Tuesdays, 12:30 – 3:30 p.m.
Instructor: Marguerita Hagan
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit

Explore a custom sculpture experience in clay with veteran ceramicist, Marguerita Hagan.  Learn various hand-building processes with an emphasis on abstraction. Create work that is either wall-hanging or free-standing, focused on 3D qualities or surface treatments, or both. Whatever you imagine will be supported with experienced individualized attention and specific hand-building and painting techniques to manifest your intention. Gain exposure not only to hand-building directions but also to many surface treatment methods including airbrush, underglaze paints, pencils, masking, resist, glaze, overglaze lusters, and waterslide and rice paper transfer decals. Instruction will be tailored to serve the individual whether for learning basic hand-building methods or realizing a work or series.  Come with no experience or translate your existing practice into the transformative language of clay. Note: Tuition includes a $30 lab fee. 

Optional: This course is available for 1.0 undergraduate credit for $625, including lab fee. Select credit option with price adjustment when registering. 

Register by: January 28
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies 

Thursdays, 1 – 4 p.m.
Instructor: Dan Miller
Ten-Week Course (30 Hours)*
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)  

Printing from a drawing carved into wood or a linoleum block is the oldest and most straightforward form of printmaking. The direct nature of this process makes it an ideal introduction to printmaking for beginners, while artists of all levels enjoy its potential for intricate detail and graphic impact. All aspects of the process will be covered, including drawing on the block, carving your design, ink brayer use and press operation, and printing in black-and white and color. All levels welcome. Tuition includes a $30 lab fee.   

*Note: No class on March 6. 

Optional: This course is available for 1.0 undergraduate credit for $625 (including lab fee). Select credit option with price adjustment when registering. 

Image: Dan Miller, Leaning from the Sea, color woodcut.

Register by: January 31
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Mondays, 12:30 – 3:30 p.m.
Instructor: Roger Chavez
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

Cultivate fluid mark-making and bold approaches to subject matter through rapid and loose painting studies. Tight and precise painting, especially in the early stages of an artwork, can sometimes lead to work that appears stiff and over-labored, or to locked-in compositions that are difficult to change or correct. Working from the still life, cityscapes, and the life model, utilize short, small painting exercises to learn new ways of starting paintings, keeping compositions open to adjustment, and both initiating and retaining a sense of freshness in your forms and brushstrokes. Instruction will address color mixing, painting materials and methodologies, and the importance of setting a viable learning environment for your painting practice. Discover the beauty and freedom of loosening up your painting! Note: Tuition includes a $15 models fee.

Register by: March 3
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Mondays, 12:30 – 3:30 p.m.
Instructor: Richard Estell
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

Explore the painting techniques of the masters who pioneered the 19th and 20th century American watercolor movement, including Winslow Homer, John Singer Sargent, Edward Hopper, and Charles Demuth. Characterized by bright color and bold handling that includes accents of opaque watercolor and loose washes, work in this tradition captures subject matter with dazzling light-filled effects. Practice these classic methods and learn to incorporate them into your own artwork to achieve a greater freedom of expression as well as adaptability and control in the way that you paint. Demonstrations and art historical discussions will be combined with short and more extensive still life and self-portrait exercises. This course is appropriate for beginning and intermediate levels.

Register by: March 3
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Thursdays, 10 a.m. – 1 p.m. (Live Zoom Only)
Instructor: Kassem Amoudi
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only 

Elevate the role of color and learn how to incorporate it both strategically and intuitively into your paintings under the guidance of artist/critic/mentor Kassem Amoudi.  Examine concepts of temperature, value, saturation, and harmony/contrast through color relationships.  Explore color’s role in creating focal points, suggesting space, influencing mark, and promoting personal expression. Work from personal subject matter (objects, images, emotions, or ideas) to develop your personal style, informed by examples from contemporary and modern art. Zoom sessions feature open painting time, supported by critiques and advice from the instructor as he works one-on-one with each student to guide them toward their goals. This course is excellent for students seeking to promote their use of color in abstract/nonobjective imagery and anyone seeking knowledgeable feedback within a focused community painting environment.  Painting experience recommended.  

Register by: March 7
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses 

Thursdays, 12:30 - 3:30 p.m.
Instructor: Phyllis Laver
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

For students seeking to expand their beginning drawing skills or those new to working from the figure, this class will focus on applying drawing’s basic elements to the human form. Starting from Antique and Classical sculpture from PAFA’s cast collection and progressing to work from the life model in short and long poses, work in charcoal and graphite to explore figure-based concepts of gesture, proportions, anatomy, and expression. Instruction will cover sight-drawing and measuring techniques, use of materials, gauging value, and ways of defining form and space. This course is excellent as a foundation for future study in any discipline or for more advanced figure-based work. Note: This part 2 course includes the use of nude models. Tuition includes a $35 models fee.

Note: Optional Part 1 Drawing Fundamentals: Line and Form is not required as a prerequisite to Cast and Figure.

Register by: March 6
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Fridays, 9 a.m. - 12 p.m.
Instructor: Justine Ditto
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only 

Lithography is a versatile printmaking process that allows for a complete range of drawing effects: contour line, hatching/cross-hatching, painterly wash applications, expressive mark-making, and reductive techniques. Learn all aspects of the lithographic process through step-by-step demonstrations and hands-on practice: preparing a traditional stone or lightweight aluminum plate; creating your own drawing from observation, imagination or photographic transfer using a range of drawing materials; selecting paper; printing in black-and-white and color; and editioning your prints. Note: Tuition includes a $20 lab fee. 

Register by: March 7
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies 

Tuesdays, 10 a.m. – 2 p.m.
Instructor: Michelle Oosterbaan
Six-Week Short Course (24 Hours)
Credit: Non-Credit Only  

Gouache (opaque watercolor) is the perfect medium for landscape painting in the open air! Painters of all levels will fall in love with this portable, fast-drying, and easy-to-clean-up alternative to oils. Explore the medium’s vibrant color and versatile application and layering methods as you portray the beauty of springtime gardens in Philadelphia’s parks in your own personal style. Learn techniques for choosing a composition and working efficiently outdoors as you complete a series of rapid sketches and at least one sustained painting.  Topics will include color, paint materiality/texture, transparent and opaque layering techniques, color mixing and historical palettes, pigments, and paper choices. Open to all levels. Painting locations featuring shade, restrooms, and other amenities may include Wissahickon Park in Mt. Airy, Washington Square Park near Independence Hall, and Bartram's Garden in Southwest Philadelphia. Note: Students are responsible for their own transportation to painting locations. 

*Please reserve a rain date of May 13, should any session be postponed due to inclement weather.  

Register by: March 25
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies