Tuesdays, 6 – 8:30 p.m. (Zoom with posted Canvas content)
Instructor: Susan Sullivan
Ten-Week Course (30-Hour Equivalent)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Abstraction in art can look like a variety of different things, from the painterly glow of a Turner seascape to the flattened patterns of a Matisse interior to Pollock’s nonobjective drip technique. But how does one get from painting realistically what one can see in the real world to translating it into invented color and shape or to abandoning form altogether? Learn from master artists throughout modern art history by trying on their techniques to find your own personal style! Explore different paint application methods, color interactions, and compositional tactics as you take on a variety of subjects, including still life, interiors, landscape, and the figure or self-portrait…using the examples of Helen Frankenthaler, David Hockney, Mickalene Thomas, and other master artists to guide you. Each session will include lecture and artist examples, in-class painting time, and one-on-one feedback from the instructor. Whether you are seeking to drive your current work to a new direction or simply experiment with different ways of generating imagery, this is a great steppingstone to making abstraction – in whatever form it may take – personal, expressive, and satisfying. Open to all media and levels but drawing experience recommended.

Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering.

Image: Susan Sullivan, B-52 (detail), oil on canvas.

Register by: May 22
Materials List

Summer 2024 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses

Wednesdays, 1 - 4 p.m.*
Instructor: Kassem Amoudi
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Note: This previously online class is currently being offered in-person.

Learn to explore new possibilities and paint more intuitively under the guidance of artist/critic/mentor Kassem Amoudi! Work from personal subject matter (objects, images, emotions, or ideas) to find your own visual language, informed by examples from contemporary and modern art. Examine how to use concepts of color, harmony, focal point, space, and mark-making as powerful tools of personal expression. Open painting is heavily supported by critiques and advice from the instructor as he works one-on-one with each student to guide them in their personal style and goals. This course is excellent for students pursuing abstract or nonobjective imagery, seeking knowledgeable feedback and a focused community painting environment. Painting experience recommended. 

Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering.

*Note: No class on June 19 for Juneteenth holiday.

Image: Kassem Amoudi.

Register by: May 24

Materials List

Summer 2024 CE Policy Guide, including withdrawal/refund policies

Wednesdays, 9 a.m - 12 p.m*
Instructor: Roger Chavez 
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

Without question, every oil painter benefits from color mixing instruction:  Understanding how to accurately see, mix, and adjust color not only allows you to achieve the results you want in your work but also enables you to avoid the pitfalls of wasting paint though inaccurate and poorly understood pigment mixing.  Explore key methods and principles for effective color mixing, using a limited palette to create prismatic hues and earth tone colors. Instruction will address the role of light in the visual perception of color, as well as subtractive and additive color systems. Work from varied still life arrangements to put your color comprehension into practice, and advance your painting skills for all subject matter.  

*Note: No class on August 7. 

Image: Roger Chavez

Register by: June 24 
Materials List
Summer 2024 CE Policy Guide, including withdrawal/refund policies 

Wednesdays, 10 a.m. – 2 p.m.
Instructor: Charles Muldowney
Five-Week Short Course (20 Hours)
Credit: Non-Credit Only

Enjoy open-air painting in beautiful Valley Forge National Historical Park, the encampment site of George Washington’s Continental Army in 1777-1778 and now home to a painter’s delight of lush scenery and historic architecture!  Located in Montgomery County, 35 minutes northwest of Center City Philadelphia, the park features great views of the Schuylkill River, Valley Creek, the Valley Forge Farm, Mt. Joy, Mt. Misery, and many valleys, cabins, and colonial houses, with ample parking and access to restrooms.  Working from diverse landscape subject matter, students will learn the essential materials, tools, techniques, and strategies for painting on site.  Instruction will cover a variety of plein air approaches, including painting with a knife and brush, painting from an imprimatura,  Macchiaioli painting, and working from sketches to block in local color.  Note: Students are responsible for their own transportation.

Image: Charles Muldowney, Valley Forge Arch. 

Register by: June 24
Materials List
Summer 2024 CE Policy Guide, including withdrawal/refund policies

Open studio access: 8 a.m. - 10 p.m. daily, six weeks, July 8 - August 16, with weekly instruction on Thursdays.

Weekly Meetings/Studio-Visits:  Thursdays, July 11 - August 15, 10 a.m. - 1 p.m. (Guest instructor/critic, TBA, on August 8.)

