Tuesdays, 1 – 2 p.m. (Zoom) with Asynchronous Canvas Content 
Instructor: Kate Samworth
Six-Week Course (18-Hour Equivalent) 

Understanding the principles of one- and two-point perspective is essential to drawing and painting convincing forms in space. Master the fundamentals of this geometric system that was developed during the Renaissance and is used to this day. Instruction will break down sometimes-intimidating principles into basic concepts to provide practical methods for creating interior spaces, landscapes, and cityscapes, including elements of repeated patterns, arches, stairways, and more. Great for illustrators and artists of any media requiring a strong drawing framework. 

Image: Kate Samworth

Late registration available through October 20 (recorded content available)

Materials List

Fall 2025 CE Policy Guide, including withdrawal/refund policies  
Information for PAFA CE Online Courses

Saturdays, 10 a.m. - 1 p.m.
Instructor: David Wilson 
Six-Week Short Course (18 Hours) 
Note: No class on November 29

Paint from a life model in long, multi-class poses to develop and refine your figure painting compositions. Extended poses will allow students to adjust and resolve issues of surface, color, and composition. Instruction will cover a variety of topics including glazing, broken color, surface texture, composition and design, the relationship of the figure to the environment, the creation of atmosphere and color harmony, disrupted realism, and open- versus closed-form painting. All levels welcome. Instruction will be geared toward oil, but students are welcome to draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee. 

Image: David Wilson

Register by: October 24 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Mondays, 12:30 – 3:30 p.m.
Instructor: Justine Ditto
Six-WeekShort Course (18 Hours) 

Painting and printmaking go hand-in-hand, not only as adjacent mediums but in combination. This freeing and instructive course presents printmaking techniques as jumping off points to making mixed media work in spirit of experimentation and personal expression. Learn how to make monotypes, drypoints, and screenprints as a foundation for incorporating your choice of graphite, colored pencil, acrylic, watercolor, oil paint, and/or collage. Content includes technical advice from an artist-instructor ideally skilled in a variety of media as well as critiques to expand your creative boundaries. This class is perfect for painters/draftspeopleseeking to expand their processes, printmakers seeking to employ painterly and mixed media techniques, and anyone with love of color and experimentation. Open to all levels – no prior printmaking or painting experience required. Tuition includes a $20 materials fee.

Image: Justine Ditto

Registration still open! 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Mondays, 1 – 2:30 p.m. (Zoom meetings supporting majority asynchronous content)
Instructor: Frederic Kaplan 
Six-Week Condensed Course (30-Hour Equivalent) 

Exploit the unique qualities of acrylics to create paintings infused with light and rich, transparent shadows. Through a combination of online videos and illustrated lessons plus live Zoom sessions, learn how to build your paintings in layers of radiant opaque and transparent colors. A variety of acrylic painting techniques will be addressed, including the tenebrism of Baroque master Caravaggio. A rich resource of information about the wide array of acrylic painting materials is also provided. This course is appropriate for students at all levels, including beginners, but drawing experience is recommended.

Image: Fred Kaplan

Register by: October 28 

Materials List

Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Information for PAFA CE Online Courses

Mondays, 6 – 8 p.m. (Zoom) with Asynchronous Canvas Content 
Instructor: Michelle Oosterbaan
Six-Week Course (18-Hour Equivalent) 

Dogs, cats, and other animals at home or in nature have been depicted in master drawings and paintings throughout the centuries — as portrait subjects themselves or as a part of landscapes, domestic scenes, still lifes, and other genres. Find inspiration in the creatures of the great outdoors or those curled up on your own couch to make animals a meaningful part of your painting practice. Utilize sketches and photo references to explore ways of realistically and expressively depicting domestic or wild animals, to capture facial features, posture/gesture, and textural effects of fur, feathers and whiskers while learning sound visual principles and techniques in water-media. Content will include examples from historical and contemporary art, engaging homework assignments, and discussions about the role of animals in art and tactics for making them a special focus in your own work. Instruction will focus on drawing and watercolor or gouache painting, but students are welcome to work in other media.

Image: Honoré Desmond Sharrer, Study for "Two Dogs in a Still Life" (detail), mid 20th century, casein or gouache on paper, 11 x 14 in. Collection of PAFA, gift of Adam Zagorin and the late Perez Zagorin. Copyright © artist or artist’s estate.

Register by: October 27 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  
Information for PAFA CE Online Courses

Saturday and Sunday, 9 a.m. – 4 p.m.
Instructor: Frederic Kaplan 
Weekend Workshop 

Highly reflective and transparent/translucent surfaces, such as metal and glass, can be a challenge for oil painters to represent accurately: distortions, abrupt shifts in value, and color influences by surrounding objects can make it difficult for the artist to discern what they are actually seeing or how to capture these effects. Through straightforward demonstrations, learn logical step-by-step approaches for painting each of these challenging subjects, and follow up with hands-on practice working from glass- and metal-themed still life arrangements. Prior drawing and painting experience strongly recommended. Note: This workshop is designed for oil painters, but acrylic painters are also welcome.

Image: Frederic Kaplan

Register by: October 31 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: Colleen O'Donnell 
Weekend Workshop 

Learn the techniques and tools of figure sculpture through demonstration and hands-on sculpting from the model. Explore anatomy, proportion, gesture, and design through the versatility of clay. Personal expression will be emphasized though representational and abstract approaches. Open to all levels and perfect for beginners. Tuition includes a $35 models fee.

Image: Colleen O’Donnell

Register by: October 31 
Materials List 
Fall 2025 CE Policy Guide, including withdrawal/refund policies  

Saturday and Sunday, 9 a.m. - 5 p.m.
Instructor: James Toogood 
Weekend Workshop

Water:  It’s all around us -- streams, rivers, lakes, oceans, atmospheric effects, and more. It's a key ingredient in watercolor painting, regardless of the subject matter. But how does the artist create the illusion of water in a painting, regardless of the medium? This two-day workshop will present key tactics an artist can employ when painting bodies of water. Examine the nature of reflections, water movement, how water appears under various weather and lighting conditions, and more. Instruction includes demonstrations of how to incorporate various water effects in your own work and a review of the ways master artists historically have portrayed water in their paintings over the years. Open to all levels. Demonstrations will be conducted in watercolor, but instruction presents valuable information for painters of all media.

Image: James Toogood.

Register by: November 7 
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies