for engraving, care and sharpening of tools, and types of paper. Printing by hand as well as on a small proof press will be covered.  No previous engraving or printing experience is necessary, but patience, good eyesight, and a steady hand are very helpful!  Note:  Tuition includes a $20 lab fee.  Additionally, students should come prepared to purchase custom end grain blocks and paper directly from the instructor, approximately $15.  See materials list below.

Optional: This course is available for 1.0 undergraduate credit for $615, including lab fee. Select credit option with price adjustment when registering.

Interested in learning moveable type processes?  See Letterpress Printmaking as a companion course.

Register by: July 14
Materials List 
Summer 2025 CE Policy Guide, including withdrawal/refund policies

Saturday and Sunday, 10 a.m. - 2 p.m. (Live Zoom Only)
Instructor: Kassem Amoudi
Weekend Workshop 
Credit: Non-Credit Only

Many artists can feel frustrated in front of a blank canvas, unsure of how to start and what to paint. Paint with confidence by learning techniques to tap into your intuitive process and find inspiration more easily! Experienced instruction and advice will push students to take chances and explore unexpected directions and accidental marks to achieve artistic discoveries. Students will use line, color and space, and editing possibilities to create busy/calm areas and focal points in their paintings as they work from personal imagery, expression, and imagination. Instruction will take the form of PowerPoint presentation/examples, formal direction from modern and contemporary artists, and one-on-on critiques in Zoom sessions that are geared toward open painting time in a classroom-like setting. Painting experience recommended. 

Register by: July 25
Materials List
Summer 2025 CE Policy Guide, including withdrawal/refund policies 
Information for PAFA CE Online Courses

Monday - Friday, 9 a.m. – 4 p.m. 
Instructor: Tony Rosati
One-Week Intensive Course (30 Hours) 
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Monotypes are an expressive and accessible entry into printmaking: draw or paint an image on a Plexiglas plate or other surface and then print it on paper or fabric to create a one-of-a-kind artwork. Instruction will cover both hand-printing and press techniques, as well as water- and oil-based colors. Tuition includes a $30 lab fee.

Optional: This course is available for 1.0 undergraduate credit for $615, including lab fee. Select credit option with price adjustment when registering.

Register by: July 14
Materials List
Summer 2025 CE Policy Guide, including withdrawal/refund policies

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: Keith Leitner
Weekend Workshop
Credit: Non-Credit Only

Color temperature is the perceived warmth and coolness of a color. It’s a vital tool for any artist for creating contrast and focus, establishing relationships between light and shadow, suggesting space or distance, and generating mood and meaning. This two-day course will investigate color temperature through a series of still-life exercises that will encourage experimentation, enforce understanding of color’s relative nature, and help you promote temperature effects in your work. Examples from historic and contemporary artists will be discussed. Instruction will be conducted chiefly in watercolor, but painters of all media are welcome!

See work from instructor Keith Leitner's solo exhibition at Cerulean Arts Gallery, Philadelphia, April 9 - May 4, 2025!

Image: Keith Leitner

Register by: August 1
Materials List
Summer 2025 CE Policy Guide, including withdrawal/refund policies