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Painting the Figure
with Al Gury
Wednesdays, 9 a.m. - 3 p.m.
Instructor: Al Gury
Six-Week Condensed Course (30 Hours)
This in-person/on-campus studio class presents a structured approach to painting the figure in oils from life. Topics include drawing methods, gesture, figure structure, basic anatomy, palettes, and various paint application techniques for layering and alla prima approaches. Includes instructor demonstrations and generous individualized guidance/feedback.
Image: Al Gury
Registration still open!
Materials List
Please review CE's Summer 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Oil/Acrylic Painting: Capturing Color
with Frederic Kaplan
Fridays, 9 a.m. - 3 p.m.
Instructor: Frederic Kaplan
Six-Week Condensed Course (30 Hours)
No class on June 19
This painting-essentials course presents an in-depth and practical examination of the role of color in oil and acrylic painting. Instruction will explore mixing strategies and the effects of color choices and relationships upon depth, atmosphere, and luminosity. A variety of painting methods will be addressed, with a focus on how to exploit glazing, scumbling, and velatura layering techniques to achieve richer and more lively color. The still-life subject matter is appropriate for painters of all experience levels, although those with prior experience will benefit most from the color-emphasis in content.
Image: Frederic Kaplan
Registration still open!
Materials List
Please review CE's Summer 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Figure Painting: Alla Prima and the Limited Palette
with David Wilson
Saturdays, 10 a.m. - 1 p.m.
Instructor: David Wilson
Six-Week Short Course (18 Hours)
No class on May 23
Painting the human form from observation is one of the cornerstones of PAFA's long tradition of rigorous instruction. Working from the nude model in poses of varying lengths, investigate color mixing, proportion, and composition using oil paint as a medium. Focusing on alla prima painting techniques and a limited flesh-tone palette, learn to model the human form through gesture, shape, volume, and temperature – excellent for painted sketches and preparatory studies, foundations for extended work, or an introduction/refresher to figure painting. Intended for all skill levels, this course also offers the valuable opportunity for more advanced students to continue to hone their skills to deepen their understanding of the language of painting. Instruction will be geared toward oil, but students may draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee.
Image: David Wilson
Registration still open!
Materials List
Please review CE's Summer 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Observational Painting Toward Expression and Abstraction (ONLINE)
with Al Gury
Sundays, 4:30 - 5:30 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Al Gury
Six-Week Condensed Course (30-Hour Equivalent)
No class on May 24
Explore the creative and expressive possibilities that can enhance your traditional and observational artwork. Each week the class on Zoom will begin with a traditional subject: still lifes, landscapes, portraits, interiors and figures and master works with a goal of exploring and bringing greater expression and creativity to the subject. Content will include Q&A about materials and processes that students might struggle with, the visual history of the creative diversity and variety of the subject in art history, color, style and compositional possibilities, richly informative materials posted in Canvas and video demos by the instructor. A weekly project will be assigned with a goal of incorporating creative possibilities in each subject with critiques on Canvas by the Instructor. Each class will be recorded for review and sent to students weekly. The class learning goal for students is an enriched toolbox of creative ideas, and possibilities for the artistic process. Open to all media.
Registration still open!
Materials List
Please review CE's Summer 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Information for PAFA CE Online Courses
Figure and Portrait Drawing: Foundational Techniques (ONLINE)
with Roberto Osti
Mondays, 5 - 8 p.m. (Primarily Zoom, with supplemental Canvas content)
Instructor: Roberto Osti
Six-Week Short Course (18-Hour Equivalent)
No class on May 25
Practice a variety of fundamental figure drawing approaches while working from photographic references. Media and techniques include graphite on white paper, charcoal on white paper, charcoal and chalk on toned paper, reduction methods, and the trois crayons technique. Proportions and methods of measuring will be emphasized. Students will gain confidence in their representation of the human form and handling of materials as they draw alongside the instructor during live Zoom sessions. The online structure allows for an optimal overhead view of the instructor’s demonstration drawings and a focused but conversational community environment as students engage with the instructor and complete in-class work together.
Image: Roberto Osti
Register by: May 11
Materials List
Please review CE's Summer 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Information for PAFA CE Online Courses
The Landscape Oil Sketch (OUTDOOR)
with Roger Chavez
Tuesdays, 10 a.m. - 2 p.m.
Instructor: Roger Chavez
Five-Week Short Course (20 Hours)
Rain Date: June 23
The oil sketch is a traditional way for painters to execute preparatory ideas and quickly capture initial impressions – perfect for plein air painting! Learn useful techniques for rapidly encapsulating color and form while working directly from observation. Locations with shade and restrooms include Bartram’s Garden and other sites along the Schuylkill River. Note: Students are responsible for their own transportation to painting locations.
Image: Roger Chavez
Register by: May 12
Materials List
Please review CE's Summer 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Portrait Drawing and Anatomy
with Jill A. Rupinski
Thursdays, 9 a.m. - 4 p.m.
Instructor: Jill A. Rupinski
Six-Week Condensed Course (36 Hours)
*Note: This course has been updated with adjusted information and dates.
Develop a solid background in drawing the human head and features. Learn first the structure of the head – planar structure, axial relationships, proportions and foreshortening – and progress to anatomy and the features. Work with a variety of materials including graphite, charcoal, and chalk (conté crayon and pencil). Extended poses will promote strengthening of observational abilities and drawing techniques toward achieving both a likeness and aesthetic effect. Historical and contemporary examples of master portrait drawings will provide inspiration and insight. All levels are welcome. Note: Course tuition includes a $75 models fee.
Image: Jill A. Rupinski, David (detail), pastel on toned paper.
Register by: May 14
Materials List
Please review CE's Summer 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Portrait Drawing: An Introduction
with RA Friedman
Thursdays, 6 - 9 p.m.
Instructor: RA Friedman
Six-Week Short Course
Whether you are a fine artist, illustrator, comic book creator, or simply enjoy drawing people, this fascinating course will prompt you to expand how you envision the human head and face. Learn methods of working that lead to accuracy and animated likeness. Starting with geometric solids in space, instruction will focus largely on structure and form as you understand volumes and ways of defining the foundation of the head. The course also examines the construction of facial features and how to handle light and shade. Students will work from a variety of references including three sessions with a live model. Tuition includes a $20 models fee.
Image: RA Friedman
Register by: May 14
Materials List
Please review CE's Summer 2026 Policy Guide, including withdrawal/refund policies, prior to registering.