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Printmaking
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Screenprinting and Beyond
with Tony Rosati
Thursdays, 9:00 AM - 12:00 PM
Instructor: Tony Rosati
Twelve-Week Course (36 Hours)
No class on November 26 (Thanksgiving Break)
The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will cover all aspects of the process including screen preparation, image development, and printing techniques. Printmakers with experience may propose independent projects. Note: Tuition includes $30 lab fee.
Registration Still Open!
Materials List
Please review CE’s Fall 2026 Policy Guide, including Withdrawal/Refund Policies, prior to registering.
Photolithography
with Justine Ditto
Tuesdays, 12:30 PM - 3:30 PM
Instructor: Justine Ditto
Eight-Week Short Course (24 Hours)
Lithography is a versatile printmaking process that allows for a complete range of drawing effects: contour line, hatching/cross-hatching, painterly wash applications, expressive mark-making, and reductive techniques. Learn all aspects of the lithographic process through step-by-step demonstrations and hands-on practice: preparing a lightweight aluminum plate; creating your own drawing from observation, imagination or photographic transfer using a range of drawing materials; selecting paper; printing in black-and-white and color; and editioning your prints. Note: Tuition includes a $30 lab fee.
Learning Objectives
- Students will gain a basic understanding of the lithography printing process.
- Students will acquire technical experience in preparing stones, plates, & ink.
- Students will learn basic stone & plate drawing, etching and processing techniques.
- Students will acquire technical expertise by way of proofing and printing their stones & plates, including learned skills in roller use & litho press operation.
- Students will learn printmaking professionalism including printing editions on clean registered printmaking paper, signing and numbering editions appropriately.
- Students will learn the importance of image development through individual reviews and by exploring various possibilities with the process.
- Students will develop critical visual and verbal skills through individual discussions with the instructor and their peers.
- Students will advance their individual art concepts and expand their artistic territory through new techniques & material uses.
Registration Still Open!
Materials List
Please review CE’s Fall 2026 Policy Guide, including Withdrawal/Refund Policies, prior to registering.
Woodcut Printmaking
with Rebecca Gilbert
Wednesdays, 12:30 PM - 3:30 PM
Instructor: Rebecca Gilbert
Six-Week Short Course (18 Hours)
Printing from a drawing carved into wood block is the oldest and most straightforward form of printmaking. Artists of all levels enjoy its potential for intricate detail and graphic impact. Learn the basics of relief printmaking, including carving techniques, care of tools, types of wood and paper, registration, and how to use mark-making to translate ideas into dynamic black and white images. Instruction will cover printing by hand and on an etching press, using oil-based inks. This course is most suitable for folks that have some experience with printmaking, but all levels are welcome. Tuition includes a $20 lab fee.
Register by: October 7
Materials List
Please review CE’s Fall 2026 Policy Guide, including Withdrawal/Refund Policies, prior to registering.
Introduction to Stone Lithography
with Rae Helms
Wednesdays, 6:00 PM - 9:00 PM
Instructor: Rae Helms
Six-Week Short Course (18 Hours)
No class on November 25
This six-week class introduces students to stone lithography, the traditional printmaking method of creating fine art prints from drawings made on limestone blocks. Students will learn the basics of this fascinating process, including graining the limestone to prepare it for drawing, creating an image in oil-based lithographic crayons and ink, etching the stone by means of a chemical process, inking the stone, and operating PAFA’s litho press to print an edition of prints. Students will benefit not only from expert class instruction, but also from access to PAFA’s beautiful, light-filled printmaking facilities (including its selection of limestone blocks) and plenty of monitored lab hours for outside work for the entire length of the course! Note: Tuition includes a $20 lab fee.
Check out this informative illustrated explanation courtesy of the Metropolitan Museum of Art!
Register by: October 21
Materials List
Please review CE’s Fall 2026 Policy Guide, including Withdrawal/Refund Policies, prior to registering.
Paint-and-Print Monotype Abstraction
with Justine Ditto
Mondays, 12:30 PM - 3:30 PM
Instructor: Justine Ditto
Six-Week Short Course (18 Hours)
Learn to let loose, let go, and just make through the painterly medium of monotype! Explore the limitless possibilities of oil-based and water-based monotype, drypoint monoprint, and screenprint monotype through experimentation and spontaneous creation. Learn to break out of rigid thinking and just play with the materials with no judgment, no prerequisite skills, and no pressure. Work back into prints in mixed media techniques to expand the scope for abstraction and expression. Content includes technical advice from an artist-instructor ideally skilled in a variety of media, as well as critiques to expand your creative boundaries. Class time prioritizes access to the printing facilities, and students will be encouraged to continue developing their prints with the media of their choice outside of class. This class is perfect for painters/draftspeople seeking to expand their processes, printmakers seeking to employ painterly and mixed media techniques, and anyone with love of color and experimentation. Tuition includes a $20 lab fee.
Register by: October 26
Materials List
Please review CE’s Fall 2026 Policy Guide, including Withdrawal/Refund Policies, prior to registering.