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Continuing Education at PAFA



Drawing

Portrait & Figurative Painting (ONLINE) PT 600E_ON

$450

with Fred Danziger

Calendar Current session started Sep 17, 2020 at 1 pm, runs for 12 weeks

Join renowned realist painter and PAFA alum Fred Danziger from his studio via Zoom for this live portrait and figurative painting course!  Whether working from good photo sources or a live model, the essential elements of figurative realism remain the same:   composition, color, and accurate representations of light, form, and space.  Demonstrations will address effective set up of workspace, palette, and lighting; choosing a good photo source; and both grisaille underpainting and alla prima painting techniques.  Students will work independently from a willing family member model or photo references, with individual critiques from the instructor.  Aspects of the portrait will be emphasized – such as hair, hands, and obtaining a good likeness – but a variety of figure-based themes, additional subjects, and conceptual interests may be pursued.  Additional resources will be available through the Canvas, including art historical examples, technical advice addressing the use of black and white grounds, using a grid with transparent overlays for working with photo references, and more. 

Note: This course is available for 1.0 undergraduate credit for $625.

Course Schedule

Project 1:  Indirect Painting

  • Photographs provided by the instructor.
  • Creating linear underdrawing.
  • Applying a base layer of paint with monochrome washes.
  • Applying finish color using glazes, opaque, and semi-opaque (velatura) layers.

 Project 2: Tonal Painting

  • Students choose their own subject
  • Developing a painting using a wipe-out technique from an imprimatura base

 Project 3: Direct Painting

  • Students choose their own subject
  • Application of direct color over minimal underdrawing to achieve an immediate, expressive painting (alla prima).

Materials List : Danziger PT 600E_ON

Zoom Technical Requirements

CE Policy Guide_Fall 2020

Image:

Fred Danziger, L, 2013, oil on panel, 20 x 18 in.

Full Course
Drawing the Figure (ONLINE) DR 605EF_ON
Registration Unavailable

Drawing the Figure (ONLINE) DR 605EF_ON

$450

with Roberto Osti

Calendar Current session started Sep 17, 2020 at 6 pm, runs for 12 weeks

Practice a variety of fundamental figure drawing approaches while working from photographic references. Media and techniques include graphite on white paper, charcoal on white paper, charcoal and chalk on toned paper, reduction methods, and the trois crayon technique. Proportions and methods of measuring will be emphasized.  Students will gain confidence in their representation of the human form and handling of materials as they draw alongside the instructor during live Zoom sessions.

Materials List : Osti DR 605EF_ON

Zoom Technical Requirements

CE Policy Guide_Fall 2020

The PAFA Atelier (ONLINE) DR 607PA_ON

$450

with Peter Van Dyck

Calendar Current session started Sep 18, 2020 at 10 am, runs for 12 weeks

Designed for dedicated students seeking to advance their representational drawing and painting, the PAFA Atelier is now online!  Each week, Peter Van Dyck, noted painter and founder of the PAFA Atelier, will present a live Zoom lecture/demonstration, and provide individual critiques during class and through the week. This combination instructed-class and open-studio allows students to advance their work on their own personal projects, including figure/portrait subjects, still lifes, landscapes, and interior spaces. Note:  This an intermediate-level format for students with prior drawing/painting experience.

 Peter Van Dyck, an Assistant Professor in the PAFA BFA program, is dedicated to perceptual painting and the academic tradition.  He studied painting and drawing at the Florence Academy of Art in Florence, Italy, where he also taught.  In 2012 he was named one of “25 Important Artists of Tomorrow” by American Artist Magazine. In 2013 his work was included in the book Painted Landscapes, Contemporary Views by Lauren P. della Monica. His work has also been reproduced in periodicals including American Artist Magazine, American Arts Quarterly, Art News, American Art Collector, International Artist Magazine, and Art and Antiques.  He has had solo shows at John Pence Gallery, San Francisco; Eleanor Ettinger Gallery, New York; and The Grenning Gallery, Sag Harbor, Maine.

 Note: This course may be taken for 1.0 undergraduate credit for $625.

