Sundays, 4:30 – 5:30 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Al Gury
Six-Week Condensed Course (30-Hour Equivalent) 

Explore how to use color as an organizing force in your drawings and paintings with Al Gury, Professor of Painting and Drawing at PAFA, and noted author of Alla Prima, Color for Painters, and Foundations of Drawing. This class presents practical skills and strategies for making strong compositions using color in the selection of hues, arrangement of marks/shapes, range values, and use of temperature to establish visual balance, space, and visual focus within the pictorial frame of an artwork. Projects will utilizelandscape, portrait, still life, and abstraction to examine color’s impact on design. Classes will contain explanations of the visual compositional strategies in both historic and contemporary art, instructor demonstrations, and tactics for problem-solving, as well as weekly assignments and critiques of personal work.Content will address techniques in oil, acrylic, watercolor, and pastel, with a focus on color applications. Class meetings will be held on Zoom, and assignments and asynchronous class content will be posted on Canvas, PAFA’s online learning platform.Beginning and advanced studentswelcome.

Image: Al Gury

Register by: September 26 
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies 
Information for PAFA CE Online Courses

Tuesdays, 12:30 – 3:30 p.m.
Instructor: Phyllis Laver 
Ten-Week Course (30 Hours) 

Develop your ability to render the portrait through the time-honored methods of drawing from both the cast and life. Learn techniques of observational drawing such as measuring, recognizing proportions and anatomical landmarks, and establishing the effects of light and shadowwhile working in a variety of dry drawing media. Part of the portrait study will be devoted to working from selections from PAFA’s historic cast collection of Antique and Renaissance sculpture to master sighting techniques and tonal gradations. The rest of the class will focus on drawing from the model, both clothed and unclothed, to capture the subtleties and vitality of the head and figure, for both traditional and extended portrait representations.Throughout the semester, the work of varied artists will be introduced and discussed.  Note: This portrait course includes the use of nude models. Course tuition includes a $50 model fee.

Image: Phyllis Laver

Late registration available through October 20 
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies 

Tuesdays, 1 – 2 p.m. (Zoom) with Asynchronous Canvas Content 
Instructor: Kate Samworth
Six-Week Course (18-Hour Equivalent) 

Understanding the principles of one- and two-point perspective is essential to drawing and painting convincing forms in space. Master the fundamentals of this geometric system that was developed during the Renaissance and is used to this day. Instruction will break down sometimes-intimidating principles into basic concepts to provide practical methods for creating interior spaces, landscapes, and cityscapes, including elements of repeated patterns, arches, stairways, and more. Great for illustrators and artists of any media requiring a strong drawing framework. 

Image: Kate Samworth

Late registration available through October 20 (recorded content available)

Materials List

Fall 2025 CE Policy Guide, including withdrawal/refund policies  
Information for PAFA CE Online Courses

Fridays, 9 a.m. - 12 p.m. 
Instructor: Steve Nocella 
Six-Week Short Course (18 Hours)  
Note: No class on November 28

Explore new ways of working from the human form that are alternatives to simulating volume in space with linear perspective and light and shadow. Draw and sculpt from the model with unconventional media and implements, such as acrylic applied with plastic knives, sticks, and sponges, and assemblages of wood, branches, and other natural or found objects. Experience how purposely cumbersome tools and fast poses combine to impede traditional rendering and thus generate a variety of shapes, patterns, textures, and lines that are rooted in, but independent of, the model. This immersive and playful process is an excellent introduction to working with abstract elements and learning how to form them into unified, compelling images. Open to all levels; an excellent alternative to, or expansion of, traditional 2- and 3-D figurative work. Note: Tuition includes a $35 models fee.

Image: Mary Frank, Untitled #9, 1975, Inks (watercolor) on ivory wove paper, 20 5/8 x 26 3/16 in. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia, Gift of Jalane and Richard Daivdson, 1986.25

Register by: October 24 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies 

Mondays, 12:30 – 3:30 p.m.
Instructor: Justine Ditto
Six-WeekShort Course (18 Hours) 

Painting and printmaking go hand-in-hand, not only as adjacent mediums but in combination. This freeing and instructive course presents printmaking techniques as jumping off points to making mixed media work in spirit of experimentation and personal expression. Learn how to make monotypes, drypoints, and screenprints as a foundation for incorporating your choice of graphite, colored pencil, acrylic, watercolor, oil paint, and/or collage. Content includes technical advice from an artist-instructor ideally skilled in a variety of media as well as critiques to expand your creative boundaries. This class is perfect for painters/draftspeopleseeking to expand their processes, printmakers seeking to employ painterly and mixed media techniques, and anyone with love of color and experimentation. Open to all levels – no prior printmaking or painting experience required. Tuition includes a $20 materials fee.

Image: Justine Ditto

Register by: September 4
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Mondays, 6 – 9 p.m. 
Instructor: Frederic Kaplan 
Six-Week ShortCourse (18 Hours)  

If you haven’t drawn in a while, this course will help to rebuild your skills in translating the 3D world to the 2D surface of your paper. Hone your ability to interpret and define proportions, shapes, and value structure while working from observation from city views, interiors, and still-life objects. Content will address shading techniques, principles of perspective, and line quality in charcoal or pencil. Students will learn to:

• Reduce complex forms to simpler elements

• Gauge proportions and shapes using sighting techniques and other methods

• Use light and shadow to model form three-dimensionally

• Employ shading techniques

• Practice fundamental perspective principles and methods

Image: Fred Kaplan

Register by: October 27 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: RA Friedman
Weekend Workshop 

This intensive workshop is designed for those looking to push their portrait drawing abilities toward the professional level. Demonstrations and in-class exercises will open up how you see, think, and approach the creation of a likeness, avoiding common pitfalls. Explore subtleties of form and the relationships of lines, planes and tones, capturing the character and energy of the subject. Additionally, instruction will cover facial expressions and deep anatomy of the face, neck, and upper body. Drawing will be primarily in graphite pencil and stick. Introductory portrait drawing or equivalent recommended. Note: Tuition includes a $10 models fee.

Image: RA Friedman

Register by: December 1
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies