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Stone Carving (In-Person)
with Steve Nocella
Saturdays, 9 a.m. - 12 p.m.
Instructor: Steve Nocella
Twelve-Week Course (36 Hours)
Note: No class during Spring Break, March 2 - 8.
Explore the possibilities of stone carving by using traditional and nontraditional methods. All processes from rough carving to polishing will be covered, and various tools and techniques will be demonstrated. Open to all levels. Note: Tuition includes $30 lab fee.
Learning Objectives
- Develop proficiency in basic tool use including manual carving, pneumatic carving, sawing, grinding, and sanding.
- Learn the methods of stone carving beginning with "roughing out" a form and finishing with sanding and polishing.
- Develop a perceptual ability for spatial relationships of the elements that constitute a sculpture or a three-dimensional image.
- Learn to use creative and critical thinking in the process of carving sculpture.
- Gain an appreciation for the influence and informing effect that medium and process have on image making.
- Acquire an introductory understanding of the history of stone carving and the capacity to conceptualize context for the student's sculpture.
Image: Steve Nocella, Untitled, 1995, limestone, 26 x 6.5 x 7 in.
Register by: January 16
Materials List - Coming Soon
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Figure Painting: Alla Prima and the Limited Palette (In-Person)
with David Wilson
Saturdays, 10 a.m. - 1 p.m.
Instructor: David Wilson
Six-Week Short Course (18 Hours)
Painting the human form from observation is one of the cornerstones of PAFA's long tradition of rigorous instruction. Working from the nude model in poses of varying lengths, investigate color mixing, proportion, and composition using oil paint as a medium. Focusing on alla prima painting techniques and a limited flesh-tone palette, learn to model the human form through gesture, shape, volume, and temperature – excellent for painted sketches and preparatory studies, foundations for extended work, or an introduction/refresher to figure painting. Intended for all skill levels, this course also offers the valuable opportunity for more advanced students to continue to hone their skills to deepen their understanding of the language of painting. Instruction will be geared toward oil, but students may draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee.
Image: David Wilson
Register by: January 16
Materials List - Coming Soon
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Methods of the Masters: Great Women Painters (Online)
with Al Gury
Sundays, 3 - 4 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Al Gury
Six-Week Condensed Course (30-Hour Equivalent)
Explore the methods of some of the greatest painters in recent art history with Al Gury, noted professor and author of Alla Prima, Color for Painters, and Foundations of Drawing. Notable women artists Alice Neel, Mary Cassatt, Gabriel Munter, and Cecilia Beux, among others, will provide the basis for weekly painting projects. Learn from, and gain an increased appreciation for, these masters through an examination of their materials, color palettes, working methods, and histories through visual examples, discussions, video demonstrations, and tailored painting projects that will be critiqued by the instructor for helpful feedback. Class meetings will be held on Zoom, and assignments and asynchronous class content will be posted on Canvas, PAFA’s online learning platform. Open to all levels of experience and all media: oil, acrylic, watercolor, and pastel.
Image: Mary Cassatt, Young Thomas and his Mother (detail), 1893, pastel on wove paper, 23 5/8 x 19 3/4 in. Collection of the PAFA Museum, Accession # 1904.10. Pennsylvania Academy purchase.
Register by: January 16
Materials List - Coming Soon
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Information for PAFA CE Online Courses
Metal Sculpture (In-Person)
with Steve Nocella
Saturdays, 12:30 - 3:30 p.m.
Instructor: Steve Nocella
Ten-Week Course (30 Hours)
Note: No class during Spring Break, March 2 - 8.
This ten-week course teaches the basic skills needed for making metal sculpture. Learn fundamental methods of cutting, bending and welding metal such as sawing, heating, and MIG welding. Students will be encouraged to explore the medium with directness and spontaneity to gain a knowledge and understanding of its complexion. Open to all levels. Note: Tuition includes a $65 lab fee.
Image: Steve Nocella, Bust with Helmet and Facemask No. 6, 2023, Mixed Media.
Register by: January 16
Materials List - Coming Soon
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Portrait in Pencil Workshop (In-Person)
with RA Friedman
Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: RA Friedman
Weekend Workshop
Using inexpensive materials, this hands-on workshop will introduce the concepts and methods needed to create a strong sense of dimension and likeness in your portrait drawings. Explore the proportions and planes of the head, neck and shoulders. Learn how to create a structural foundation and how to easily manage anatomy by breaking down forms into simple geometric shapes. Instruction will address different strategies for creating a finished tonal portrait as well as tips and tricks that will help you draw like a pro! Note: Tuition includes a $10 models fee.
For more advanced instruction or an optional follow-up to this course, see Advanced Portrait Drawing Workshop.
Image: RA Friedman
Register by: January 30
Materials List - Coming Soon
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Watercolor Workshop (In-Person)
with James Toogood
Saturday and Sunday, 9 a.m. - 5 p.m.
Instructor: James Toogood
Weekend Workshop
Interested in learning or improving your watercolor skills? All materials and techniques will be discussed, including the selection of papers, brushes, and pigments, as well as transparent and opaque painting methods. Students will work from still-life subjects and/or their own source material. All levels welcome.
Image: James Toogood
Register by: February 13
Materials List - Coming Soon
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Spontaneous Abstraction Workshop (Online)
with Kassem Amoudi
Saturday and Sunday, 10 a.m. - 2 p.m. (Live Zoom Only)
Instructor: Kassem Amoudi
Weekend Workshop
Many artists can feel frustrated in front of a blank canvas, unsure of how to start and what to paint. Paint with confidence by learning techniques to tap into your intuitive process and find inspiration more easily! Experienced instruction and advice will push students to take chances and explore unexpected directions and accidental marks to achieve artistic discoveries. Students will use line, color and space, and editing possibilities to create busy/calm areas and focal points in their paintings as they work from personal imagery, expression, and imagination. Instruction will take the form of PowerPoint presentation/examples, formal direction from modern and contemporary artists, and one-on-on critiques in Zoom sessions that are geared toward open painting time in a classroom-like setting. Painting experience recommended.
Image: Kassem Amoudi
Register by: February 20
Materials List - Coming Soon
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Information for PAFA CE Online Courses
Step into Acrylics Workshop (In-Person)
with Frederic Kaplan
Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: Frederic Kaplan
Weekend Workshop
Gain the basics you need to step into an acrylic painting practice! Learn to use quick-drying acrylics in thin, transparent layers as well as thicker, more opaque applications that produce textural and impasto effects. Materials like fluid mediums, gels, and pastes will be demonstrated, along with both brush and palette knife techniques. Experiment with both limited and expanded color palettes as you work from still life subjects. This workshop is ideal for students looking for a non-toxic, flexible painting medium, as well as anyone seeking to explore acrylics’ excellent potential for representational and abstract work. Drawing experience is recommended.
Image: Fred Kaplan.
Register by: March 6
Materials List - Coming Soon
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.