Saturdays, 9 a.m. - 12 p.m.
Instructor: Steve Nocella 
Twelve-Week Course (36 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Note: No class on November 29

Explore the possibilities of stone carving by using traditional and nontraditional methods. All processes from rough carving to polishing will be covered, and various tools and techniques will be demonstrated. Open to all levels. Note: Tuition includes $30 lab fee.

Learning Objectives 

• Develop proficiency in basic tool use including manual carving, pneumatic carving, sawing, grinding, and sanding.

• Learn the methods of stone carving beginning with "roughing out" a form and finishing with sanding and polishing.

• Develop a perceptual ability for spatial relationships of the elements that constitute a sculpture or a three-dimensional image.

• Learn to use creative and critical thinking in the process of carving sculpture.

• Gain an appreciation for the influence and informing effect that medium and process have on image making.

• Acquire an introductory understanding of the history of stone carving and the capacity to conceptualize context for the student's sculpture.

Optional: This course is available for 1.0 undergraduate credit for $725 (including lab fee). Select credit option with price adjustment when registering.

Image: CE Student Alan Miller.

Register by: September 5 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies

Friday - Sunday, 9 a.m. – 4p.m.
Instructor: Morgan Dummitt 
Three-Day Weekend Workshop
Credit: Non-Credit Only

Sculptors from Ancient Greece to Michelangelo have recognized the centrality of the torso for creating dynamic figure sculptures. This condensed class will focus intensely on the anatomy, structure, and proportions of the torso. Students will complete a half life-sized torso in clay. Perfect for beginners or for experienced students wishing to bring renewed vitality to their figurative work in any media. Work will be done in terracotta and fired after class.  Tuition includes a $35 models fee.

Learning Outcomes

Students in this class will:

• Gain a thorough understanding of the interaction of the ribcage and pelvis as theyinform the torso

• Understand simplified form conceptions of the major masses of the body

• Learn the basic structure, anatomy and proportions of the torso

• Learn best practices for building and firing sculpture in clay

Image: Morgan Dummitt, Torso Fragments.

Register by: September 12 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies

Saturdays, 10 a.m. – 2 p.m.
Instructor: Michelle Oosterbaan 
Five-Week Short Course (20 Hours)
Credit: Non-Credit Only

Water-based paints such as watercolor and gouache are the perfect mediums for landscape painting in the open air! Painters of all levels enjoy the ease of these portable, fast-drying, and easy-to-clean-up alternatives to oils. Explore the vibrant color and versatile application and layering methods in your choice of these media as you portray the beauty of autumn in Philadelphia’s parks in your own personal style. Learn techniques for choosing a composition, mixing color, and working efficiently outdoors as you complete a series of rapid sketches and at least one sustained painting. Open to all levels. Painting locations featuring shade, restrooms, and other amenities may include Wissahickon Park in Mt. Airy, Washington Square Park near Independence Hall, Glen Foerd overlooking the Delaware River, and Bartram's Garden in Southwest Philadelphia. Note: Students are responsible for their own transportation to painting locations. 

*Please reserve a rain date of October 25, should any session be postponed due to inclement weather. 

Image: Michelle Oosterbaan

Register by: September 4 
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies 

Saturdays, 10 a.m. - 1 p.m.
Instructor: David Wilson 
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

Painting the human form from observation is one of the cornerstones of PAFA's long tradition of rigorous instruction. Working from the nude model in poses of varying lengths, investigate color mixing, proportion, and composition using oil paint as a medium. Focusing on alla prima painting techniques and a limited flesh-tone palette, learn to model the human form through gesture, shape, volume, and temperature – excellent for painted sketches and preparatory studies, foundations for extended work, or an introduction/refresher to figure painting. Intended for all skill levels, this course also offers the valuable opportunity for more advanced students to continue to hone their skills to deepen their understanding of the language of painting.  Instruction will be geared toward oil, but students may draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee.

Image: David Wilson

Register by: September 12 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies

Saturdays, 12:30 – 3:30 p.m.
Instructor: Steve Nocella 
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Note: No class on November 29

This ten-week course teaches the basic skills needed for making metal sculpture. Learn fundamental methods of cutting, bending and welding metal such as sawing, heating, and MIG welding. Students will be encouraged to explore the medium with directness and spontaneity to gain a knowledge and understanding of its complexion. Open to all levels. Note: Tuition includes a $65 lab fee.

Optional: This course is available for 1.0 undergraduate credit for $660 (including lab fee). Select credit option with price adjustment when registering.

Image: CE Student Molly Patterson.

Register by: September 12 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies

Saturday and Sunday, 9 a.m. - 5 p.m.
Instructor: James Toogood 
Weekend Workshop
Credit: Non-Credit Only

Interested in learning or improving your watercolor skills? All materials and techniques will be discussed, including the selection of papers, brushes, and pigments, as well as transparent and opaque painting methods. Students will work from still-life subjects and/or their own source material. All levels welcome.

Image: James Toogood

Register by: September 19 
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies

Sundays, 3 – 4 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Al Gury 
Ten-Week Course (30-Hour Equivalent)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Note: No class on November 30

Al Gury, Professor of Painting and Drawing at PAFA, and noted author of Alla Prima, Color for Painters, and Foundations of Drawing, presents the foundational basics of art making. This course is designed for individuals who are new to or just beginning to study art, or for those desiring a refresher in the basic elements, with a goal of imparting a solid and practical understanding of essential topics and practices. As a survey course, each week will focus on a specific topic and a project assignment. Topics will include the materials of drawing and painting, drawing shapes, measuring, forms, perspective, depth, use of line, understanding light and shade, and composition. Exercises will include the basics of charcoal and pencil drawing, use of pastel, color concepts, and how oil paints work. Subjects will include still lifes, interior spaces, portraits, and life drawing through the use of masterworks. Course content and assignments will be posted on Canvas, PAFA’s online learning platform. Weekly Zoom meetings will provide opportunities for Q&A, art history discussion and references, illustrations of key concepts, and explanations of the weekly project by the instructor.

Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering. 

Image: Al Gury

Register by: September 26

Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  
Information for PAFA CE Online Courses

Sundays, 4:30 – 5:30 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Al Gury
Six-Week Condensed Course (30-Hour Equivalent)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below) 

Explore how to use color as an organizing force in your drawings and paintings with Al Gury, Professor of Painting and Drawing at PAFA, and noted author of Alla Prima, Color for Painters, and Foundations of Drawing. This class presents practical skills and strategies for making strong compositions using color in the selection of hues, arrangement of marks/shapes, range values, and use of temperature to establish visual balance, space, and visual focus within the pictorial frame of an artwork. Projects will utilizelandscape, portrait, still life, and abstraction to examine color’s impact on design. Classes will contain explanations of the visual compositional strategies in both historic and contemporary art, instructor demonstrations, and tactics for problem-solving, as well as weekly assignments and critiques of personal work.Content will address techniques in oil, acrylic, watercolor, and pastel, with a focus on color applications. Class meetings will be held on Zoom, and assignments and asynchronous class content will be posted on Canvas, PAFA’s online learning platform.Beginning and advanced studentswelcome.

Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering. 

Image: Al Gury

Register by: September 26 
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies  
Information for PAFA CE Online Courses