Tuesdays, 9 a.m. - 12 p.m. 
Instructor: John Horn 
Twelve-Week Course (36 Hours) 
Note: No class during Spring Break, March 2 - 8.

Strengthen and hone your foundational drawing skills through a series of one- and two-day projects. Topics of concern will be design, structure of space, perspective, and light and shade. Subjects will include interior space, single objects and still life arrangements, and the life model. All levels from beginner to advanced are welcome. Tuition includes a $25 models fee.

Image: John Horn

Register by: January 13 
Materials List  
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Wednesdays, 9 a.m. - 1:30 p.m. 
Instructor: James Toogood 
Ten-Week Condensed Course (45 Hours) 

Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques from your choice of landscape, still life, portrait, and figure subjects. The course is designed to equip each participant with the knowledge and skills necessary to make accomplished, personally rewarding watercolor paintings. Open to watercolorists of all levels and to acrylic/oil painters looking to broaden their skills.

Learning Objectives

• Students will learn about color theory as applied to watercolor.
• Students will receive a comprehensive explanation of watercolor materials and tools, with particular focus will be paid to the properties of paint and pigments as they interact with the paintbrushes and paper.
• Through both discussions and demonstrations, first time participants and beginners will learn a variety of techniques that are fundamental to watercolor, presented in a systematic step by step method. Participants can expect to have regular individual instruction, given at their current skill level.
• Focus also will be paid on acquiring the skills needed to achieve a richness of color and a feeling of light.
• Participants will work from direct observations from the still life and model, or from their own source material. Those not taking the class for credit will have the option to work on landscape, still life, portrait and figure or abstraction, as they wish.
• Participants will be exposed to a variety of watercolor styles and encouraged to discover one’s own personal aesthetic.

Image: James Toogood

Register by: January 14 
Materials List  
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Thursdays, 9 a.m. - 12 p.m. 
Instructor: Carolyn Pyfrom   
Twelve-Week Course (36 Hours) 
Note: No class during Spring Break, March 2 - 8.

This class will offer useful strategies for representational life drawing to artists at any level of practice. Instruction will address gesture, rhythm, continuity, volume, and what artists most often refer to as “accuracy.” An important theme will be the ways in which gestural and analytical tactics are used together to make expressive and compelling drawings. The class will utilize both short and long poses to strengthen observational skills and to deepen understanding of how the figure moves and occupies space. By way of demonstration, the instructor will work alongside students in every class in addition to giving individual critiques.

This course is excellent paired with Comprehensive Figure Painting for students seeking intensive full-day figure study.

Image: Carolyn Pyfrom

Register by: January 15 
Materials List  
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Thursdays, 9 a.m. - 12 p.m. 
Instructor: Tony Rosati 
Twelve-Week Course (36 Hours) 
Note: No class during Spring Break, March 2 - 8.

The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will cover all aspects of the process including screen preparation, image development, and printing techniques. Printmakers with experience may propose independent projects. Note: Tuition includes $30 lab fee. 

Learning Objectives: 

• Students will gain a basic understanding of the screenprinting process.
• Students will acquire technical experience with screens, squeegees, ink, tools, and equipment.
• Students will learn basic screenprinting techniques including image development, coating and processing screens, mixing ink, and printing.
• Students will acquire technical expertise by way of printing various stencils from fine detail images to flat broad areas.
• Students will learn printmaking professionalism including printing editions on clean registered printmaking paper, signing and numbering editions appropriately.
• Students will learn the importance of image development through individual reviews and by exploring various possibilities with the process.
• Students will develop critical visual and verbal skills by way of individual discussions with the instructor and with their peers.

Image: Tony Rosati, GUILLAUME APOLLINAIRE, screen print, 15 x 11 in.

Register by: January 15 
Materials List  
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Thursdays, 12:30 - 4 p.m. 
Instructor: Pavel Efremoff 
Twelve-Week Condensed Course (42 Hours) 
Note: No class during Spring Break, March 2 - 8.

Foundry metal casting is the process of creating metal objects by pouring molten metal into a mold and letting it cool to solidify. This course will cover all aspects of the foundry process with an emphasis on mold making as an essential element of a sculptor’s toolkit for both bronze casting and creating objects in multiples. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. Course content will include step-by-step guidance in mold making production as students apply this process to their own projects. This class presents integral skills for any sculptor and is an excellent follow-up for students who have taken a clay-modeling class and wish to preserve their work. Beginner-friendly and open to all levels. Note: Tuition includes a $75 lab fee.

Image: Pavel Efremoff

Register by: January 15 
Materials List  
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Fridays, 9 a.m. - 1:30 p.m. 
Instructor: James Toogood   
Ten-Week Condensed Course (45 Hours) 

Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques from your choice of landscape, still life, portrait, and figure subjects. The course is designed to equip each participant with the knowledge and skills necessary to make accomplished, personally rewarding watercolor paintings. Open to watercolorists of all levels and to acrylic/oil painters looking to broaden their skills.

Learning Objectives

• Students will learn about color theory as applied to watercolor.
• Students will receive a comprehensive explanation of watercolor materials and tools, with particular focus will be paid to the properties of paint and pigments as they interact with the paintbrushes and paper.
• Through both discussions and demonstrations, first time participants and beginners will learn a variety of techniques that are fundamental to watercolor, presented in a systematic step by step method. Participants can expect to have regular individual instruction, given at their current skill level.
• Focus also will be paid on acquiring the skills needed to achieve a richness of color and a feeling of light.
• Participants will work from direct observations from the still life and model, or from their own source material. Those not taking the class for credit will have the option to work on landscape, still life, portrait and figure or abstraction, as they wish.
• Participants will be exposed to a variety of watercolor styles and encouraged to discover one’s own personal aesthetic.

Image: James Toogood

Register by: January 16 
Materials List  
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Mondays, 12:30 - 3:30 p.m. 
Instructor: Roberto Osti 
Twelve-Week Course (36 Hours) 
Note: No class during Spring Break, March 2 - 8.

Paint portraits from a variety of models using the direct painting method. Examine the proportions and volumes of the head, as well as the placement, structure, and characteristics of the facial features, through preliminary drawings and demonstrations. Develop color using a limited palette to understand how to use chroma, temperature, value, tint, and tone. Instruction will address materials, composition, paint handling, and color mixing, blending, and theory. Content includes at least one cast study from PAFA's historic collection to improve understanding of modeling form through value. Homework assignments working from photos, Masterworks, or oneself/others will encourage students to learn to make personal aesthetic and technical choices and to practice concepts addressed in class. Open to all levels, this course is excellent for beginners as well as experienced students who want to review fundamental techniques or who simply enjoy painting portraits from life. Note: Course tuition includes a $75 model fee. 

Image: Roberto Osti, portrait detail.

Register by: January 20 
Materials List  
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Mondays, 12:30 - 3:30 p.m. 
Instructor: Justine Ditto
Six-Week Short Course (18 Hours) 

Note: Due to inclement weather on this course's originally scheduled start date of January 26, the dates for this class have changed to February 2 - March 9 (postponed by one week).

Painting and printmaking go hand-in-hand, not only as adjacent mediums but in combination. This freeing and instructive course presents printmaking techniques as jumping off points to making mixed media work in spirit of experimentation and personal expression. Learn how to make monotypes, drypoints, and screenprints as a foundation for incorporating your choice of graphite, colored pencil, acrylic, watercolor, oil paint, and/or collage. Content includes technical advice from an artist-instructor ideally skilled in a variety of media as well as critiques to expand your creative boundaries. This class is perfect for painters/draftspeople seeking to expand their processes, printmakers seeking to employ painterly and mixed media techniques, and anyone with love of color and experimentation. Open to all levels – no prior printmaking or painting experience required. Tuition includes a $20 materials fee.

Image: Justine Ditto

Register by: January 26 (pending space)  
Materials List (note date change above)
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.