Thursdays, 9:00 AM - 12:00 PM  
Instructor: Tony Rosati  
Twelve-Week Course (36 Hours)  
No class on November 26 (Thanksgiving Break) 

The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will cover all aspects of the process including screen preparation, image development, and printing techniques. Printmakers with experience may propose independent projects. Note: Tuition includes $30 lab fee.

Registration Still Open!  
Materials List   
Please review CE’s Fall 2026 Policy Guide, including Withdrawal/Refund Policies, prior to registering.

Thursdays, 12:30 PM - 4:00 PM  
Instructor: Pavel Efremoff  
Twelve-Week Condensed Course (42 Hours)  
No class on November 26 (Thanksgiving Break) 

Foundry metal casting is the process of creating metal objects by pouring molten metal into a mold and letting it cool to solidify. This course will cover all aspects of the foundry process with an emphasis on mold making as an essential element of a sculptor’s toolkit for both bronze casting and creating objects in multiples. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. Course content will include step-by-step guidance in mold making production as students apply this process to their own projects. This class presents integral skills for any sculptor and is an excellent follow-up for students who have taken a clay-modeling class and wish to preserve their work. Beginner-friendly and open to all levels. Note: Tuition includes a $75 lab fee.

Registration Still Open!  
Materials List   
Please review CE’s Fall 2026 Policy Guide, including Withdrawal/Refund Policies, prior to registering.

Fridays, 9:00 AM - 1:30 PM  
Instructor: James Toogood  
Ten-Week Condensed Course (45 Hours)  
No class on November 27 (Thanksgiving Break)  

Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques while working from your choice of landscape, still life, abstraction, or personal source material. The course is designed to equip each participant with the knowledge and skills necessary to make accomplished, personally rewarding watercolor paintings. Open to watercolorists of all levels and to acrylic/oil painters looking to broaden their skills.

Register by: September 4  
Materials List  
Please review CE’s Fall 2026 Policy Guide, including Withdrawal/Refund Policies, prior to registering.

Mondays, 12:30 PM - 3:30 PM  
Instructor: Richard Estell  
Six-Week Short Course (18 Hours)  
No class on October 12 (Indigenous People’s Day)  

Explore the painting techniques of the masters who pioneered the 19th and 20th century American watercolor movement, including Winslow Homer, John Singer Sargent, Edward Hopper, and Charles Demuth. Characterized by bright color and bold handling that includes accents of opaque watercolor and loose washes, work in this tradition captures subject matter with dazzling light-filled effects. Practice these classic methods and learn to incorporate them into your own artwork to achieve a greater freedom of expression as well as adaptability and control in the way that you paint. Demonstrations and art historical discussions will be combined with short and more extensive still life and self-portrait exercises. This course is appropriate for beginning and intermediate levels.

Registration Still Open! 
Materials List   
Please review CE’s Fall 2026 Policy Guide, including Withdrawal/Refund Policies, prior to registering.

Wednesdays, 9:00 AM - 12:00 PM  
Instructor: John Horn  
Twelve-Week Course (36 Hours)  

Develop your ability to render the human form through the time-honored combination of anatomical study and life drawing. Learn the methods and technical skills of traditional figure drawing, such as measuring, capturing gesture, anatomical structuring, and tonal rendering. Through lectures and demonstrations, and work from the life model, learn the structural aspects of the human form: bony landmarks, simplified volumes, and proportional relationships. Progress to the skeletal framework and superficial muscles to identify their surface effects and how they influence mass and movement. Incorporate your knowledge of figure anatomy to capture the fluidity, vitality, and subtleties of the human form while working from the life model in short and extended poses. This course is ideal for anyone interested in strengthening their figure drawing, painting, or sculpture skills, as well as for those interested in future medical illustration. Note: Tuition includes a $75 models fee.

Registration Still Open!  
Materials List   
Please review CE’s Fall 2026 Policy Guide, including Withdrawal/Refund Policies, prior to registering.

Wednesdays, 9:00 AM - 1:30 PM  
Instructor: James Toogood  
Ten-Week Condensed Course (45 Hours)  

Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques while working from your choice of landscape, still life, abstraction, or personal source material. The course is designed to equip each participant with the knowledge and skills necessary to make accomplished, personally rewarding watercolor paintings. Open to watercolorists of all levels and to acrylic/oil painters looking to broaden their skills.

Learning Objectives

• Students will learn about color theory as applied to watercolor.
• Students will receive a comprehensive explanation of watercolor materials and tools, with particular focus will be paid to the properties of paint and pigments as they interact with the paintbrushes and paper.
• Through both discussions and demonstrations, first-time participants and beginners will learn a variety of techniques that are fundamental to watercolor, presented in a systematic step by step method.
• Participants with experience will receive individual instruction for their current skill level.
• Students will acquire the skills needed to achieve a richness of color and a feeling of light.
• Participants will be exposed to a variety of watercolor styles and encouraged to discover their own personal aesthetic.

Register by: September 9  
Materials List   
Please review CE’s Fall 2026 Policy Guide, including Withdrawal/Refund Policies, prior to registering.

Wednesdays, 12:30 PM - 3:30 PM  
Instructor: Kassem Amoudi  
Ten-Week Course (30 Hours)  

No matter what your preferred subject matter or painting style, this class is designed to help you push your work beyond your preconceived notions of what it should be. One-on-one instruction will develop your unique artistic voice while exploring composition, color, space, rhythm, and technique. Work from personal subject matter (objects or reference materials) to learn how to begin a painting with confidence, trust your instincts, embrace spontaneity, and transform observed forms into a personal form of expression. This mentored studio environment encourages experimentation and intuitive decision-making while helping you both build skills and generate new ideas. Whether you recently started or renewed your painting practice, or are an experienced painter seeking to move beyond your comfort zone, you'll discover new ways to express yourself and find joy in the creative process.

Registration Still Open! 
Materials List   
Please review CE’s Fall 2026 Policy Guide, including Withdrawal/Refund Policies, prior to registering.

Thursdays, 9:00 AM - 12:00 PM  
Instructor: Jill A. Rupinski  
Ten-Week Course (30 Hours)  
No class on November 26 (Thanksgiving Break)  

Still life subject matter presents endless possibilities for exploring concepts of color and composition to expand your essential painting skills. Working from eclectic arrangements in PAFA’s dedicated still life room, learn to compose with color to describe form, create visual focus and movement, suggest space, and evoke emotion. Students will become acquainted with color theory and other elements of composition as tools for resolving spatial issues in their paintings. Topics include palette arrangements, color mixing, composing a picture plane through sketching and underpainting, and building a painting surface through direct and indirect painting techniques.

Image Credit: Still Life with Bird Cage by Franklin Chenault Watkins (1955), Gift of James P. and Ruth Marshall Magill, PAFA Collection 

Registration Still Open!  
Materials List   
Please review CE’s Fall 2026 Policy Guide, including Withdrawal/Refund Policies, prior to registering.