Materials List : Van Dyck DR 607PA_ON

Zoom Technical Requirements

CE Policy Guide Fall 2020

Full Course

Classical Design for the Contemporary Artist (ONLINE) DR 700ED_ON

$350

with Shushana Rucker

Calendar Current session started Sep 21, 2020 , runs for 10 weeks

Design is the application of the formal elements of aesthetics to an artwork to enhance its strengths.  The first seven classes of this ten-week course will explain the formal elements of design:  composition, space, value, light, color, line, and texture/pattern.  Course content will include art historical discussions using artists past and present to exemplify design, short video demonstrations of the applications of each principle, and time to experiment and apply what you learned to your own work. In the final three classes, students will apply these elements to their work, with formal critiques at the end of each class. This class will be team taught by Shushana Rucker and Charles Muldowney, allowing students to benefit from varied input during critiques and different points of view during lectures and discussions.  

A weekly, live Zoom meeting will be held every Wednesday, 10 - 11:00 a.m.  

Course Schedule

Composition – This class will discuss the arrangement of forms, rhythms, colors, values, and lines in a work to create an interesting image. Principles like the Golden Ratio and other concepts will be made simple. Students will be able to identify these elements in the work of classical and contemporary artists. The works of Hopper, Bartlett, Vermeer, Millet, Poussin, and others will be discussed.

Space – This class will investigate the creating of a sense of depth in a work using size, position of forms, value, saturation, edge and perspective. Atmospheric perspective, linear perspective, intuitive perspective will be discussed and demonstrated. The class will look at the work of Alberti, Masaccio, Durer, Leonardo DaVinci, Giacometti and others.

Value – This class will examine the creating of a range of dark and light in a work. High key and low key value will be discussed and demonstrated. The class will look at work of Prud’hon, Klee, Lorrain, Rigaud, Hassam, Degas, Monet, Manet and others.

Light – This class will study manipulating the value and texture to create a sense of illumination and drama. The class will look at the work of Innes, Seurat, Rembrandt, Rubens, Hopper, Caravaggio, Vermeer, Goya and Whistler.

Color – This class will examine principles of color to create mood, space and harmony. Artists studied: Van Gogh, Matisse, Piper, Diebenkorn, Rothko and others.

Line – this class will explore the use of line in creating planes, volume, mass, gesture and space.  The class will look at the work of Van Gogh, Rembrandt, Kline and others.

Texture and pattern – this class will look at creating a rich visually interesting surface that provides contrast, variety, and decoration. Artists studied: Escher, Close, Mondrian, Pollock, Klimt, Essaydi and Fish.

Learning Objectives:

  • Students will recognize and apply the seven basic elements of classical design.
  • Students will become familiar with several important art historical figures, and their influence on design.
  • Students will experiment with a variety of techniques and materials to gain an understanding of how mark making influences design.
  • Students will develop and discuss concepts and image development in the form of structured critique.
  • Students will gain confidence in their ability to create interesting design within their own artwork.

Note: This course is available for 1.0 undergraduate credit for $525

Materials List: Rucker & Muldowney DR 700ED_ON

Zoom Technical Requirements

CE PolicyGuide_Fall 2020

Image:  Shushana Rucker, "The Upside Down," oil on panel, 20 x 20 in.

Editorial Illustration (ONLINE) IL 600EE_ON

$350

with James Heimer

Calendar Current session started Sep 21, 2020 , runs for 10 weeks

Explore image making as a means of communication. This is an intermediate class geared toward artists who wish to express narrative themes in their work as well as graphic designers interested in a pictorial approach to visual communication.

Students will learn to analyze current news and opinion writing to create imagery with a message. Concept development methods including written brainstorming, thumbnails, and preliminary sketches will be introduced. Techniques combining traditional and digital media will be explored. This is an ideal opportunity for newcomers to digital media and will bridge the gap between the page and screen.

The course will utilize the online learning platform Canvas, and includes video demonstrations, lectures, and assignments. Weekly group discussions and individual critiques will be conducted via Zoom. Access to a scanner and Adobe Photoshop or other raster graphics software is required for the completion of assignments.

