Mondays, 12:30 – 3:30 p.m.
Instructor: Justine Ditto
Six-WeekShort Course (18 Hours) 

Painting and printmaking go hand-in-hand, not only as adjacent mediums but in combination. This freeing and instructive course presents printmaking techniques as jumping off points to making mixed media work in spirit of experimentation and personal expression. Learn how to make monotypes, drypoints, and screenprints as a foundation for incorporating your choice of graphite, colored pencil, acrylic, watercolor, oil paint, and/or collage. Content includes technical advice from an artist-instructor ideally skilled in a variety of media as well as critiques to expand your creative boundaries. This class is perfect for painters/draftspeopleseeking to expand their processes, printmakers seeking to employ painterly and mixed media techniques, and anyone with love of color and experimentation. Open to all levels – no prior printmaking or painting experience required. Tuition includes a $20 materials fee.

Image: Justine Ditto

Register by: September 4
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Mondays, 6 – 8 p.m. (Zoom) with Asynchronous Canvas Content 
Instructor: Michelle Oosterbaan
Six-Week Course (18-Hour Equivalent) 

Dogs, cats, and other animals at home or in nature have been depicted in master drawings and paintings throughout the centuries — as portrait subjects themselves or as a part of landscapes, domestic scenes, still lifes, and other genres. Find inspiration in the creatures of the great outdoors or those curled up on your own couch to make animals a meaningful part of your painting practice. Utilize sketches and photo references to explore ways of realistically and expressively depicting domestic or wild animals, to capture facial features, posture/gesture, and textural effects of fur, feathers and whiskers while learning sound visual principles and techniques in water-media. Content will include examples from historical and contemporary art, engaging homework assignments, and discussions about the role of animals in art and tactics for making them a special focus in your own work. Instruction will focus on drawing and watercolor or gouache painting, but students are welcome to work in other media.

Image: Honoré Desmond Sharrer, Study for "Two Dogs in a Still Life" (detail), mid 20th century, casein or gouache on paper, 11 x 14 in. Collection of PAFA, gift of Adam Zagorin and the late Perez Zagorin. Copyright © artist or artist’s estate.

Register by: October 27 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  
Information for PAFA CE Online Courses

Saturday and Sunday, 9 a.m. - 5 p.m.
Instructor: James Toogood 
Weekend Workshop

Water:  It’s all around us -- streams, rivers, lakes, oceans, atmospheric effects, and more. It's a key ingredient in watercolor painting, regardless of the subject matter. But how does the artist create the illusion of water in a painting, regardless of the medium? This two-day workshop will present key tactics an artist can employ when painting bodies of water. Examine the nature of reflections, water movement, how water appears under various weather and lighting conditions, and more. Instruction includes demonstrations of how to incorporate various water effects in your own work and a review of the ways master artists historically have portrayed water in their paintings over the years. Open to all levels. Demonstrations will be conducted in watercolor, but instruction presents valuable information for painters of all media.

Image: James Toogood.

Register by: November 7 
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies