Thursdays, 1 – 4 p.m. 
Instructor: Roger Chavez 
Six-Week Short Course (18 Hours) 
Credit: Non-Credit Only
No class on June 19 (Juneteenth)

Draw what you see competently and with confidence. Drawing is not only the basis for other creative endeavors like painting and sculpting, but also a powerful means of describing the world around you and expressing yourself. Instruction will address fundamental concepts including line, shape, perspective, value, and composition. Draw from still life objects, the life model, and more while learning the proper use of drawing materials, sight-measuring methods to accurately gauge proportions and space, shading techniques to develop three-dimensional form and contrast, and means of developing personal expression. Ideal for beginners and those in need of a refresher. Tuition includes a $15 models fee.

Register by: May 9
Materials List
Summer 2025 CE Policy Guide, including withdrawal/refund policies

Thursdays, 6 - 9 p.m.
Instructor: RA Friedman
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
No class on June 19 (Juneteenth)

Whether you are a fine artist, illustrator, comic book creator, or simply enjoy drawing people, this fascinating course will prompt you to expand how you envision the human head and face. Learn methods of working that lead to accuracy and animated likeness. Starting with geometric solids in space, instruction will focuslargely on structure and form as youunderstand volumes and ways of defining the foundation of the head. The course also examines the construction of facial features and how to handle light and shade. Students will work from a variety of references including two sessions with a live model.  Tuition includes a $15 models fee.

Note: For continued or alternative study, see Portrait Drawing: Expression and Likeness. Students need not enroll in both sections, and Structure and Features is not required for Expression and Likeness.

Image: RA Friedman

Register by: May 9
Materials List 
Summer 2025 CE Policy Guide, including withdrawal/refund policies

Fridays, 9 a.m. - 5 p.m.
Instructor: James Toogood
Six-Week Condensed Course (42 Hours)
Credit: Non-Credit or 1.5 Undergraduate Credits (See Below)

Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques from your choice of landscape, still life, portrait, and figure subjects. The course is designed to equip each participant with the knowledge and skills necessary to make accomplished, personally rewarding watercolor paintings. Open to watercolorists of all levels and to acrylic/oil painters looking to broaden their skills.

Learning Objectives

• Students will learn about color theory as applied to watercolor.

• Students will receive a comprehensive explanation of watercolor materials and tools, with particular focus will be paid to the properties of paint and pigments as they interact with the paintbrushes and paper.

• Through both discussions and demonstrations, first time participants and beginners will learn a variety of techniques that are fundamental to watercolor, presented in a systematic step by step method. Participants can expect to have regular individual instruction, given at their current skill level.

• Focus also will be paid on acquiring the skills needed to achieve a richness of color and a feeling of light.

• Participants will work from direct observations from the still life and model, or from their own source material. Those not taking the class for credit will have the option to work on landscape, still life, portrait and figure or abstraction, as they wish.

• Participants will be exposed to a variety of watercolor styles and encouraged to discover one’s own personal aesthetic.

Optional: This course is available for 1.5 undergraduate credits for $995. Select credit option with price adjustment when registering.

Register by: May 9
Materials List
Summer 2025 CE Policy Guide, including withdrawal/refund policies

Saturdays, 10 a.m. - 1 p.m.
Instructor: David Wilson
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
No class on May 24 (Memorial Day Weekend)

Painting the human form from observation is one of the cornerstones of PAFA's long tradition of rigorous instruction. Working from the nude model in poses of varying lengths, investigate color mixing, proportion, and composition using oil paint as a medium. Focusing on alla prima painting techniques and a limited flesh-tone palette, learn to model the human form through gesture, shape, volume, and temperature – excellent for painted sketches and preparatory studies, foundations for extended work, or an introduction/refresher to figure painting. Intended for all skill levels, this course also offers the valuable opportunity for more advanced students to continue to hone their skills to deepen their understanding of the language of painting.  Instruction will be geared toward oil, but students may draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee.

For continued or alternative study, see also Figure Painting: The Extended Pose with the same instructor.  Students enrolling in one class need not enroll in the other, and Alla Prima and the Limited Palette is not required for The Extended Pose.

