Thursdays, 6 - 9 p.m. 
Instructor: Shushana Rucker 
Six-Week Short Course (18 Hours) 

Explore the possibilities of palette knife painting in this six-week course led by artist Shushana Rucker. Designed for painters of all levels, the course introduces students to a range of knife techniques for applying oil paint to create bold lines and strong texture. Through demonstrations, guided exercises, and individual feedback, students will learn how to mix bold color and use texture to heighten expression and atmosphere. Working from observation and reference imagery, participants will complete several finished paintings and develop a personal approach to working with the knife. No prior palette knife experience required.

Image: Shushana Rucker, View from I-76, oil on panel, 6 x 12 in.

Register by: March 5 
Materials List 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Fridays, 10 a.m. - 1 p.m. (Zoom meetings supplemented by Canvas content)
Instructor:  Colleen O'Donnell 
Six-Week Short Course (18-Hour Equivalent) 

Unlock your creative voice through the art of assemblage. Learn how to build a cohesive body of mixed-media work by exploring themes, motifs, and the power of working in a series. Through discussion, material exploration, and supportive critique, develop your visual language while experimenting with found objects and personal materials. By the end of the course, each participant will complete a meaningful 3–6 piece assemblage mini-series that expresses their unique story and artistic perspective.

Image: Student Patti Rosenberg.

Register by: March 6 
Materials List
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.  
Information for PAFA CE Online Courses

Saturdays, 10 a.m. - 1 p.m.
Instructor: David Wilson 
Six-Week Short Course (18 Hours) 

Paint from a life model in a multi-week-pose format to develop and refine your figure painting compositions.  Extended poses will allow students to adjust and resolve issues of surface, color, and composition. Instruction will cover a variety of topics including glazing, broken color, surface texture, composition and design, the relationship of the figure to the environment, the creation of atmosphere and color harmony, disrupted realism, and open- versus closed-form painting. All levels welcome. Instruction will be geared toward oil, but students are welcome to draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee.

Image: David Wilson

Register by: March 6 
Materials List  
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Sundays, 3 - 4 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings) 
Instructor: Al Gury 
Six-Week Condensed Course (30-Hour Equivalent)
No class on April 5 

Explore ways to improve your use of color and enhance your personal style and expression with Al Gury, noted professor and author of Alla Prima,Color for Painters, and Foundations of Drawing. Great colorists such as Velasquez, Manet, Matisse, and Diebenkorn among others will provide the focus for weekly explorations of how to improve color in your work. Visual histories and examples, materials, problem solving, and color theories will be presented through live Zoom meetings and recorded video demonstrations, with a goal of helping each student find their own color voice. Instruction includes a weekly painting project to guide the participants through understanding and improving color choices in their work and subject matter. Assignments will be posted on Canvas, PAFA’s online learning platform, and critiqued by the instructor for helpful feedback. Open to all levels of experience and all media: oil, acrylic, watercolor, and pastel.

Image: Al Gury.

Register by: March 9 
Materials List  
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.  
Information for PAFA CE Online Courses

Saturday and Sunday, 9:30 a.m. - 4:30 p.m.
Instructor: Linda Gist 
Weekend Workshop 

Embody the spirit of spring with fresh and immediate painting! Learn to capture the essence of a living, botanical subject quickly and spontaneously in pencil and watercolor. This alla prima method can be used for preparatory studies for sustained paintings, compiling a field sketchbook, or as an end in itself. All levels welcome. Tuition includes a $10 materials fee to cover floral subjects.

Image: Linda Gist.

Register by: March 13 
Materials List 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: RA Friedman 
Weekend Workshop 

This intensive workshop is designed for those looking to push their portrait drawing abilities toward the professional level. Demonstrations and in-class exercises will open up how you see, think, and approach the creation of a likeness, avoiding common pitfalls. Explore subtleties of form and the relationships of lines, planes and tones, capturing the character and energy of the subject. Additionally, instruction will cover facial expressions and deep anatomy of the face, neck, and upper body. Drawing will be primarily in graphite pencil and stick. Introductory portrait drawing or equivalent recommended. Note: Tuition includes a $10 models fee.

For more introductory instruction, see the instructor's Portrait in Pencil Workshop (not required for enrollment in the Advanced workshop).

Image: RA Friedman

Register by: March 20 
Materials List
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Tuesdays, 12:30 - 3:30 p.m. 
Instructor: Justine Ditto
Six-Week Short Course (18 Hours) 

Photolithography the process by which images are photographically transferred to a plate and then printed. This wonderfully approachable practice allows students to transition from image creation to printing relatively quickly while still learning the principles of lithographic printmaking. In this short course, students will be guided through the process of creating lithographs using both photographic materials and hand-drawn imagery. Instruction will cover film drawing techniques, plate exposure, developing, and press printing. Each student will produce one monochromatic photolithograph printed either in black or a color.  Advanced students may have time to make two prints or one two-color print.  This type of printmaking is excellent as an introduction to lithography as well as a great technique for experienced printmakers to add to their repertoire. Tuition includes a $20 lab fee.

Note: Due to the number of steps and detailed process in this medium, most of the work will be done during class time through direct instruction and with the instructor present. Only students with previous lithography experience will be permitted to print outside of class.  Students who miss more than one class may not be able to complete the course work as demonstrations cannot be repeated due within the condensed format.  

Image courtesy of Justine Ditto

Register by: March 24 
Materials List
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Saturday and Sunday, 9 a.m. - 5 p.m.
Instructor: James Toogood 
Weekend Workshop 

Clouds and trees are common and important features in landscape paintings, their masses frequently encompassing significant portions of the composition. But how does the artist walk the fine line of imbuing these elements with texture, individuality, and detail without making them appear contrived or overfussed? This two-day workshop will present tactics for rendering these features successfully through color, form, and painting techniques. Examine types of cloud masses and how they may best be translated through additive and reductive methods.  Explore means of mimicking organic tree forms through brush movement and how to use color and detail to suggest distance.  Instruction includes painting demonstrations as well as a review of how master artists have represented these features in historic and contemporary works. Open to all levels. Demonstrations will be conducted in watercolor, but this class presents valuable information for painters of all media.

Image: James Toogood, Elbow Beach, watercolor, 10 × 14 in.

Register by: April 3 
Materials List 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.