Filter by Subcategory
All CE Fall 2024 In-Person and Online Courses & Workshops
Watercolor: The Color-Focused Still Life (In-Person)
with Keith Leitner
Tuesdays, 6 – 9 p.m.
Instructor: Keith Leitner
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Explore both the versatility of watercolor and the exciting possibilities of color through still life painting. Learn to capture form with the freshness and fluidity of all prima techniques. Promote color in your work through instruction on color properties, mixing, and basic theory, as well as how to use hues in combination to create impactful compositions. Discussions and in-depth demonstrations will enforce all content so that students gain the facility and freedom to use color and painting techniques as means of personal expression. This course is excellent for beginners or anyone who loves color and loose, painterly techniques in watercolor.
Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering.
Image: Keith Leitner.
Register by: September 23
Fall 2024 CE Policy Guide, including withdrawal/refund policies
Drawing for Storyboarding (Online)
with Deon Robinson
Wednesdays, 3 – 4 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Deon Robinson
Ten-Week Course (30-Hour Equivalent)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Bring your film or animation ideas to life through the practice of storyboarding! Plan composition, movement, time passage, and dialogue in sequential drawings to shape your story, shot-by-shot. Learn how to visually communicate ideas through perspective, value, and color and to create clear narratives through impactful staging and composition. Projects will guide you through visualizing scripts (open-source material or your own screenplays) to generate breakdowns and shot lists. Topics include narrative lighting and screen studies, drawing static and moving shots, framing camera heights and angles, and developing roughs to finished storyboards. Discussions will address storyboard applications in a variety of art and design fields. This class is professional practices-driven but is open to students of all levels. Imagery may be generated through digital or traditional media, but a printer is required.
Learning Objectives
- Students will use the creative process and terminology of design and cinematography to analyze and create effective storyboards.
- Students will use perspective to establish point-of-view in order to develop proper staging in the framing of their compositions.
- Students will use dramatic lighting and composition to illustrate mood in their narratives.
- Students will diagram and use camera angles, framing height and movement in their storyboards to convey screen logic.
- Students will use breakdowns and shot lists to sufficiently analyze and interpret the written word as visual storyboards.
- Students will communicate ideas and research through professionally-presented storyboards.
Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering.
Register by: September 27
Fall 2024 CE Policy Guide, including withdrawal/refund policies
The Portrait in Pencil Workshop (In-Person)
with RA Friedman
Saturday – Sunday, 9 a.m. - 4 p.m.
Instructor: RA Friedman
Two-Day Weekend Workshop
Credit: Non-Credit Only
Using inexpensive materials, this hands-on workshop will introduce the concepts and methods needed to create a strong sense of dimension and likeness in your portrait drawings. Explore the proportions and planes of the head, neck and shoulders. Learn how to create a structural foundation and how to easily manage anatomy by breaking down forms into simple geometric shapes. Instruction will address different strategies for creating a finished tonal portrait as well as tips and tricks that will help you draw like a pro! Note: Tuition includes a $10 models fee.
Register by: September 27
Fall 2024 CE Policy Guide, including withdrawal/refund policies
Observational Perspective Drawing (Online)
with Frederic Kaplan
Mondays, 6 – 7:30 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Frederic Kaplan
Ten-Week Course (30-Hour Equivalent)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Perspective is at the heart of good drawing and painting, allowing us to translate the observable world into believable two-dimensional images and create invented spaces. Learn the fundamentals of linear perspective in clear, easy to-understand language, and apply these principles to still life, interiors and cityscape views. This course will utilize the online learning platform, Canvas, and include videos, lectures and assignments with regular instructor feedback, plus weekly live sessions via Zoom. Basic drawing experience recommended.
Learning Objectives:
- Improve observational and interpretive skills, including the ability to gauge proportions, orientations, and relative positions of objects and their parts.
- Achieve understanding of the core principles of linear perspective.
- Develop skill in applying the principles of linear perspective to real-world situations.
Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering.
Register by: September 30
Fall 2024 CE Policy Guide, including withdrawal/refund policies
The Figure as a Point of Departure Workshop (In-Person)
with Kassem Amoudi
Saturday – Sunday, 9 a.m. - 5 p.m.
Instructor: Kassem Amoudi
Two-Day Weekend Workshop
Credit: Non-Credit Only
If you are tired of getting lost in the details and traditional modes of representational painting and want to take a risk by exploring new ways of expressing the human figure, this workshop is perfect for you. Learn to paint the human form in a looser, more expressionistic manner. Examples of the figure's applications in modern and contemporary art will be provided to enhance your understanding of the abstract qualities of form, line and color. Class time will be weighted generously toward open painting, with critiques and advice from the instructor as he works one-on-one with each student toward their individual goals. Open to all levels of figure drawing/painting experience, but students should have experience with using their materials of choice and the ability to begin work from their own ideas or subject matter as a starting point. Note: This course does not use models.
Register by: October 4
Fall 2024 CE Policy Guide, including withdrawal/refund policies
Introduction to Sculpture (In-Person)
with Steve Nocella
Thursdays, 9 a.m. - 12 p.m.
Instructor: Steve Nocella
Eight-Week Course (24 Hours)
Credit: Non-Credit Only
This class focuses on the essential processes of sculpture and provides a comprehensive foundation for creating three-dimensional art. Explore and experiment with fundamental techniques such as modeling, carving, and construction. Gain a greater understanding of form and space by exploring a variety of additive and subtractive processes. Instruction will cover the methods and techniques for working in clay, plaster, wood and metal. Content will emphasize both aesthetic concepts and the safe use of sculpture shop equipment. This experience will create a sound point of departure for advanced and dynamic sculpture study. Note: Tuition includes $40 lab fee.
Register by: October 11
Materials List
Fall 2024 CE Policy Guide, including withdrawal/refund policies
The Fruits and Leaves of Autumn in Watercolor Workshop (In-Person)
with Linda Gist
Saturday – Sunday, 9:30 a.m. - 4:30 p.m.
Instructor: Linda Gist
Two-Day Weekend Workshop
Credit: Non-Credit Only
Watercolor is the perfect medium for capturing the jewel-like tones and gradients of color in autumn’s changing leaves and abundant harvests. Learn to preserve the season’s rich textures and tapestries of color by exploring a variety of paint mixing and application techniques while working from natural forms. This workshop will include demonstrations of wet-into-wet and dry-brush techniques and one-on-one instruction. All experience levels welcome.
Register by: October 11
Fall 2024 CE Policy Guide, including withdrawal/refund policies
Lithography (In-Person)
with Justine Ditto
Wednesdays, 6 – 9 p.m.
Instructor: Justine Ditto
Eight-Week Course (24 Hours)
Credit: Non-Credit Only
Lithography is a versatile printmaking process that allows for a complete range of drawing effects: contour line, hatching/cross-hatching, painterly wash applications, expressive mark-making, and reductive techniques. Learn all aspects of the lithographic process through step-by-step demonstrations and hands-on practice: preparing a traditional stone or lightweight aluminum plate; creating your own drawing from observation, imagination or photographic transfer using a range of drawing materials; selecting paper; printing in black-and-white and color; and editioning your prints. Note: Tuition includes a $20 lab fee.
Learning Objectives
- Students will gain a basic understanding of the lithography printing process.
- Students will acquire technical experience in preparing stones, plates, & ink.
- Students will learn basic stone & plate drawing, etching and processing techniques.
- Students will acquire technical expertise by way of proofing and printing their stones & plates, including learned skills in roller use & litho press operation.
- Students will learn printmaking professionalism including printing editions on clean registered printmaking paper, signing and numbering editions appropriately.
- Students will learn the importance of image development through individual reviews and by exploring various possibilities with the process.
- Students will develop critical visual and verbal skills through individual discussions with the instructor and their peers.
- Students will advance their individual art concepts and expand their artistic territory through new techniques & material uses.
Register by: October 18
Fall 2024 CE Policy Guide, including withdrawal/refund policies