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Figure Painting: Developing Form and Finish (In-Person)
with David Wilson

Saturdays, 10 a.m. - 1 p.m.
Instructor: David Wilson
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
Note: No class on November 29
Paint from a life model in long, multi-class poses to develop and refine your figure painting compositions. Extended poses will allow students to adjust and resolve issues of surface, color, and composition. Instruction will cover a variety of topics including glazing, broken color, surface texture, composition and design, the relationship of the figure to the environment, the creation of atmosphere and color harmony, disrupted realism, and open- versus closed-form painting. All levels welcome. Instruction will be geared toward oil, but students are welcome to draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee.
Image: David Wilson
Register by: October 24
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Painting + Printmaking (In-Person)
with Justine Ditto

Mondays, 12:30 – 3:30 p.m.
Instructor: Justine Ditto
Six-WeekShort Course (18 Hours)
Credit: Non-Credit Only
Painting and printmaking go hand-in-hand, not only as adjacent mediums but in combination. This freeing and instructive course presents printmaking techniques as jumping off points to making mixed media work in spirit of experimentation and personal expression. Learn how to make monotypes, drypoints, and screenprints as a foundation for incorporating your choice of graphite, colored pencil, acrylic, watercolor, oil paint, and/or collage. Content includes technical advice from an artist-instructor ideally skilled in a variety of media as well as critiques to expand your creative boundaries. This class is perfect for painters/draftspeopleseeking to expand their processes, printmakers seeking to employ painterly and mixed media techniques, and anyone with love of color and experimentation. Open to all levels – no prior printmaking or painting experience required. Tuition includes a $20 materials fee.
Image: Justine Ditto
Register by: September 4
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
The Color of Light and Shadow in Acrylics (Online)
with Frederic Kaplan

Mondays, 1 – 2:30 p.m. (Zoom meetings supporting majority asynchronous content)
Instructor: Frederic Kaplan
Six-Week Condense Course (30-Hour Equivalent)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Exploit the unique qualities of acrylics to create paintings infused with light and rich, transparent shadows. Through a combination of online videos and illustrated lessons plus live Zoom sessions, learn how to build your paintings in layers of radiant opaque and transparent colors. A variety of acrylic painting techniques will be addressed, including the tenebrism of Baroque master Caravaggio. A rich resource of information about the wide array of acrylic painting materials is also provided. This course is appropriate for students at all levels, including beginners, but drawing experience is recommended.
Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering.
Image: Fred Kaplan
Register by: October 28
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Animals in Watercolor (Online)
with Michelle Oosterbaan

Mondays, 6 – 8 p.m. (Zoom) with Asynchronous Canvas Content
Instructor: Michelle Oosterbaan
Six-Week Course (18-Hour Equivalent)
Credit: Non-Credit Only
Dogs, cats, and other animals at home or in nature have been depicted in master drawings and paintings throughout the centuries — as portrait subjects themselves or as a part of landscapes, domestic scenes, still lifes, and other genres. Find inspiration in the creatures of the great outdoors or those curled up on your own couch to make animals a meaningful part of your painting practice. Utilize sketches and photo references to explore ways of realistically and expressively depicting domestic or wild animals, to capture facial features, posture/gesture, and textural effects of fur, feathers and whiskers while learning sound visual principles and techniques in water-media. Content will include examples from historical and contemporary art, engaging homework assignments, and discussions about the role of animals in art and tactics for making them a special focus in your own work. Instruction will focus on drawing and watercolor or gouache painting, but students are welcome to work in other media.
Image: Honoré Desmond Sharrer, Study for "Two Dogs in a Still Life" (detail), mid 20th century, casein or gouache on paper, 11 x 14 in. Collection of PAFA, gift of Adam Zagorin and the late Perez Zagorin. Copyright © artist or artist’s estate.
Register by: October 27
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses
Painting Metal and Glass Workshop (In-Person)
with Frederic Kaplan

Saturday and Sunday, 9 a.m. – 4 p.m.
Instructor: Frederic Kaplan
Weekend Workshop
Credit: Non-Credit Only
Highly reflective and transparent/translucent surfaces, such as metal and glass, can be a challenge for oil painters to represent accurately: distortions, abrupt shifts in value, and color influences by surrounding objects can make it difficult for the artist to discern what they are actually seeing or how to capture these effects. Through straightforward demonstrations, learn logical step-by-step approaches for painting each of these challenging subjects, and follow up with hands-on practice working from glass- and metal-themed still life arrangements. Prior drawing and painting experience strongly recommended. Note: This workshop is designed for oil painters, but acrylic painters are also welcome.
Image: Frederic Kaplan
Register by: October 31
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
The Figure in Clay Workshop (In-Person)
with Colleen O'Donnell

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: Colleen O'Donnell
Weekend Workshop
Credit: Non-Credit Only
Learn the techniques and tools of figure sculpture through demonstration and hands-on sculpting from the model. Explore anatomy, proportion, gesture, and design through the versatility of clay. Personal expression will be emphasized though representational and abstract approaches. Open to all levels and perfect for beginners. Tuition includes a $35 models fee.
Image: Colleen O’Donnell
Register by: October 31
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Water, Water, Everywhere: How to Paint Water in All Media (In-Person)
with James Toogood

Saturday and Sunday, 9 a.m. - 5 p.m.
Instructor: James Toogood
Weekend Workshop
Credit: Non-Credit Only
Water: It’s all around us -- streams, rivers, lakes, oceans, atmospheric effects, and more. It's a key ingredient in watercolor painting, regardless of the subject matter. But how does the artist create the illusion of water in a painting, regardless of the medium? This two-day workshop will present key tactics an artist can employ when painting bodies of water. Examine the nature of reflections, water movement, how water appears under various weather and lighting conditions, and more. Instruction includes demonstrations of how to incorporate various water effects in your own work and a review of the ways master artists historically have portrayed water in their paintings over the years. Open to all levels. Demonstrations will be conducted in watercolor, but instruction presents valuable information for painters of all media.
Image: James Toogood.
Register by: November 7
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Color Matters Workshop (Online)
with Kassem Amoudi

Saturday and Sunday, 10 a.m. – 2 p.m. (Zoom Only)
Instructor: Kassem Amoudi
Weekend Workshop
Credit: Non-Credit Only
Elevate the role of color and learn how to incorporate it both strategically and intuitively into your paintings under the guidance of artist/critic/mentor KassemAmoudi in this condensed two-day workshop. Explore color’s role in creating focal points, suggesting space, influencing mark, and promoting personal expression. Work from personal subject matter (objects, images, emotions, or ideas) to develop your personal style, informed by examples from contemporary and modern art. Zoom sessions feature open painting time, supported by critiques and advice from the instructor as he works one-on-one to guide students toward their goals. This course is excellent for students seeking to jumpstart their use of color in abstract/nonobjective imagery. Painting experience recommended.
Image: Kassem Amoudi
Register by: November 14
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses