Saturdays, 12:30 – 3:30 p.m.
Instructor: Steve Nocella
Ten-Week Course (30 Hours)*
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

This ten-week course teaches the basic skills needed for making metal sculpture. Learn fundamental methods of cutting, bending and welding metal such as sawing, heating, and MIG welding. Students will be encouraged to explore the medium with directness and spontaneity to gain a knowledge and understanding of its complexion. Open to all levels. Note: Tuition includes a $65 lab fee.

*Note: No class on March 8.

Optional: This course is available for 1.0 undergraduate credit for $660 (including lab fee). Select credit option with price adjustment when registering.

Register by: January 24
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Tuesdays, 12:30 – 3:30 p.m.
Instructor: Marguerita Hagan
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit

Explore a custom sculpture experience in clay with veteran ceramicist, Marguerita Hagan.  Learn various hand-building processes with an emphasis on abstraction. Create work that is either wall-hanging or free-standing, focused on 3D qualities or surface treatments, or both. Whatever you imagine will be supported with experienced individualized attention and specific hand-building and painting techniques to manifest your intention. Gain exposure not only to hand-building directions but also to many surface treatment methods including airbrush, underglaze paints, pencils, masking, resist, glaze, overglaze lusters, and waterslide and rice paper transfer decals. Instruction will be tailored to serve the individual whether for learning basic hand-building methods or realizing a work or series.  Come with no experience or translate your existing practice into the transformative language of clay. Note: Tuition includes a $30 lab fee. 

Optional: This course is available for 1.0 undergraduate credit for $625, including lab fee. Select credit option with price adjustment when registering. 

Register by: January 28
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies 

Thursdays, 1 – 4 p.m.
Instructor: Dan Miller
Ten-Week Course (30 Hours)*
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)  

Printing from a drawing carved into wood or a linoleum block is the oldest and most straightforward form of printmaking. The direct nature of this process makes it an ideal introduction to printmaking for beginners, while artists of all levels enjoy its potential for intricate detail and graphic impact. All aspects of the process will be covered, including drawing on the block, carving your design, ink brayer use and press operation, and printing in black-and white and color. All levels welcome. Tuition includes a $30 lab fee.   

*Note: No class on March 6. 

Optional: This course is available for 1.0 undergraduate credit for $625 (including lab fee). Select credit option with price adjustment when registering. 

Image: Dan Miller, Leaning from the Sea, color woodcut.

Register by: January 31
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Thursdays, 6 – 9 p.m.
Instructor: Phyllis Laver
Ten-Week Course (30 Hours)*
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Drawing from the portrait and life model is one of the most time-honored methods of art training at PAFA. Improve your observation-based drawing skills as you work in charcoal and graphite directly from life models in short and long poses, exploring gesture, proportions, anatomy and expression. All levels welcome. Note: Tuition includes a $65 models fee. 

Learning Objectives 

• Students will stretch the traditional definitions of portrait and life drawing to merge the two into personal statements. 

• Students will work with clothed and unclothed/life models who are diverse individuals. 

• Students will acquire a working knowledge of varied drawing materials, including charcoal, graphite and ink. 

• Students will acquire a working knowledge of form and structure in the body. 

• Students will develop the ability to better see the model rather than rely on schema. 

• Students will acquire knowledge of diverse artists and their ways of working. 

*Note: No class on March 6.

Optional: This course is available for 1.0 undergraduate credit for $660, including models fee. Select credit option when registering.

Image: Phyllis Laver.

Register by: January 30
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Mondays, 12:30 – 3:30 p.m.
Instructor: Roger Chavez
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

Cultivate fluid mark-making and bold approaches to subject matter through rapid and loose painting studies. Tight and precise painting, especially in the early stages of an artwork, can sometimes lead to work that appears stiff and over-labored, or to locked-in compositions that are difficult to change or correct. Working from the still life, cityscapes, and the life model, utilize short, small painting exercises to learn new ways of starting paintings, keeping compositions open to adjustment, and both initiating and retaining a sense of freshness in your forms and brushstrokes. Instruction will address color mixing, painting materials and methodologies, and the importance of setting a viable learning environment for your painting practice. Discover the beauty and freedom of loosening up your painting! Note: Tuition includes a $15 models fee.

Register by: March 3
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Mondays, 12:30 – 3:30 p.m.
Instructor: Richard Estell
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

Explore the painting techniques of the masters who pioneered the 19th and 20th century American watercolor movement, including Winslow Homer, John Singer Sargent, Edward Hopper, and Charles Demuth. Characterized by bright color and bold handling that includes accents of opaque watercolor and loose washes, work in this tradition captures subject matter with dazzling light-filled effects. Practice these classic methods and learn to incorporate them into your own artwork to achieve a greater freedom of expression as well as adaptability and control in the way that you paint. Demonstrations and art historical discussions will be combined with short and more extensive still life and self-portrait exercises. This course is appropriate for beginning and intermediate levels.

Register by: March 3
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Wednesdays, 6 - 9 p.m.
Instructor: Frederic Kaplan
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

If you’ve never painted before, or your skills are a little rusty, this class is for you. Exploit the resources of PAFA’s dedicated still-life studio and its many thoughtfully composed arrangements. You will acquire grounding in the basics so you can paint what you see with confidence. Materials and painting methods will be discussed and demonstrated, including color mixing and theory. Examples of Master paintings, coupled with individual and group critiques, will help direct and inform your efforts.

Register by: March 5
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Thursdays, 10 a.m. – 1 p.m. (Live Zoom Only)
Instructor: Kassem Amoudi
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only 

Elevate the role of color and learn how to incorporate it both strategically and intuitively into your paintings under the guidance of artist/critic/mentor Kassem Amoudi.  Examine concepts of temperature, value, saturation, and harmony/contrast through color relationships.  Explore color’s role in creating focal points, suggesting space, influencing mark, and promoting personal expression. Work from personal subject matter (objects, images, emotions, or ideas) to develop your personal style, informed by examples from contemporary and modern art. Zoom sessions feature open painting time, supported by critiques and advice from the instructor as he works one-on-one with each student to guide them toward their goals. This course is excellent for students seeking to promote their use of color in abstract/nonobjective imagery and anyone seeking knowledgeable feedback within a focused community painting environment.  Painting experience recommended.  

Register by: March 7
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses