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Painting + Printmaking (In-Person)
with Justine Ditto

Mondays, 12:30 – 3:30 p.m.
Instructor: Justine Ditto
Six-WeekShort Course (18 Hours)
Credit: Non-Credit Only
Painting and printmaking go hand-in-hand, not only as adjacent mediums but in combination. This freeing and instructive course presents printmaking techniques as jumping off points to making mixed media work in spirit of experimentation and personal expression. Learn how to make monotypes, drypoints, and screenprints as a foundation for incorporating your choice of graphite, colored pencil, acrylic, watercolor, oil paint, and/or collage. Content includes technical advice from an artist-instructor ideally skilled in a variety of media as well as critiques to expand your creative boundaries. This class is perfect for painters/draftspeopleseeking to expand their processes, printmakers seeking to employ painterly and mixed media techniques, and anyone with love of color and experimentation. Open to all levels – no prior printmaking or painting experience required. Tuition includes a $20 materials fee.
Image: Justine Ditto
Register by: September 4
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
The Color of Light and Shadow in Acrylics (Online)
with Frederic Kaplan

Mondays, 1 – 2:30 p.m. (Zoom meetings supporting majority asynchronous content)
Instructor: Frederic Kaplan
Six-Week Condense Course (30-Hour Equivalent)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Exploit the unique qualities of acrylics to create paintings infused with light and rich, transparent shadows. Through a combination of online videos and illustrated lessons plus live Zoom sessions, learn how to build your paintings in layers of radiant opaque and transparent colors. A variety of acrylic painting techniques will be addressed, including the tenebrism of Baroque master Caravaggio. A rich resource of information about the wide array of acrylic painting materials is also provided. This course is appropriate for students at all levels, including beginners, but drawing experience is recommended.
Optional: This course is available for 1.0 undergraduate credit for $595. Select credit option with price adjustment when registering.
Image: Fred Kaplan
Register by: October 28
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Fast and Unfussed Oil Painting (In-Person)
with Roger Chavez

Tuesdays, 9 a.m. - 12 p.m.
Instructor: Roger Chavez
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
Cultivate fluid mark-making and bold approaches to subject matter through rapid and loose painting studies. Tight and precise painting, especially in the early stages of an artwork, can sometimes lead to work that appears stiff and over-labored, or to locked-in compositions that are difficult to change or correct. Working from the still life, cityscapes, and the life model, utilize short, small painting exercises to learn new ways of starting paintings, keeping compositions open to adjustment, and both initiating and retaining a sense of freshness in your forms and brushstrokes. Instruction will address color mixing, painting materials and methodologies, and the importance of cultivating viablemethods for growth in your painting practice. Discover the beauty and freedom of loosening up your painting! Note: Tuition includes a $15 models fee.
Image: Roger Chavez
Register by: October 28
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies
Litho Light (In-Person)
with Kandice Fields Portalatin

Wednesdays, 12:30 – 3:30 p.m.
Instructor: Kandice Fields Portalatin
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
Explore lithography through non-toxic, easy-to-learn paper plate and polyester plate processes in this excellent entry-point printmaking class. Students will work with toner-based drawings tolearn the fundamental principles of using grease and water resistance to produce prints.Instruction will cover drawing methods using toner or Sharpie, plate processing, hand-printing, and layering techniques. Students will come away with:
- The demystification of lithography through simple, approachable methods
- Experience using sustainable alternatives to traditional stone and metal plates
- Strengthened drawing/mark-making skills in a new medium
- A small edition of alternative litho prints
Tuition includes a $20 lab fee.
Image: Kandice Fields Portalatin
Register by: September 26
Materials List
Fall 2025 CE Policy Guide, including withdrawal/refund policies