Thursdays, 9 a.m. - 12 p.m. 
Instructor: Carolyn Pyfrom   
Twelve-Week Course (36 Hours) 
Note: No class during Spring Break, March 2 - 8.

This class will offer useful strategies for representational life drawing to artists at any level of practice. Instruction will address gesture, rhythm, continuity, volume, and what artists most often refer to as “accuracy.” An important theme will be the ways in which gestural and analytical tactics are used together to make expressive and compelling drawings. The class will utilize both short and long poses to strengthen observational skills and to deepen understanding of how the figure moves and occupies space. By way of demonstration, the instructor will work alongside students in every class in addition to giving individual critiques.

This course is excellent paired with Comprehensive Figure Painting for students seeking intensive full-day figure study.

Image: Carolyn Pyfrom

Register by: January 15 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Thursdays, 1 - 4 p.m. 
Instructor: Peter Van Dyck 
Twelve-Week Course (36 Hours) 
Note: No class during Spring Break, March 2 - 8.

This course will focus on creating paintings of the human figure from poses ranging from one to five days. It will provide an opportunity to explore the development of a figure painting over multiple sessions, emphasizing the accurate drawing of large forms and gestures, the translation of those forms into structured color relationships, and the depiction of the color of light that defines the environment. Through the extended duration of the poses, students will have the time to refine their observations, deepen their understanding of structure, and build more nuanced and cohesive paintings. Technical topics such as oil paint handling, surface preparation, and color organization will also be addressed. Students will leave the class with an enhanced ability to construct complex figure paintings that are both formally sound and personally expressive.

This course is excellent paired with Figure Drawing: Intuition and Analysis for students seeking intensive full-day figure study.

Image: Peter Van Dyck

Register by: January 15 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Saturdays, 10 a.m. - 1 p.m. 
Instructor: David Wilson 
Six-Week Short Course (18 Hours) 

Painting the human form from observation is one of the cornerstones of PAFA's long tradition of rigorous instruction. Working from the nude model in poses of varying lengths, investigate color mixing, proportion, and composition using oil paint as a medium. Focusing on alla prima painting techniques and a limited flesh-tone palette, learn to model the human form through gesture, shape, volume, and temperature – excellent for painted sketches and preparatory studies, foundations for extended work, or an introduction/refresher to figure painting. Intended for all skill levels, this course also offers the valuable opportunity for more advanced students to continue to hone their skills to deepen their understanding of the language of painting.  Instruction will be geared toward oil, but students may draw-only, or use other appropriate media, if they wish. Note: Tuition includes a $35 models fee.

Image: David Wilson

Register by: January 16 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Sundays, 3 - 4 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings) 
Instructor: Al Gury 
Six-Week Condensed Course (30-Hour Equivalent) 

Explore the methods of some of the greatest painters in recent art history with Al Gury, noted professor and author of Alla Prima, Color for Painters, and Foundations of Drawing. Notable women artists Alice Neel, Mary Cassatt, Gabriel Munter, and Cecilia Beux, among others, will provide the basis for weekly painting projects. Learn from, and gain an increased appreciation for, these masters through an examination of their materials, color palettes, working methods, and histories through visual examples, discussions, video demonstrations, and tailored painting projects that will be critiqued by the instructor for helpful feedback. Class meetings will be held on Zoom, and assignments and asynchronous class content will be posted on Canvas, PAFA’s online learning platform. Open to all levels of experience and all media: oil, acrylic, watercolor, and pastel. 

Image: Mary Cassatt, Young Thomas and his Mother (detail), 1893, pastel on wove paper, 23 5/8 x 19 3/4 in. Collection of the PAFA Museum,  Accession # 1904.10.  Pennsylvania Academy purchase.   

Register by: January 16 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering. 
Information for PAFA CE Online Courses

Mondays, 12:30 - 3:30 p.m. 
Instructor: Justine Ditto
Six-Week Short Course (18 Hours) 

Painting and printmaking go hand-in-hand, not only as adjacent mediums but in combination. This freeing and instructive course presents printmaking techniques as jumping off points to making mixed media work in spirit of experimentation and personal expression. Learn how to make monotypes, drypoints, and screenprints as a foundation for incorporating your choice of graphite, colored pencil, acrylic, watercolor, oil paint, and/or collage. Content includes technical advice from an artist-instructor ideally skilled in a variety of media as well as critiques to expand your creative boundaries. This class is perfect for painters/draftspeople seeking to expand their processes, printmakers seeking to employ painterly and mixed media techniques, and anyone with love of color and experimentation. Open to all levels – no prior printmaking or painting experience required. Tuition includes a $20 materials fee.

Image: Justine Ditto

Register by: January 20 
Materials List - Coming Soon
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Wednesdays, 1 - 3:30 p.m. (Zoom meetings supported by interactive asynchronous Canvas content)
Instructor: Kate Samworth 
Eight-Week Course (24-Hour Equivalent) 

Examine the social, scientific, religious, political, and economic factors that influenced centuries of cataloging the natural world, from ancient Greece to the Enlightenment. In this course, which combines art history with hands-on studio practice, students will learn to identify and imitate the traditional printmaking techniques that are integral to natural history illustration through a series of demonstrations in mixed media. Weekly hands-on Zoom sessions will be supplemented by recorded presentations on art history. Highlighted topics in science will encompass botany, ornithology, zoology, anatomy, entomology, cabinets of curiosity, marine life, and geometry in nature. Note: For intermediate-level students; prior still life drawing experience required.

Image: Kate Samworth, Ch.7 - Why Fish Don't Exist

Register by: January 28 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.Information for PAFA CE Online Courses

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: RA Friedman 
Weekend Workshop 

Using inexpensive materials, this hands-on workshop will introduce the concepts and methods needed to create a strong sense of dimension and likeness in your portrait drawings. Explore the proportions and planes of the head, neck and shoulders. Learn how to create a structural foundation and how to easily manage anatomy by breaking down forms into simple geometric shapes. Instruction will address different strategies for creating a finished tonal portrait as well as tips and tricks that will help you draw like a pro! Note: Tuition includes a $10 models fee.

For more advanced instruction or an optional follow-up to this course, see Advanced Portrait Drawing Workshop.

Image: RA Friedman

Register by: January 30 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Thursdays, 7 - 8:30 p.m. (Interactive asynchronous Canvas content supported by weekly Zoom meetings)
Instructor: Frederic Kaplan 
Ten-Week Course (30-Hour Equivalent) 

Perspective is at the heart of good drawing and painting, allowing us to translate the observable world into believable two-dimensional images and create invented spaces. Learn the fundamentals of linear perspective in clear, easy to-understand language, and apply these principles to still life, interiors and cityscape views.  This course will utilize the online learning platform, Canvas, and include videos, lectures and assignments with regular instructor feedback, plus weekly live sessions via Zoom. Basic drawing experience recommended.    

Learning Objectives: 

• Improve observational and interpretive skills, including the ability to gauge proportions, orientations, and relative positions of objects and their parts.  
• Achieve understanding of the core principles of linear perspective.  
• Develop skill in applying the principles of linear perspective to real-world situations.

Image: Frederic Kaplan

Register by: February 5 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering. 
Information for PAFA CE Online Courses