Thursdays, 6 - 9:30 p.m.
Instructor: Pavel Efremoff 
Twelve-Week Condensed Course (42 Hours)
Credit: Non-Credit or 1.5 Undergraduate Credits (See Below)
Note: No class on November 27

This course will cover all aspects of the foundry process. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. All levels welcome. Note: Tuition includes a $75 lab fee.

Optional: This course is available for 1.5 undergraduate credits for $1,070 (including lab fee). Select credit option with price adjustment when registering.

Image: Pavel Efremoff

Register by: September 4 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies

Wednesdays, 6 - 9 p.m.
Instructor: Rebecca Gilbert
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Note: No class on November 26 

Printing from a drawing carved into wood is the oldest and most straightforward form of printmaking. Expand the expressive possibilities of the medium by infusing color into the process! Learn reduction and multiple block relief printmaking techniques to produce vibrant, layered color prints. Instruction will cover all steps from start to finished print: material selection and use, image planning, tool handling for a variety of mark-making tactics, reduction and multiple block processes, color mixing, printing by hand and on an etching press, registration techniques, cleaning, and editioning. All levels welcome. Tuition includes a $30 lab fee.

Optional: This course is available for 1.0 undergraduate credit for $625, including lab fee. Select credit option with price adjustment when registering.

Image: Rebecca Gilbert

Register by: September 17 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies

Tuesdays, 6 - 9 p.m.
Instructor: Marguerita Hagan
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Explore a custom sculpture experience in clay with veteran ceramicist, Marguerita Hagan. Learn various hand-building processes with an emphasis on abstraction. Create work that is either wall-hanging or free-standing, focused on 3D qualities or surface treatments, or both. Whatever you imagine will be supported with experienced individualized attention and specific hand-building and painting techniques to manifest your intention. Gain exposure not only to hand-building directions but also to many surface treatment methods including airbrush, underglaze paints, pencils, masking, resist, glaze, overglaze lusters, and waterslide and rice paper transfer decals. Instruction will be tailored to serve the individual whether for learning basic hand-building methods or realizing a work or series. Come with no experience or translate your existing practice into the transformative language of clay. Note: Tuition includes a $30 lab fee.

Optional: This course is available for 1.0 undergraduate credit for $625, including lab fee. Select credit option with price adjustment when registering.

Image: Marguerita Hagan

Register by: September 23 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies

Wednesdays, 5:30 – 8:30 p.m. 
Instructor: John Greig
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
Note: No class on November 26

This class will explore wood as a primary art-making medium, looking at its many types, techniques and uses. Students will develop a well-rounded foundation of wood-working skills including cutting, milling, laminating, joinery and safe use of wood-working tools. Contemporary, traditional and ancient art works made of wood will be presented for historical and contextual understanding. Students will be encouraged to find their own unique voice within the material while building skills. Tuition includes $30 materials fee.

Image: John Greig

Register by: October 22 
Materials List - Coming Soon! 
Fall 2025 CE Policy Guide, including withdrawal/refund policies 

Mondays, 6 – 8 p.m. (Zoom) with Asynchronous Canvas Content 
Instructor: Michelle Oosterbaan
Six-Week Course (18-Hour Equivalent)
Credit: Non-Credit Only

Dogs, cats, and other animals at home or in nature have been depicted in master drawings and paintings throughout the centuries — as portrait subjects themselves or as a part of landscapes, domestic scenes, still lifes, and other genres. Find inspiration in the creatures of the great outdoors or those curled up on your own couch to make animals a meaningful part of your painting practice. Utilize sketches and photo references to explore ways of realistically and expressively depicting domestic or wild animals, to capture facial features, posture/gesture, and textural effects of fur, feathers and whiskers while learning sound visual principles and techniques in water-media. Content will include examples from historical and contemporary art, engaging homework assignments, and discussions about the role of animals in art and tactics for making them a special focus in your own work. Instruction will focus on drawing and watercolor or gouache painting, but students are welcome to work in other media.

Image: Honoré Desmond Sharrer, Study for "Two Dogs in a Still Life" (detail), mid 20th century, casein or gouache on paper, 11 x 14 in. Collection of PAFA, gift of Adam Zagorin and the late Perez Zagorin. Copyright © artist or artist’s estate.

Register by: October 27 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  
Information for PAFA CE Online Courses

Mondays, 6 – 9 p.m. 
Instructor: Frederic Kaplan 
Six-Week ShortCourse (18 Hours)
Credit: Non-Credit Only 

If you haven’t drawn in a while, this course will help to rebuild your skills in translating the 3D world to the 2D surface of your paper. Hone your ability to interpret and define proportions, shapes, and value structure while working from observation from city views, interiors, and still-life objects. Content will address shading techniques, principles of perspective, and line quality in charcoal or pencil. Students will learn to:

• Reduce complex forms to simpler elements

• Gauge proportions and shapes using sighting techniques and other methods

• Use light and shadow to model form three-dimensionally

• Employ shading techniques

• Practice fundamental perspective principles and methods

Image: Fred Kaplan

Register by: October 27 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies