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Observational Drawing Practices (In-Person)
with John Horn
Tuesdays, 9 a.m. - 12 p.m.
Instructor: John Horn
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
Strengthen and hone your foundational drawing skills through a series of one- and two-day projects. Topics of concern will be design, structure of space, perspective, and light and shade. Subjects will include interior space, single objects and still life arrangements, and the life model. All levels from beginner to advanced are welcome. Note: Tuition includes a $15 models fee.
Image: Hobson Lafayette Pittman, [Still life: bottles and fruit], mid 20th century, Pastel on brown wove paper, 13 3/4 x 25 3/4 in. Collection of PAFA, Accession #1972.18.37, Bequest of the artist, © artist or artist’s estate.
Register by: May 17
Materials List
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Woodcut & Relief Printmaking (In-Person)
with Ron Wyffels
Tuesdays, 1 - 4 p.m.
Instructor: Ron Wyffels
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
Printing from a drawing carved into wood or a linoleum block is the oldest and most straightforward form of printmaking. The direct nature of this process makes it an ideal introduction to printmaking for beginners, while artists of all levels enjoy its potential for intricate detail and graphic impact. This six-week course is the perfect condensed exploration into this striking technique. All aspects of the process will be covered, including drawing on the block, carving your design and printing black-and white and color prints. All levels welcome. Tuition includes a $20 lab fee.
Learning Objectives
- Students will gain a basic understanding of the relief printing process.
- Students will acquire technical experience in preparing woodblocks & linoleum blocks to receive their drawn images.
- Students will learn safe and smart cutting techniques for making their printing blocks.
- Students will acquire technical expertise by proofing and printing their black & white and color relief prints, including skills in ink brayer use & press operation.
- Students will learn printmaking professionalism including printing editions on clean registered printmaking paper and signing and numbering editions appropriately.
- Students will learn the importance of image development by exploring various possibilities with the process.
- Students will develop critical visual and verbal skills through individual discussions with the instructor and with their peers.
Image: Ron Wyffels.
Register by: May 13
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Figurative Open Studio: 2D (In-Person)
with John Horn
Thursdays, 9 a.m. - 12 p.m.
Instructor: John Horn
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
This comprehensive figure-focused class offers an open atelier structure in which students of all levels may pursue personal work from models in their choice of drawing or painting media. Concepts of proportion, anatomy, gesture, and light and shade will be discussed and critiqued individually, depending on the student’s experience. Model set-ups will range from croquis (short poses) to extended poses. All media are welcome for students with prior experience; drawing recommended for beginners. Note: Tuition includes a $35 models fee.
Image: John Horn.
Register by: May 17
Summer 2024 CE Policy Guide, including withdrawal/refund policies
The Landscape Oil Sketch (Outdoor)
with Roger Chavez
Thursdays, 10 a.m. - 2 p.m.
Instructor: Roger Chavez
Five-Week Short Course (20 Hours)
Credit: Non-Credit Only
The oil sketch is a traditional way for painters to execute preparatory ideas and quickly capture initial impressions – perfect for plein air painting! Learn useful techniques for rapidly encapsulating color and form while working directly from observation. Locations with shade and restrooms include Bartram’s Garden along the Schuylkill River and the John Heinz National Wildlife Refuge at Tinicum, near Philadelphia International Airport. Note: Students are responsible for their own transportation to painting locations.
Image: Roger Chavez.
Register by: May 17
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Narrative Painting for Fine Art and Illustration (Water-Media) (Online)
with Kate Samworth
Thursdays, 3 - 5 p.m. (Zoom with posted Canvas content)
Instructor: Kate Samworth
Six-Week Short Course (18 hours)
Credit: Non-Credit Only
Develop your artistic voice through a series of drawing and painting projects with artist and award-winning illustrator, Kate Samworth. Work from observation, memory, and imagination to learn to clearly communicate your ideas through pictures. Content includes demonstrations in perspective drawing, working from reference materials, and developing the palette best suited to the intention of each work of art. Weekly feedback from instructor and group conversations/critiques will cultivate new ideas and promote understanding of course concepts. Students will work in drawing materials and the water-based color media of their choice. Learning Objectives:
- Use new approaches to conveying ideas and emotions
- Deepen your understanding of perspective to create a convincing sense of space and atmosphere
- Develop a personal sense of color harmony through color mixing exercises
- Learn the most effective ways to work from reference materials and avoid the pitfalls of using photographic references
- Examine historical and contemporary narrative works as a means of developing your voice
Image: Kate Samworth, Pollinators.
Register by: May 17
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Alternative Media for Illustrators (Online)
with James Heimer
Thursdays, 6 - 9 p.m. (Zoom with posted Canvas content)
Instructor: James Heimer
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
Refine your visual communications skills and experiment with personal style through unconventional media. In other words, this is creative playtime for adults.
This course is designed for creative professionals who are eager to expand their personal mark-making language, strengthen their capacity for visual problem solving, and develop unique strategies for managing creative block. Students will be challenged with creating illustrative two- and three-dimensional work using found materials in addition to experimenting with DIY printmaking methods. Through various group exercises and individual assignments, this class will encourage artistic growth through critical thinking and process-related risk.
This course will utilize the online learning platform Canvas, and includes video demonstrations, lectures, and assignments. Weekly group exercises and individual critiques will be conducted via Zoom.
Image: James Heimer.
Register by: May 17
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Information for PAFA CE Online Courses
Urban Landscape Drawing (Outdoor)
with Frederic Kaplan
Fridays, 10 a.m. - 1 p.m.
Instructor: Frederic Kaplan
Six-Week Short Course (18 Hours)
Credit: Non-Credit Only
Capture Philadelphia’s picturesque historic and commercial architecture, using fundamental observational drawing techniques. Learn simple methods for applying the principles of linear and atmospheric perspective to your drawings, giving them dimension and depth. Students at all experience levels are welcome, with instruction designed to appeal both to those who enjoy portraying landscape subjects in the open air and to students seeking to hone their basic drawing skills. This course takes place in easy-to-access Central Philadelphia and University City locations. Restrooms are available near all sites. Note: Students are responsible for their own transportation to drawing locations.
Image: Student artwork.
Register by: May 17
Summer 2024 CE Policy Guide, including withdrawal/refund policies
Comprehensive Portrait Sculpture (In-Person)
with Morgan Dummitt
Tuesdays, 9 a.m. - 4 p.m.
Instructor: Morgan Dummitt
Six-Week Condensed Course (36 Hours)
Credit: Non-Credit or 1.0 Undergraduate Credit (See Below)
Modeling the portrait in clay is a foundational skill of traditional sculpture. Working from a model, learn to create a portrait from composition to completed sculpture. Instruction for this uniquely comprehensive course will encompass learning to build an armature, modeling the form in clay, and casting in plaster to preserve the finished artwork. Topics of study will include proportion, composition, structure, and simplified sculptural form.
This class consists of six meetings, which will be divided as follows:
Week 1- 4: Full day clay modeling
Weeks 5 - 6: Full day plaster casting
Note: Course tuition includes a $50 model fee.
Optional: This course is available for 1.0 undergraduate credit for $745 (including models fee). Select credit option with price adjustment when registering.
Image: Morgan Dummitt.
Register by: May 17
Summer 2024 CE Policy Guide, including withdrawal/refund policies