Register by: May 9 
Materials List 
Summer 2025 CE Policy Guide, including withdrawal/refund policies

Sundays, 3 – 4 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Al Gury
Six-Week Condensed Course (30-Hour Equivalent)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
No class on May 25 (Memorial Day Weekend)

This six-session class is a visually rich, hands-on, and informative presentation of the working methods, color, materials, and techniques of six great eras of painting. Topics for examination will include Spanish and Dutch painters such as Velasquez and Rembrandt, great Impressionist painters like Manet and Pissarro, the painters of Montmartre such as Matisse and Picasso, the early expressionist painters like Kandinsky and Soutine, and the great abstract painters of the 20th century. Each week will include video demonstrations of master painting methods, lessons in visual art history, and a Q&A Zoom review session of materials and methods for all painting approaches. Students will complete weekly projects to create paintings using the approaches and aesthetics of each of the six great eras of painting, which will be critiqued and commented on by the instructor on the online platform Canvas, with a learning goal of enriching each student’s confidence, knowledge, and skills as they acquire tools for their own art-making practice. Open to all media and levels of experience.

Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering. 

Register by: May 12
Materials List
Summer 2025 CE Policy Guide, including withdrawal/refund policies 
Information for PAFA CE Online Courses

Sundays, 4:30 – 5:30 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Al Gury
Six-Week Condensed Course (30-Hour Equivalent)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
No class on May 25 (Memorial Day Weekend)

Improve your skills and understanding of drawing the human figure and portrait! This fascinating and informative class will address the materials for drawing; the structure of the human body; how to understand the shapes, volumes, and anatomy of the figure; descriptions of the bone and muscular structures; and traditional figure drawing materials and techniques. Topics of study will include the visual history of drawing people, master techniques, and styles and expression in drawing the figure. Instruction will address techniques for gesture drawing, achieving realistic proportions, defining form through line and shading, drawing the portrait, and tackling hands and feet. Each class will include Q&A, problem solving, presentations of drawing approaches to anatomy, and video demonstrations by the instructor. Students will be assigned weekly projects which the instructor will critique and comment on via the online learning platform Canvas. Excellent for both beginners and experienced artists.

Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering. 

Register by: May 12
Materials List
Summer 2025 CE Policy Guide, including withdrawal/refund policies 
Information for PAFA CE Online Courses

Monday - Friday, 9 a.m. – 4 p.m.
Instructor: Phyllis Laver
One-Week Intensive Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

This course is a truly intensive week of figure and portrait study, with six hours a day working from a model! Mornings will feature life/nude models, and afternoons will focus on clothed subjects, allowing students to expand their notions of figure vs. portrait drawing to a method of depiction that combines the gesture and posture of the whole body with the individual character of the face. Participants will work with a range of graphite and crayon dry materials, as well as ink, using both a brush and a bamboo pen – an exciting and freeing approach to translating the human form. Knowledgeable instruction will guide students through observation-based drawing techniques while exploring figure and facial topics of gesture, proportions, anatomy, and expression. This exceptional experience is open to everyone, for all skill levels. Note: Tuition includes a $65 models fee.

Optional: This course is available for 1.0 undergraduate credit for $660, including models fee. Select credit option with price adjustment when registering.

Register by: May 9 
Materials List 
Summer 2025 CE Policy Guide, including withdrawal/refund policies

Mondays, 6 – 9 p.m. 
Instructor: Frederic Kaplan
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
No class on May 26 (Memorial Day)

This complete acrylic painting course covers basic to advanced methods. Learn to use quick-drying acrylics expertly in both thin transparent layers and thicker, more opaque applications that produce textural and impasto effects. Materials like fluid mediums, gels, and pastes will be demonstrated, along with both brush and palette knife techniques. Several different color palettes will be introduced as students work from still life subjects. This course is ideal for students looking for a non-toxic, flexible painting medium, as well as anyone seeking to explore acrylics’ excellent potential for representational and abstract work. Drawing experience is recommended. 

Image: Frederic Kaplan

Register by: May 12 
Materials List  
Summer 2025 CE Policy Guide, including withdrawal/refund policies