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Composition Through Color in Drawing and Painting (Online)
with Al Gury

Sundays, 4:30 – 5:30 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Al Gury
Six-Week Condensed Course (30-Hour Equivalent)
Explore how to use color as an organizing force in your drawings and paintings with Al Gury, Professor of Painting and Drawing at PAFA, and noted author of Alla Prima, Color for Painters, and Foundations of Drawing. This class presents practical skills and strategies for making strong compositions using color in the selection of hues, arrangement of marks/shapes, range values, and use of temperature to establish visual balance, space, and visual focus within the pictorial frame of an artwork. Projects will utilizelandscape, portrait, still life, and abstraction to examine color’s impact on design. Classes will contain explanations of the visual compositional strategies in both historic and contemporary art, instructor demonstrations, and tactics for problem-solving, as well as weekly assignments and critiques of personal work.Content will address techniques in oil, acrylic, watercolor, and pastel, with a focus on color applications. Class meetings will be held on Zoom, and assignments and asynchronous class content will be posted on Canvas, PAFA’s online learning platform.Beginning and advanced studentswelcome.
Image: Al Gury
Register by: September 26
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses
Figure Painting: Developing Form and Finish (In-Person)
with David Wilson

Saturdays, 10 a.m. - 1 p.m.
Instructor: David Wilson
Six-Week Short Course (18 Hours)
Note: No class on November 29
Paint from a life model in long, multi-class poses to develop and refine your figure painting compositions. Extended poses will allow students to adjust and resolve issues of surface, color, and composition. Instruction will cover a variety of topics including glazing, broken color, surface texture, composition and design, the relationship of the figure to the environment, the creation of atmosphere and color harmony, disrupted realism, and open- versus closed-form painting. All levels welcome. Instruction will be geared toward oil, but students are welcome to draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee.
Image: David Wilson
Register by: October 24
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Handmade Papermaking: Sheetforming (In-Person)
with Clay Tenhula

Saturday and Sunday, 9 a.m. – 4 p.m.
Instructor: Clay Tenhula
Weekend Workshop
Learn the traditional methods and materials of hand-papermaking in PAFA’s state-of-the-art Richard C. von Hess Papermaking Studio! This workshop will focus on sheet production. Instruction will familiarize students with the rules and practices of the studio, introduce new students to the basics of handmade papermaking, and challenge those with papermaking experience to try new techniques or fibers. Students will have supervised time to practice techniques in pulling paper with the mould and deckle, pressing using a hydraulic press, and drying with a restrained dried system. Students of all disciplines and levels are encouraged to bring their ideas to this tactile medium. Tuition includes a $50 lab fee which covers all supplies. See materials list for clothing/studio considerations.
Note: This is Workshop 1 of 2 independent papermaking classes. Students can enroll in one or both workshops; the first class is not required for enrollment into the second.
Image: Clay Tenhula
Register by: October 31
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Painting Metal and Glass Workshop (In-Person)
with Frederic Kaplan

Saturday and Sunday, 9 a.m. – 4 p.m.
Instructor: Frederic Kaplan
Weekend Workshop
Highly reflective and transparent/translucent surfaces, such as metal and glass, can be a challenge for oil painters to represent accurately: distortions, abrupt shifts in value, and color influences by surrounding objects can make it difficult for the artist to discern what they are actually seeing or how to capture these effects. Through straightforward demonstrations, learn logical step-by-step approaches for painting each of these challenging subjects, and follow up with hands-on practice working from glass- and metal-themed still life arrangements. Prior drawing and painting experience strongly recommended. Note: This workshop is designed for oil painters, but acrylic painters are also welcome.
Image: Frederic Kaplan
Register by: October 31
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
The Figure in Clay Workshop (In-Person)
with Colleen O'Donnell

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: Colleen O'Donnell
Weekend Workshop
Learn the techniques and tools of figure sculpture through demonstration and hands-on sculpting from the model. Explore anatomy, proportion, gesture, and design through the versatility of clay. Personal expression will be emphasized though representational and abstract approaches. Open to all levels and perfect for beginners. Tuition includes a $35 models fee.
Image: Colleen O’Donnell
Register by: October 31
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Water, Water, Everywhere: How to Paint Water in All Media (In-Person)
with James Toogood

Saturday and Sunday, 9 a.m. - 5 p.m.
Instructor: James Toogood
Weekend Workshop
Water: It’s all around us -- streams, rivers, lakes, oceans, atmospheric effects, and more. It's a key ingredient in watercolor painting, regardless of the subject matter. But how does the artist create the illusion of water in a painting, regardless of the medium? This two-day workshop will present key tactics an artist can employ when painting bodies of water. Examine the nature of reflections, water movement, how water appears under various weather and lighting conditions, and more. Instruction includes demonstrations of how to incorporate various water effects in your own work and a review of the ways master artists historically have portrayed water in their paintings over the years. Open to all levels. Demonstrations will be conducted in watercolor, but instruction presents valuable information for painters of all media.
Image: James Toogood.
Register by: November 7
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Color Matters Workshop (Online)
with Kassem Amoudi

Saturday and Sunday, 10 a.m. – 2 p.m. (Zoom Only)
Instructor: Kassem Amoudi
Weekend Workshop
Elevate the role of color and learn how to incorporate it both strategically and intuitively into your paintings under the guidance of artist/critic/mentor KassemAmoudi in this condensed two-day workshop. Explore color’s role in creating focal points, suggesting space, influencing mark, and promoting personal expression. Work from personal subject matter (objects, images, emotions, or ideas) to develop your personal style, informed by examples from contemporary and modern art. Zoom sessions feature open painting time, supported by critiques and advice from the instructor as he works one-on-one to guide students toward their goals. This course is excellent for students seeking to jumpstart their use of color in abstract/nonobjective imagery. Painting experience recommended.
Image: Kassem Amoudi
Register by: November 14
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses
Advanced Portrait Drawing Workshop (In-Person)
with RA Friedman

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: RA Friedman
Weekend Workshop
This intensive workshop is designed for those looking to push their portrait drawing abilities toward the professional level. Demonstrations and in-class exercises will open up how you see, think, and approach the creation of a likeness, avoiding common pitfalls. Explore subtleties of form and the relationships of lines, planes and tones, capturing the character and energy of the subject. Additionally, instruction will cover facial expressions and deep anatomy of the face, neck, and upper body. Drawing will be primarily in graphite pencil and stick. Introductory portrait drawing or equivalent recommended. Note: Tuition includes a $10 models fee.
Image: RA Friedman
Register by: December 1
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies