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Open Academy: Working from the Figure, ID 310 (In-Person)
with Al Gury
Thursdays, 8:30 - 11:20 a.m. (includes option to add afternoons, 1 - 3:50 p.m., for full-day attendance -- see description)
Instructor: Al Gury
Fifteen-Week Open Academy (BFA) Course (45 – 90 Hours)
*Credit: Non-Credit or 1.5/3.0 Undergraduate Credits (See Below)
PAFA’s Open Academy provides the opportunity for Continuing Education (CE) and non-matriculated students to enroll in select BFA courses for credit or non-credit. Open Academy students enrolled in PAFA’s renowned studio arts courses learn technical skills, creative expression, and critical thinking from master artist-teachers while working amongst dedicated full-time students in PAFA's classrooms.
Students will have availability of models for painting and drawing in the classroom, using a variety of setups, lighting, etc., where the instructor will guide and critique projects. Strategies for referencing the visual material in the settings for the development of work with a personal point of view will be discussed. Included will be historical and contemporary perspectives on painting and drawing with the figure. To address the needs of the advanced student emphasis will be placed on independently directed work. Therefore, this class can serve as a bridge to figurative work being developed in the private studio as well as in the open studio classroom. Students may work in their studios, where the instructor may be invited to offer criticism regarding work in progress. The goal of this course is to support, strengthen and prepare the students for independent work as a studio artist.
Optional: This course is available for half-day for 1.5 undergraduate credits for $1,400. For the option of full-day (morning, 8:30 - 11:20 a.m. and afternoon, 1 - 3:50 p.m.), this course is available for $2,300 non-credit or $2,800 for 3.0 undergraduate credits. Select length and credit choice with tuition adjustment during checkout.
* Note: No class meeting on March 6 (Spring Break).
Image: Al Gury
Register by: January 2
Materials List
Open Academy Policy Guide, including withdrawal/refund policies
Please note: A minimum 10% fee applies to cancellations any time after registration, including same day, to cover third-party processing charges -- please check your schedule before registering!
Drawing: Essential Figure Structure and Anatomy (In-Person)
with John Horn
Thursdays, 9 a.m. - 12 p.m.
Instructor: John Horn
Twelve-Week Course (36 Hours)*
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Develop your ability to render the human form through the time-honored combination of anatomical study and life drawing. Learn the methods and technical skills of traditional figure drawing, such as measuring, capturing gesture, anatomical structuring, and tonal rendering. Through lectures and demonstrations, and work from the life model, learn the structural aspects of the human form: bony landmarks, simplified volumes, and proportional relationships. Progress to the skeletal framework and superficial muscles to identify their surface effects and how they influence mass and movement. Incorporate your knowledge of figure anatomy to capture the fluidity, vitality, and subtleties of the human form while working from the life model in short and extended poses. This course is ideal for anyone interested in strengthening their figure drawing, painting, or sculpture skills, as well as for those interested in future medical illustration. Note: Tuition includes a $75 models fee.
*Note: No class on March 6.
Optional: This course is available for 1.0 undergraduate credit for $770, including models fee. Select credit option with price adjustment when registering.
Register by: January 10
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies
Screenprinting and Beyond (In-Person)
with Tony Rosati
Thursdays, 9 a.m. - 12 p.m.
Instructor: Tony Rosati
Twelve-Week Course (36 Hours)*
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will cover all aspects of the process including screen preparation, image development, and printing techniques. Printmakers with experience may propose independent projects. Note: Tuition includes $30 lab fee.
Learning Objectives:
- Students will gain a basic understanding of the screenprinting process.
- Students will acquire technical experience with screens, squeegees, ink, tools, and equipment.
- Students will learn basic screenprinting techniques including image development, coating and processing screens, mixing ink, and printing.
- Students will acquire technical expertise by way of printing various stencils from fine detail images to flat broad areas.
- Students will learn printmaking professionalism including printing editions on clean registered printmaking paper, signing and numbering editions appropriately.
- Students will learn the importance of image development through individual reviews and by exploring various possibilities with the process.
- Students will develop critical visual and verbal skills by way of individual discussions with the instructor and with their peers.
*Note: No class on March 6.
Optional: This course is available for 1.0 undergraduate credit for $725 (including lab fee). Select credit option with price adjustment when registering.
Image: April Flory [CE Student], Afternoon Center City, 2023, Screenprint, 15 x 22 in.
Register by: January 10
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies
Drawing Fundamentals: Line and Form (In-Person)
with Phyllis Laver
Thursdays, 12:30 - 3:30 p.m.
