Thursdays, 6 – 9 p.m.
Instructor: Phyllis Laver
Ten-Week Course (30 Hours)*
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Drawing from the portrait and life model is one of the most time-honored methods of art training at PAFA. Improve your observation-based drawing skills as you work in charcoal and graphite directly from life models in short and long poses, exploring gesture, proportions, anatomy and expression. All levels welcome. Note: Tuition includes a $65 models fee. 

Learning Objectives 

• Students will stretch the traditional definitions of portrait and life drawing to merge the two into personal statements. 

• Students will work with clothed and unclothed/life models who are diverse individuals. 

• Students will acquire a working knowledge of varied drawing materials, including charcoal, graphite and ink. 

• Students will acquire a working knowledge of form and structure in the body. 

• Students will develop the ability to better see the model rather than rely on schema. 

• Students will acquire knowledge of diverse artists and their ways of working. 

*Note: No class on March 6.

Optional: This course is available for 1.0 undergraduate credit for $660, including models fee. Select credit option when registering.

Image: Phyllis Laver.

Register by: January 30
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: RA Friedman
Weekend Workshop
Credit: Non-Credit Only

Using inexpensive materials, this hands-on workshop will introduce the concepts and methods needed to create a strong sense of dimension and likeness in your portrait drawings. Explore the proportions and planes of the head, neck and shoulders. Learn how to create a structural foundation and how to easily manage anatomy by breaking down forms into simple geometric shapes. Instruction will address different strategies for creating a finished tonal portrait as well as tips and tricks that will help you draw like a pro! Note: Tuition includes a $10 models fee.

For more advanced instruction or an optional follow-up to this course, see the instructor's Advanced Portrait Drawing Workshop.

Register by: January 31
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Saturdays, 1 – 4 p.m.
Instructor: Michelle Oosterbaan
Ten-Week Course (30 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)

Learn the fundamentals of drawing with the vibrancy colored pencil! Work from still life objects and arrangements, natural and urban landscape window views, and clothed portrait/figure models to explore descriptive and expressive line quality, light/shadow, composition, color relationships, cross-hatching and layering methods, as ways to render scenic form and space. Instruction will guide students through observational sighting and measuring techniques and color theory essentials to achieve a sense of realism and to serve as a solid foundation for future study. Tuition includes a $25 models fee.

Optional: This course is available for 1.0 undergraduate credit for $620, including models fee. Select credit option with price adjustment when registering.

Register by: January 31
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: Colleen O'Donnell
Weekend Workshop
Credit: Non-Credit Only

Learn how to translate ideas of nature and abstraction into three-dimensions through the medium of clay. Combine your observations of the forms and textures of the natural world with your imagination to create sculptures that capture the graceful lines, fluid forms, and intricate patterns of leaves, bark and branches, flowers, animal matter, and geological features. Students are encouraged to explore traditional and contemporary treatment of subject matter, with abstract expression encouraged to capture the essence and beauty of organic objects. Open to all levels; no experience necessary. 

Register by: February 7
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Saturday and Sunday, 9 a.m. - 5 p.m.
Instructor: James Toogood
Weekend Workshop
Credit: Non-Credit Only  

Interested in learning or improving your watercolor skills? All materials and techniques will be discussed, including the selection of papers, brushes, and pigments, as well as transparent and opaque painting methods. Students will work from still-life subjects and/or their own source material.  All levels welcome. 

Register by: February 14
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies 

Mondays, 12:30 – 3:30 p.m.
Instructor: Roger Chavez
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

Cultivate fluid mark-making and bold approaches to subject matter through rapid and loose painting studies. Tight and precise painting, especially in the early stages of an artwork, can sometimes lead to work that appears stiff and over-labored, or to locked-in compositions that are difficult to change or correct. Working from the still life, cityscapes, and the life model, utilize short, small painting exercises to learn new ways of starting paintings, keeping compositions open to adjustment, and both initiating and retaining a sense of freshness in your forms and brushstrokes. Instruction will address color mixing, painting materials and methodologies, and the importance of setting a viable learning environment for your painting practice. Discover the beauty and freedom of loosening up your painting! Note: Tuition includes a $15 models fee.

Register by: March 3
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Mondays, 12:30 – 3:30 p.m.
Instructor: Richard Estell
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only

Explore the painting techniques of the masters who pioneered the 19th and 20th century American watercolor movement, including Winslow Homer, John Singer Sargent, Edward Hopper, and Charles Demuth. Characterized by bright color and bold handling that includes accents of opaque watercolor and loose washes, work in this tradition captures subject matter with dazzling light-filled effects. Practice these classic methods and learn to incorporate them into your own artwork to achieve a greater freedom of expression as well as adaptability and control in the way that you paint. Demonstrations and art historical discussions will be combined with short and more extensive still life and self-portrait exercises. This course is appropriate for beginning and intermediate levels.

Register by: March 3
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies

Tuesdays, 12:30 – 3:30 p.m.
Instructor: Anthony Ciambella
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only 

If you believe that painting can be more than applying brush to canvas, this course is for you.  Explore the fluid, sculptural, assembled possibilities of acrylics!  This hands-on, one-of-a-kind journey will take you places that you never thought you would go in acrylic painting:  pour paint to make layers of color that can be peeled up, sculpted into three-dimensional forms, or collaged and layered into other paintings or mixed-media works. Create flexible tiles of acrylic color that can be snipped, shaped, and assembled into mosaics or applied to a variety of surfaces for artistic or decorative effects.  Discover a myriad of alternative supports, brushes, and methods of paint application to incorporate abstract effects into your current body of work.  Push the boundaries of what it means to paint with acrylics in this exciting exploration into experimental techniques. 

Register by: March 3
Materials List
Winter/Spring 2025 CE Policy Guide, including withdrawal/refund policies