Note: This course is available for 1.0 undergraduate credit for $525

Materials List : Heimer IL 600EE_ON

Zoom Technical Requirements

CE Policy Guide Fall 2020

Observational Perspective Drawing DR 716 OP_ON

$350

with Frederic Kaplan

Calendar Current session started Sep 21, 2020 , runs for 10 weeks

Perspective is at the heart of good drawing and painting, allowing us to translate the observable world into believable two-dimensional images and create invented spaces. Learn the fundamentals of linear perspective in clear, easy to-understand language, and apply these principles to still life, interiors and cityscape views.  This course will utilize the online learning platform, Canvas, and include videos, lectures and assignments with regular instructor feedback, plus live sessions via Zoom. Basic drawing experience recommended.  One-on-one live Zoom sessions with the instructor are available by appointment every Wednesday at 1:00 and 7:00 p.m.

Learning Objectives

• Improve observational and interpretive skills, including the ability to gauge proportions, orientations, and relative positions of objects and their parts.

• Achieve understanding of the core principles of linear perspective.

• Develop skill in applying the principles of linear perspective to real-world situations.

Note: This course is also available for 1.0 undergraduate credit for $525

Materials List: Kaplan DR 716OP_ON

Zoom Technical Information

CE Policy Guide_Fall 2020

Image: 

Thomas Eakins (1844-1916), “Drawing 1 (The Law of Perspective),” ca. 1884-87, Pen and ink over graphite on cream wove paper, 15 1/2 x 22 1/4 in. (39.37 x 56.515 cm.), Collection of the Pennsylvania Academy of the Fine Arts, ACCESSION #1985.68.3.1, Charles Bregler's Thomas Eakins Collection, purchased with the partial support of the Pew Memorial Trust and the John S. Phillips Fund

Portrait Painting & Drawing (ONLINE) PT 602E_ON

$350

with Al Gury

Calendar Current session started Sep 21, 2020 , runs for 10 weeks

An in-depth approach to portrait painting from the Chair of PAFA’s Painting Department and noted author of Color for Painters: A Guide to Traditions and Practice. Investigate the structure of the human head through drawings and painted studies. Progress to finished paintings and address issues of likeness, composition, space and texture. Learn to better see and understand color to mix it more successfully – a useful skill for painting any subject matter. Includes weekly step-by-step painting demonstrations, assignments that target each important issue of painting a portrait, critiques and weekly Zoom meetings every Sunday, 4:00 - 5:00 p.m.  All levels welcome.

Note: This course is available for 1.0 undergraduate credit for $525

Learning Objectives

This dynamic online course will address all aspects of portrait painting and drawing, including:

• Students will learn the traditions and history of portraiture

• Students will learn portrait structure and anatomy

• Students will learn how to achieve a good likeness

• Students will learn alla prima (direct) painting techniques

• Students will learn to use the materials and color palettes for effective portrait painting

• Students will learn to use the materials for effective portrait drawing inlcuding pastel

• Students will learn to paint portraits from both life and from photo reference

Materials List : Gury IN DR 602E_ON

Zoom Technical Requirements

CE Policy Guide_Fall 2020

Painting from the Masters (ONLINE) PT 621E_ON

$450

with Roger Chavez

Calendar Current session started Sep 22, 2020 at 1 pm, runs for 12 weeks

Deepen your understanding of oil painting through the traditional practice of studying and copying master works.  Analyze the layers of paintings from different historical periods to understand each artist’s particular use of composition, space, color, and mark-making.  Students will work from high-resolution images of master paintings and apply the great artists’ techniques to their own still life, landscape and/or portrait paintings.  Each weekly Zoom class session will consist of an introductory lecture/demonstration, independent work time and individual critique.  High resolution imagery and other content will be available through Canvas.

Note: This course is also available for 1.0 undergraduate credit for $625.

Materials List : Chavez PT 621E_ON

Zoom Technical Requirements

CE Policy Guide_Fall 2020

Image:

Frederic Edwin Church (1826-1900), Valley of Santa Ysabel, New Granada, 1875, oil on canvas, 39 1/4 x 60 in. (99.695 x 152.4 cm.), Collection of the Pennsylvania Academy of the Fine Arts, accession # 2018.10, Museum Purchase





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