Instructor/Lead Critic: Roger Chavez

Credit: Non-credit

Taking the leap to start or cultivate an art-making practice in a private studio space can be both exciting and daunting. Learn how to create work and stay motivated on your own terms in this new and unique combination studio-rental and classroom course! Tuition for this six-week program will confer an individual studio space in PAFA’s Samuel M.V. Hamilton Building, as well as weekly meetings for critique and instruction on a variety of artist’s concerns led by artist-instructor/critic Roger Chavez. Studios for this program are approximately 9 x 16 feet, white-walled, with easel and stool provided (students are responsible for additional furniture or equipment needs). Students have two studio options (select preference during registration): 

• Studios within a group space are located side-by-side within a private, key-secured corridor for an engaging community atmosphere. Each space is curtained (no individually locked doors), opening out to the corridor’s large east-facing windows for the benefit of abundant natural light.
  
  
• Interior studios spaces (not located along PAFA’s windowed exterior walls) offer increased privacy with individual lockable doors, without natural light.

Weekly meetings will feature both one-on-one in-studio critiques/discussions as well as group instruction on art topics designed to motivate and assist you in your work, including drawing sessions, assignment prompts, materials and techniques demonstrations, gallery visits, and critiques from guest critics. This class is perfect for artists of varying levels of experience wanting to jumpstart or advance their personal practice, for students considering application to a studio-centered certificate or degree program, or for anyone lacking a home studio and seeking a space to pursue their work -- with the motivation and encouragement that come from being part of an artistic community! Participants will benefit from some prior art-making experience and the ability to work independently.

Note: Registration requires a $200 studio deposit that is refundable upon satisfactory return of the studio to its original condition at the end of the program. Students must agree to and sign PAFA’s studio agreement form. Membership and early registration discounts cannot be applied to course tuition, but students are eligible to receive 10% off additional Summer CE courses to supplement their studio pursuits.

Image: CE Summer Studio/Critique Program, 2022. 

Registration Deadline: Rolling, on a space-available basis. Late registration (after first weekly meeting) available.

Materials List (Approved Materials) 

Summer CE Policy Guide, including withdrawal/refund policies

Tuesdays, 6 – 8:30 p.m. 
Instructor: Frederic Kaplan 
Four-Week Short Course (10 Hours)
Credit: Non-Credit Only

Learn to paint the unique effects of evening light and activity of Center City and University City, Philadelphia. Discover techniques for managing the shifting light and shadows of the setting sun as it plays across the city’s historic architecture. This plein air option is perfect for summer painting, allowing artists to take advantage of cooling evening temperatures and the subtle or dramatic palette of sunset and dusk.  Previous painting experience required. Restrooms near all locations. Note: Students are responsible for their own transportation to painting locations. 

Image: Jane Freilicher, Rooftops, 1989, oil on canvas, 14 x 18 in. Collection of PAFA; accession #2011.1.41. Art by Women Collection, Gift of Linda Lee Alter. Copyright © 1989 Jane Freilicher, Courtesy Tibor de Nagy Gallery, New York.

Register by: July 1
Materials List
Summer 2024 CE Policy Guide, including withdrawal/refund policies 

Thursdays, 9 a.m. - 4 p.m. 
Instructor: Al Gury 
Six-Week Condensed Course (36 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Paint portraits from a variety of models using the direct painting method. Examine the proportions and volumes of the head, as well as the placement, structure, and characteristics of the facial features, through preliminary drawings and demonstrations. Develop color using a limited palette to understand how to use chroma, temperature, value, tint, and tone. Instruction will address materials, composition, paint handling, and color mixing, blending, and theory. Homework assignments working from photos, Masterworks, or oneself/others will encourage students to learn to make personal aesthetic and technical choices and to practice concepts addressed in class. Open to all levels, this course is excellent for beginners as well as experienced students who want to review fundamental techniques or who simply enjoy painting portraits from life. Note: Course tuition includes a $50 model fee. 

Optional: This course is available for 1.0 undergraduate credit for $745 (including models fee). Select credit option with price adjustment when registering. 

Image: Al Gury

Register by: July 3
Materials List
Summer 2024 CE Policy Guide, including withdrawal/refund policies 

Thursdays, 1 - 4 p.m. 
Instructor: Anthony Ciambella 
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

If you believe that painting can be more than applying brush to canvas, this course is for you.  Explore the fluid, sculptural, assembled possibilities of acrylics!  This hands-on, one-of-a-kind journey will take you places that you never thought you would go in acrylic painting:  pour paint to make layers of color that can be peeled up, sculpted into three-dimensional forms, or collaged and layered into other paintings or mixed-media works. Create flexible tiles of acrylic color that can be snipped, shaped, and assembled into mosaics or applied to a variety of surfaces for artistic or decorative effects.  Discover a myriad of alternative supports, brushes, and methods of paint application to incorporate abstract effects into your current body of work.  Push the boundaries of what it means to paint with acrylics in this exciting exploration into experimental techniques. 

Image: Anthony Ciambella.

Register by: July 5
Materials List  
Summer 2024 CE Policy Guide, including withdrawal/refund policies