Tuesdays, 9 a.m. - 12 p.m. 
Instructor: Roger Chavez 
Ten-Week Course (30 Hours) 

Cultivate fluid mark-making and bold approaches to subject matter through rapid and loose painting studies. Tight and precise painting, especially in the early stages of an artwork, can sometimes lead to work that appears stiff and over-labored, or to locked-in compositions that are difficult to change or correct. Working from the still life, cityscapes, and the life model, utilize short, small painting exercises to learn new ways of starting paintings, keeping compositions open to adjustment, and both initiating and retaining a sense of freshness in your forms and brushstrokes. Instruction will address color mixing, painting materials and methodologies, and the importance of cultivating viablemethods for growth in your painting practice. Discover the beauty and freedom of loosening up your painting! Note: Tuition includes a $25 models fee.

Image: Roger Chavez

Register by: February 24 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Mondays, 12:30 - 3:30 p.m. 
Instructor: Richard Estell 
Six-Week Short Course (18 Hours) 

Explore the painting techniques of the masters who pioneered the 19th and 20th century American watercolor movement, including Winslow Homer, John Singer Sargent, Edward Hopper, and Charles Demuth. Characterized by bright color and bold handling that includes accents of opaque watercolor and loose washes, work in this tradition captures subject matter with dazzling light-filled effects. Practice these classic methods and learn to incorporate them into your own artwork to achieve a greater freedom of expression as well as adaptability and control in the way that you paint. Demonstrations and art historical discussions will be combined with short and more extensive still life and self-portrait exercises. This course is appropriate for beginning and intermediate levels.

Image: Richard Estell, Watercress, 2011, watercolor, 30 x 22 in.

Register by: March 2 
Materials List - Coming Soon
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Tuesdays, 6 - 9 p.m. 
Instructor: Phyllis Laver 
Six-Week Short Course (18 Hours) 

For students seeking to expand their beginning drawing skills or those new to working from the figure, this class will focus on applying drawing’s basic elements to the human form. Starting from Antique and Classical sculpture from PAFA’s cast collection and progressing to work from the life model in short and long poses, work in charcoal and graphite to explore figure-based concepts of gesture, proportions, anatomy, and expression. Instruction will cover sight-drawing and measuring techniques, use of materials, gauging value, and ways of defining form and space. This course is excellent as a foundation for future study in any discipline or for more advanced figure-based work. Note: This part 2 course includes the use of nude models. Tuition includes a $35 models fee.

Note: Optional Part 1 Drawing Fundamentals: Line and Form offers preliminary instruction but is not required as a prerequisite to Cast and Figure.

Image: Phyllis Laver

Register by: March 3 
Materials List  
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Wednesdays, 6 - 9 p.m. 
Instructor: Rosae Reeder 
Six-Week Short Course (18 Hours) 

Letterpress, also known as moveable type, is the process of printing with moveable components of either wood or lead type. Today, letterpress printing has become fashionable, used to print wedding invitations, business cards, and anything with that traditional vintage look. In this six-week course, students will learn the process of setting both wood and lead type and printing on a Vandercook letterpress. Instruction will also explore letterpress as a wonderful tool for printing images in edition through the creation of pressure prints. Printing of relief blocks, registration, layout, paper size, and color will also be discussed. This class is open to beginners and advanced artists. Tuition includes a $20 lab fee.

Image: Rosae Reeder

Register by: March 4 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Thursdays, 9:30 a.m. - 12:30 p.m.  (Zoom meetings supplemented by Canvas content)
Instructor:  Roberto Osti 
Six-Week Short Course (18 Hours) 

The human body is one of the most fascinating and inspiring subjects for artists, but many are intimidated by its complexity. Join Roberto Osti, artist, teacher and author of Basic Human Anatomy: An Essential Visual Guide, to draw the human figure with confidence through an understanding its basic shapes and underlying anatomy. Study the human form from a structural point of view to become familiar with its basic landmarks, essential volumes, main muscle groups, and proportional relationships. Supplement this anatomical knowledge with classical rendering methods using graphite, charcoal, and chalk on on white and toned papers, including the trois crayons technique, to produce beautiful figure drawings. The online structure allows for an optimal overhead view of the instructor’s demonstration drawings and a focused but conversational community environment as students draw alongside the instructor and complete in-class work together. 

Image:  Roberto Osti, Katal Huyuk Venus, 2006, red eath colored pencil on paper, 13.75x17.75 

Register by: March 5 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering. 
Information for PAFA CE Online Courses

Thursdays, 6 - 9 p.m. 
Instructor: Shushana Rucker 
Six-Week Short Course (18 Hours) 

Explore the possibilities of palette knife painting in this six-week course led by artist Shushana Rucker. Designed for painters of all levels, the course introduces students to a range of knife techniques for applying oil paint to create bold lines and strong texture. Through demonstrations, guided exercises, and individual feedback, students will learn how to mix bold color and use texture to heighten expression and atmosphere. Working from observation and reference imagery, participants will complete several finished paintings and develop a personal approach to working with the knife. No prior palette knife experience required.

Image: Shushana Rucker, View from I-76, oil on panel, 6 x 12 in.

Register by: March 5 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.

Fridays, 10 a.m. - 1 p.m. (Zoom meetings supplemented by Canvas content)
Instructor:  Colleen O'Donnell 
Six-Week Short Course (18-Hour Equivalent) 

Unlock your creative voice through the art of assemblage. Learn how to build a cohesive body of mixed-media work by exploring themes, motifs, and the power of working in a series. Through discussion, material exploration, and supportive critique, develop your visual language while experimenting with found objects and personal materials. By the end of the course, each participant will complete a meaningful 3–6 piece assemblage mini-series that expresses their unique story and artistic perspective.

Image: Student Patti Rosenberg.

Register by: March 6 
Materials List - Coming Soon 
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.  
Information for PAFA CE Online Courses

Saturday and Sunday, 9 a.m. - 4 p.m.
Instructor: Frederic Kaplan 
Weekend Workshop 

Gain the basics you need to step into an acrylic painting practice! Learn to use quick-drying acrylics in thin, transparent layers as well as thicker, more opaque applications that produce textural and impasto effects. Materials like fluid mediums, gels, and pastes will be demonstrated, along with both brush and palette knife techniques. Experiment with both limited and expanded color palettes as you work from still life subjects. This workshop is ideal for students looking for a non-toxic, flexible painting medium, as well as anyone seeking to explore acrylics’ excellent potential for representational and abstract work. Drawing experience is recommended.   

Image: Fred Kaplan. 

Register by: March 6 
Materials List - Coming Soon
Please review CE's Winter/Spring 2026 Policy Guide, including withdrawal/refund policies, prior to registering.