Instructor: Phyllis Laver
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
If you’ve never drawn before, or your skills are a little rusty, then this class is for you! Learn to draw what you see with confidence. Work from simple forms, still life arrangements, and interior and exterior spaces to master the drawing elements: shape, contour line, composition, light and dark, texture and perspective. Instruction will guide students through sight-drawing and measuring techniques, use of materials, gauging value, and ways of defining form and space. This course is excellent as a foundation for future study, as a precursor to more advanced drawing study or to painting and other disciplines. Note: This part 1 course does not include work from models.
This class is part 1 of an optional 2-part course! See also Drawing Fundamentals: Cast and Figure for continued instruction. Students are welcome to enroll in either or both parts; Line and Form is not required as a prerequisite to Cast and Figure but is recommended for students with little or no drawing experience.
Image: Ellen R. Warren, Begonia, ca. 1880, pen and black ink on white wove paper, 2 x 3 1-4 in. Collection of PAFA.
Register by: January 10
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies
Introduction to Foundry and Mold-Making (In-Person)
with Pavel Efremoff
Thursdays, 12:30 – 4 p.m.
Instructor: Pavel Efremoff
Twelve-Week Condensed Course (42 Hours)*
Credit: Non-Credit or 1.5 Undergraduate Credits (See Below)
Foundry metal casting is the process of creating metal objects by pouring molten metal into a mold and letting it cool to solidify. This course will cover all aspects of the foundry process with an emphasis on mold making as an essential element of a sculptor’s toolkit for both bronze casting and creating objects in multiples. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. Course content will include step-by-step guidance in mold making production as students apply this process to their own projects. This class presents integral skills for any sculptor and is an excellent follow-up for students who have taken a clay-modeling class and wish to preserve their work. Beginner-friendly and open to all levels. Note: Tuition includes a $75 lab fee.
*Note: No class on March 6.
Optional: This course is available for 1.5 undergraduate credits for $1,070 (including lab fee). Select credit option with price adjustment when registering.
Register by: January 10
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies
Foundry: An Introduction/All Levels (In-Person)
with Pavel Efremoff
Thursdays, 6 - 9:30 p.m.
Instructor: Pavel Efremoff
Twelve-Week Condensed Course (42 Hours)*
Credit: Non-Credit or 1.5 Undergraduate Credits (See Below)
This course will cover all aspects of the foundry process. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. All levels welcome. Note: Tuition includes a $75 lab fee.
*Note: No class on March 6.
Optional: This course is available for 1.5 undergraduate credits for $1,070 (including lab fee). Select credit option with price adjustment when registering.
Register by: January 10
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies
Woodcut and Relief Printmaking (In-Person)
with Dan Miller
Thursdays, 1 – 4 p.m.
Instructor: Dan Miller
Ten-Week Course (30 Hours)*
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Printing from a drawing carved into wood or a linoleum block is the oldest and most straightforward form of printmaking. The direct nature of this process makes it an ideal introduction to printmaking for beginners, while artists of all levels enjoy its potential for intricate detail and graphic impact. All aspects of the process will be covered, including drawing on the block, carving your design, ink brayer use and press operation, and printing in black-and white and color. All levels welcome. Tuition includes a $30 lab fee.
*Note: No class on March 6.
Optional: This course is available for 1.0 undergraduate credit for $625 (including lab fee). Select credit option with price adjustment when registering.
Image: Dan Miller, Leaning from the Sea, color woodcut.
Register by: January 31
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies
Portrait and Figure Drawing (In-Person)
with Phyllis Laver
Thursdays, 6 – 9 p.m.
Instructor: Phyllis Laver
Ten-Week Course (30 Hours)*
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Drawing from the portrait and life model is one of the most time-honored methods of art training at PAFA. Improve your observation-based drawing skills as you work in charcoal and graphite directly from life models in short and long poses, exploring gesture, proportions, anatomy and expression. All levels welcome. Note: Tuition includes a $65 models fee.
Learning Objectives
- Students will stretch the traditional definitions of portrait and life drawing to merge the two into personal statements.
- Students will work with clothed and unclothed/life models who are diverse individuals.
- Students will acquire a working knowledge of varied drawing materials, including charcoal, graphite and ink.
- Students will acquire a working knowledge of form and structure in the body.
- Students will develop the ability to better see the model rather than rely on schema.
- Students will acquire knowledge of diverse artists and their ways of working.
*Note: No class on March 6.
Optional: This course is available for 1.0 undergraduate credit for $660, including models fee. Select credit option when registering.
Image: Phyllis Laver.
Register by: January 30
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies