Mondays, 12:30 – 3:30 p.m.
Instructor: Justine Ditto
Six-WeekShort Course (18 Hours) 

Painting and printmaking go hand-in-hand, not only as adjacent mediums but in combination. This freeing and instructive course presents printmaking techniques as jumping off points to making mixed media work in spirit of experimentation and personal expression. Learn how to make monotypes, drypoints, and screenprints as a foundation for incorporating your choice of graphite, colored pencil, acrylic, watercolor, oil paint, and/or collage. Content includes technical advice from an artist-instructor ideally skilled in a variety of media as well as critiques to expand your creative boundaries. This class is perfect for painters/draftspeopleseeking to expand their processes, printmakers seeking to employ painterly and mixed media techniques, and anyone with love of color and experimentation. Open to all levels – no prior printmaking or painting experience required. Tuition includes a $20 materials fee.

Image: Justine Ditto

Registration still open! 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Mondays, 6 – 8 p.m. (Zoom) with Asynchronous Canvas Content 
Instructor: Michelle Oosterbaan
Six-Week Course (18-Hour Equivalent) 

Dogs, cats, and other animals at home or in nature have been depicted in master drawings and paintings throughout the centuries — as portrait subjects themselves or as a part of landscapes, domestic scenes, still lifes, and other genres. Find inspiration in the creatures of the great outdoors or those curled up on your own couch to make animals a meaningful part of your painting practice. Utilize sketches and photo references to explore ways of realistically and expressively depicting domestic or wild animals, to capture facial features, posture/gesture, and textural effects of fur, feathers and whiskers while learning sound visual principles and techniques in water-media. Content will include examples from historical and contemporary art, engaging homework assignments, and discussions about the role of animals in art and tactics for making them a special focus in your own work. Instruction will focus on drawing and watercolor or gouache painting, but students are welcome to work in other media.

Image: Honoré Desmond Sharrer, Study for "Two Dogs in a Still Life" (detail), mid 20th century, casein or gouache on paper, 11 x 14 in. Collection of PAFA, gift of Adam Zagorin and the late Perez Zagorin. Copyright © artist or artist’s estate.

Register by: October 27 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  
Information for PAFA CE Online Courses

Mondays, 6 – 9 p.m. 
Instructor: Frederic Kaplan 
Six-Week ShortCourse (18 Hours)  

If you haven’t drawn in a while, this course will help to rebuild your skills in translating the 3D world to the 2D surface of your paper. Hone your ability to interpret and define proportions, shapes, and value structure while working from observation from city views, interiors, and still-life objects. Content will address shading techniques, principles of perspective, and line quality in charcoal or pencil. Students will learn to:

• Reduce complex forms to simpler elements

• Gauge proportions and shapes using sighting techniques and other methods

• Use light and shadow to model form three-dimensionally

• Employ shading techniques

• Practice fundamental perspective principles and methods

Image: Fred Kaplan

Register by: October 27 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Tuesdays, 9 a.m. - 12 p.m.
Instructor: Roger Chavez 
Six-Week Short Course (18 Hours) 

Cultivate fluid mark-making and bold approaches to subject matter through rapid and loose painting studies. Tight and precise painting, especially in the early stages of an artwork, can sometimes lead to work that appears stiff and over-labored, or to locked-in compositions that are difficult to change or correct. Working from the still life, cityscapes, and the life model, utilize short, small painting exercises to learn new ways of starting paintings, keeping compositions open to adjustment, and both initiating and retaining a sense of freshness in your forms and brushstrokes. Instruction will address color mixing, painting materials and methodologies, and the importance of cultivating viablemethods for growth in your painting practice. Discover the beauty and freedom of loosening up your painting! Note: Tuition includes a $15 models fee.

Image: Roger Chavez

Register by: October 28 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Wednesdays, 12:30 – 3:30 p.m.
Instructor: Kandice Fields Portalatin
Six-Week Short Course (18 Hours) 

Explore lithography through non-toxic, easy-to-learn paper plate and polyester plate processes in this excellent entry-point printmaking class. Students will work with toner-based drawings tolearn the fundamental principles of using grease and water resistance to produce prints.Instruction will cover drawing methods using toner or Sharpie, plate processing, hand-printing, and layering techniques. Students will come away with: 

• The demystification of lithography through simple, approachable methods 

• Experience using sustainable alternatives to traditional stone and metal plates

• Strengthened drawing/mark-making skills in a new medium

• A small edition of alternative litho prints

Tuition includes a $20 lab fee.

Image: Kandice Fields Portalatin, I pick up my life and take it with me (Quilted) (detail), lithograph, 11 x 14 in.

Register by: October 29 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Saturday and Sunday, 9 a.m. - 5 p.m.
Instructor: James Toogood 
Weekend Workshop

Water:  It’s all around us -- streams, rivers, lakes, oceans, atmospheric effects, and more. It's a key ingredient in watercolor painting, regardless of the subject matter. But how does the artist create the illusion of water in a painting, regardless of the medium? This two-day workshop will present key tactics an artist can employ when painting bodies of water. Examine the nature of reflections, water movement, how water appears under various weather and lighting conditions, and more. Instruction includes demonstrations of how to incorporate various water effects in your own work and a review of the ways master artists historically have portrayed water in their paintings over the years. Open to all levels. Demonstrations will be conducted in watercolor, but instruction presents valuable information for painters of all media.

Image: James Toogood.

Register by: November 7 
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Saturday and Sunday, 10 a.m. – 2 p.m. (Zoom Only)
Instructor: Kassem Amoudi 
Weekend Workshop 

Elevate the role of color and learn how to incorporate it both strategically and intuitively into your paintings under the guidance of artist/critic/mentor KassemAmoudi in this condensed two-day workshop. Explore color’s role in creating focal points, suggesting space, influencing mark, and promoting personal expression. Work from personal subject matter (objects, images, emotions, or ideas) to develop your personal style, informed by examples from contemporary and modern art. Zoom sessions feature open painting time, supported by critiques and advice from the instructor as he works one-on-one to guide students toward their goals. This course is excellent for students seeking to jumpstart their use of color in abstract/nonobjective imagery. Painting experience recommended. 

Image: Kassem Amoudi

Register by: November 14 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  
Information for PAFA CE Online Courses

Wednesdays, 9 a.m. - 1:30 p.m.
Instructor: James Toogood 
Three-Week Extension Course  

Enrich your knowledge of painting with an in-depth look at watercolor! This newly-added bonus/extension class both offers students who completed the ten-week In-Depth Watercolor course the option of continuing their studies with James Toogood and provides new students the opportunity to try out this engaging, all-levels watercolor class in a short three-week format. Group and one-on-one instruction is designed to equip each participant with the knowledge and skills necessary to make accomplished, personally rewarding watercolor paintings. Note: This course does not include use of models. Students need not have completed the full-length In-Depth Watercolor class to participate in this extension.

Image: James Toogood

Register by: November 19 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies