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Oil/Acrylic Painting: Abstracting the Real (In-Person)
with Frederic Kaplan
Fridays, 9 a.m. - 12 p.m.
Instructor: Frederic Kaplan
Ten Week Course (30 Hours)
Using oil or acrylic paints, exploit a wide range of techniques and artistic languages to transform everyday reality into expressive, symbolic, or personal statements. Base your paintings on unique studio still-life arrangements or use your own photographs as a starting point. Topics discussed and demonstrated include using color as an emotive element, designing compositions to convey mood and movement, and employing energetic mark-making. For less experienced students, materials, color mixing, and basic techniques are also reviewed.
Course Objectives
Students will learn…
- Selection and use basic materials, including the characteristics of various commonly used colors, solvents, and mediums
- Execution of a variety of direct and indirect painting methods.
- Approaches to interpreting and modifying observed reality to achieve emotive, symbolic, and compositional goals
- Descriptive, emotive, and symbolic use of color, shape, and mark
- Basic color theory and color mixing
Image: Frederic Kaplan
Register by: January 30
Materials List
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Color Woodcut Printmaking (In-Person)
with Rebecca Gilbert
Thursdays, 1 - 4 p.m.
Instructor: Rebecca Gilbert
Ten-Week Course (30 Hours)
Printing from a drawing carved into wood is the oldest and most straightforward form of printmaking. Expand the expressive possibilities of the medium by infusing color into the process! Learn reduction and multiple block relief printmaking techniques to produce vibrant, layered color prints. Instruction will cover all steps from start to finished print: material selection and use, image planning, tool handling for a variety of mark-making tactics, reduction and multiple block processes, color mixing, printing by hand and on an etching press, registration techniques, cleaning, and editioning. All levels welcome. Tuition includes a $30 lab fee for Print Shop use/maintenance (separate from the student-supplied materials list below).
Image: Rebecca Gilbert, Momento Mori/Swans, Reduction and Multiple Block Woodcut.
Register by: February 11
Materials List
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Wood Studio (In-Person)
with John Greig
Tuesdays, 5:30 - 8:30 p.m.
Instructor: John Greig
Ten-Week Course (30 Hours)
This class will explore wood as a primary art-making medium, looking at its many types, techniques and uses. Students will develop a well-rounded foundation of wood-working skills including cutting, milling, laminating, joinery and safe use of wood-working tools. Contemporary, traditional and ancient art works made of wood will be presented for historical and contextual understanding. Students will be encouraged to find their own unique voice within the material while building skills. Tuition includes $30 materials fee.
Image: John Greig
Register by: February 17
Materials List
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Fast and Unfussed Oil Painting (In-Person)
with Roger Chavez
Tuesdays, 9 a.m. - 12 p.m.
Instructor: Roger Chavez
Ten-Week Course (30 Hours)
Cultivate fluid mark-making and bold approaches to subject matter through rapid and loose painting studies. Tight and precise painting, especially in the early stages of an artwork, can sometimes lead to work that appears stiff and over-labored, or to locked-in compositions that are difficult to change or correct. Working from the still life, cityscapes, and the life model, utilize short, small painting exercises to learn new ways of starting paintings, keeping compositions open to adjustment, and both initiating and retaining a sense of freshness in your forms and brushstrokes. Instruction will address color mixing, painting materials and methodologies, and the importance of cultivating viablemethods for growth in your painting practice. Discover the beauty and freedom of loosening up your painting! Note: Tuition includes a $25 models fee.
Image: Roger Chavez
Registration still open!
Materials List
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
The American Watercolor Tradition (In-Person)
with Richard Estell
Mondays, 12:30 - 3:30 p.m.
Instructor: Richard Estell
Six-Week Short Course (18 Hours)
Explore the painting techniques of the masters who pioneered the 19th and 20th century American watercolor movement, including Winslow Homer, John Singer Sargent, Edward Hopper, and Charles Demuth. Characterized by bright color and bold handling that includes accents of opaque watercolor and loose washes, work in this tradition captures subject matter with dazzling light-filled effects. Practice these classic methods and learn to incorporate them into your own artwork to achieve a greater freedom of expression as well as adaptability and control in the way that you paint. Demonstrations and art historical discussions will be combined with short and more extensive still life and self-portrait exercises. This course is appropriate for beginning and intermediate levels.
Image: Richard Estell, Watercress, 2011, watercolor, 30 x 22 in.
Register by: March 2
Materials List
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Drawing Fundamentals: Cast and Figure (In-Person)
with Phyllis Laver
Tuesdays, 6 - 9 p.m.
Instructor: Phyllis Laver
Six-Week Short Course (18 Hours)
For students seeking to expand their beginning drawing skills or those new to working from the figure, this class will focus on applying drawing’s basic elements to the human form. Starting from Antique and Classical sculpture from PAFA’s cast collection and progressing to work from the life model in short and long poses, work in charcoal and graphite to explore figure-based concepts of gesture, proportions, anatomy, and expression. Instruction will cover sight-drawing and measuring techniques, use of materials, gauging value, and ways of defining form and space. This course is excellent as a foundation for future study in any discipline or for more advanced figure-based work. Note: This part 2 course includes the use of nude models. Tuition includes a $35 models fee.
Note: Optional Part 1 Drawing Fundamentals: Line and Form offers preliminary instruction but is not required as a prerequisite to Cast and Figure.
Image: Phyllis Laver
Register by: March 3
Materials List
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Letterpress Printmaking (In-Person)
with Rosae Reeder
Wednesdays, 6 - 9 p.m.
Instructor: Rosae Reeder
Six-Week Short Course (18 Hours)
Letterpress, also known as moveable type, is the process of printing with moveable components of either wood or lead type. Today, letterpress printing has become fashionable, used to print wedding invitations, business cards, and anything with that traditional vintage look. In this six-week course, students will learn the process of setting both wood and lead type and printing on a Vandercook letterpress. Instruction will also explore letterpress as a wonderful tool for printing images in edition through the creation of pressure prints. Printing of relief blocks, registration, layout, paper size, and color will also be discussed. This class is open to beginners and advanced artists. Tuition includes a $20 lab fee.
Image: Rosae Reeder
Register by: March 4
Materials List
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.
Palette Knife Painting (In-Person)
with Shushana Rucker
Thursdays, 6 - 9 p.m.
Instructor: Shushana Rucker
Six-Week Short Course (18 Hours)
Explore the possibilities of palette knife painting in this six-week course led by artist Shushana Rucker. Designed for painters of all levels, the course introduces students to a range of knife techniques for applying oil paint to create bold lines and strong texture. Through demonstrations, guided exercises, and individual feedback, students will learn how to mix bold color and use texture to heighten expression and atmosphere. Working from observation and reference imagery, participants will complete several finished paintings and develop a personal approach to working with the knife. No prior palette knife experience required.
Image: Shushana Rucker, View from I-76, oil on panel, 6 x 12 in.
Register by: March 5
Materials List - Coming Soon
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.