Thursdays, 9 a.m. - 12 p.m. 
Instructor: Carolyn Pyfrom   
Twelve-Week Course (36 Hours) 
Note: No class during Spring Break, March 2 - 8.

This class will offer useful strategies for representational life drawing to artists at any level of practice. Instruction will address gesture, rhythm, continuity, volume, and what artists most often refer to as “accuracy.” An important theme will be the ways in which gestural and analytical tactics are used together to make expressive and compelling drawings. The class will utilize both short and long poses to strengthen observational skills and to deepen understanding of how the figure moves and occupies space. By way of demonstration, the instructor will work alongside students in every class in addition to giving individual critiques.

This course is excellent paired with Comprehensive Figure Painting for students seeking intensive full-day figure study.

Image: Carolyn Pyfrom

Register by: January 15 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Thursdays, 9 a.m. - 12 p.m. 
Instructor: Tony Rosati 
Twelve-Week Course (36 Hours) 
Note: No class during Spring Break, March 2 - 8.

The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will cover all aspects of the process including screen preparation, image development, and printing techniques. Printmakers with experience may propose independent projects. Note: Tuition includes $30 lab fee. 

Learning Objectives: 

• Students will gain a basic understanding of the screenprinting process.
• Students will acquire technical experience with screens, squeegees, ink, tools, and equipment.
• Students will learn basic screenprinting techniques including image development, coating and processing screens, mixing ink, and printing.
• Students will acquire technical expertise by way of printing various stencils from fine detail images to flat broad areas.
• Students will learn printmaking professionalism including printing editions on clean registered printmaking paper, signing and numbering editions appropriately.
• Students will learn the importance of image development through individual reviews and by exploring various possibilities with the process.
• Students will develop critical visual and verbal skills by way of individual discussions with the instructor and with their peers.

Image: Tony Rosati, GUILLAUME APOLLINAIRE, screen print, 15 x 11 in.

Register by: January 15 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Thursdays, 12:30 - 4 p.m. 
Instructor: Pavel Efremoff 
Twelve-Week Condensed Course (42 Hours) 
Note: No class during Spring Break, March 2 - 8.

Foundry metal casting is the process of creating metal objects by pouring molten metal into a mold and letting it cool to solidify. This course will cover all aspects of the foundry process with an emphasis on mold making as an essential element of a sculptor’s toolkit for both bronze casting and creating objects in multiples. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. Course content will include step-by-step guidance in mold making production as students apply this process to their own projects. This class presents integral skills for any sculptor and is an excellent follow-up for students who have taken a clay-modeling class and wish to preserve their work. Beginner-friendly and open to all levels. Note: Tuition includes a $75 lab fee.

Image: Pavel Efremoff

Register by: January 15 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Thursdays, 1 - 4 p.m. 
Instructor: Peter Van Dyck 
Twelve-Week Course (36 Hours) 
Note: No class during Spring Break, March 2 - 8.

This course will focus on creating paintings of the human figure from poses ranging from one to five days. It will provide an opportunity to explore the development of a figure painting over multiple sessions, emphasizing the accurate drawing of large forms and gestures, the translation of those forms into structured color relationships, and the depiction of the color of light that defines the environment. Through the extended duration of the poses, students will have the time to refine their observations, deepen their understanding of structure, and build more nuanced and cohesive paintings. Technical topics such as oil paint handling, surface preparation, and color organization will also be addressed. Students will leave the class with an enhanced ability to construct complex figure paintings that are both formally sound and personally expressive.

This course is excellent paired with Figure Drawing: Intuition and Analysis for students seeking intensive full-day figure study.

Image: Peter Van Dyck

Register by: January 15 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Thursdays, 6 - 9:30 p.m. 
Instructor: Pavel Efremoff 
Twelve-Week Condensed Course (42 Hours) 
Note: No class during Spring Break, March 2 - 8.

This course will cover all aspects of the foundry process. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. All levels welcome. Note: Tuition includes a $75 lab fee.

Image: Pavel Efremoff

Register by: January 15 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Fridays, 9 a.m. - 1:30 p.m. 
Instructor: James Toogood   
Ten-Week Condensed Course (45 Hours) 

Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques from your choice of landscape, still life, portrait, and figure subjects. The course is designed to equip each participant with the knowledge and skills necessary to make accomplished, personally rewarding watercolor paintings. Open to watercolorists of all levels and to acrylic/oil painters looking to broaden their skills.

Learning Objectives

• Students will learn about color theory as applied to watercolor.
• Students will receive a comprehensive explanation of watercolor materials and tools, with particular focus will be paid to the properties of paint and pigments as they interact with the paintbrushes and paper.
• Through both discussions and demonstrations, first time participants and beginners will learn a variety of techniques that are fundamental to watercolor, presented in a systematic step by step method. Participants can expect to have regular individual instruction, given at their current skill level.
• Focus also will be paid on acquiring the skills needed to achieve a richness of color and a feeling of light.
• Participants will work from direct observations from the still life and model, or from their own source material. Those not taking the class for credit will have the option to work on landscape, still life, portrait and figure or abstraction, as they wish.
• Participants will be exposed to a variety of watercolor styles and encouraged to discover one’s own personal aesthetic.

Image: James Toogood

Register by: January 16 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Saturdays, 9 a.m. - 12 p.m. 
Instructor: Steve Nocella 
Twelve-Week Course (36 Hours) 
Note: No class during Spring Break, March 2 - 8.

Explore the possibilities of stone carving by using traditional and nontraditional methods. All processes from rough carving to polishing will be covered, and various tools and techniques will be demonstrated. Open to all levels. Note: Tuition includes $30 lab fee.

Learning Objectives 

• Develop proficiency in basic tool use including manual carving, pneumatic carving, sawing, grinding, and sanding.
• Learn the methods of stone carving beginning with "roughing out" a form and finishing with sanding and polishing.
• Develop a perceptual ability for spatial relationships of the elements that constitute a sculpture or a three-dimensional image.
• Learn to use creative and critical thinking in the process of carving sculpture.
• Gain an appreciation for the influence and informing effect that medium and process have on image making.
• Acquire an introductory understanding of the history of stone carving and the capacity to conceptualize context for the student's sculpture.

Image: Steve Nocella, Untitled, 1995, limestone, 26 x 6.5 x 7 in.

Register by: January 16 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Saturdays, 10 a.m. - 1 p.m. 
Instructor: David Wilson 
Six-Week Short Course (18 Hours) 

Painting the human form from observation is one of the cornerstones of PAFA's long tradition of rigorous instruction. Working from the nude model in poses of varying lengths, investigate color mixing, proportion, and composition using oil paint as a medium. Focusing on alla prima painting techniques and a limited flesh-tone palette, learn to model the human form through gesture, shape, volume, and temperature – excellent for painted sketches and preparatory studies, foundations for extended work, or an introduction/refresher to figure painting. Intended for all skill levels, this course also offers the valuable opportunity for more advanced students to continue to hone their skills to deepen their understanding of the language of painting.  Instruction will be geared toward oil, but students may draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee.

Image: David Wilson

Register by: January 16 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.